Tragedies. PoemsG. Routledge & Sons, 1867 |
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Página 6
... character of the performance , with reference to the maturity of the author's powers . But , taken in connexion with that evidence , it becomes important . Now , we have no hesitation in believing , although it would be exceedingly ...
... character of the performance , with reference to the maturity of the author's powers . But , taken in connexion with that evidence , it becomes important . Now , we have no hesitation in believing , although it would be exceedingly ...
Página 8
... character , that of Mercutio , according to the sagacious Mrs. Lenox - appears to us somewhat idle work . PERIOD OF THE ACTION , AND Manners . THE slight foundation of historical truth which can be established in the legend of Romeo and ...
... character , that of Mercutio , according to the sagacious Mrs. Lenox - appears to us somewhat idle work . PERIOD OF THE ACTION , AND Manners . THE slight foundation of historical truth which can be established in the legend of Romeo and ...
Página 9
... character of beauty and majesty , and the first necessities of shelter and defence had been associated with the ... characters , the love - lorn Romeo , the fiery Tybalt , the gallant gay Mercutio , & c . , some very different habit ...
... character of beauty and majesty , and the first necessities of shelter and defence had been associated with the ... characters , the love - lorn Romeo , the fiery Tybalt , the gallant gay Mercutio , & c . , some very different habit ...
Página 10
... characters correctly . Artists of every description are , in our opinion , perfectly justified in clothing the dramatis person of this ragedy in the habits of the time in which it was written , by which means all serious anachronisirs ...
... characters correctly . Artists of every description are , in our opinion , perfectly justified in clothing the dramatis person of this ragedy in the habits of the time in which it was written , by which means all serious anachronisirs ...
Página 24
... character exclaims , - " Take heed , Sir Puntarvolo , what you do , he'll bear no coals , I can tell you . " Gifford has given a quotation in illustration of this meaning ( which is the sense in which Shakspere here uses it ) , worth ...
... character exclaims , - " Take heed , Sir Puntarvolo , what you do , he'll bear no coals , I can tell you . " Gifford has given a quotation in illustration of this meaning ( which is the sense in which Shakspere here uses it ) , worth ...
Otras ediciones - Ver todas
Términos y frases comunes
Alcib Alcibiades Apem Apemantus Athens beauty better Brabantio Cæsar called Capulet Cassio Cloten copy Cordelia Cymbeline Cyprus daughter dead dear death Desdemona doth edition Emil Enter Exeunt Exit eyes father fear Flav folio follow fool fortune gentleman give Gloster gods GUIDERIUS Hamlet hath hear heart heaven honest honour Iach Iago ILLUSTRATIONS OF ACT Imogen Juliet Julius Cæsar Kent king knave lady Laertes Lear look lord Lucullus madam Malone master Mercutio Michael Cassio mistress nature never night noble Nurse Othello passage Pisanio play poet Polonius poor Posthumus pray quarto reads Queen Romeo Romeo and Juliet SCENE servant Shakspere Shakspere's soul speak speech Steevens sweet sword tell thee There's thine thing thou art thou hast thought Timon Timon of Athens Tybalt villain wilt word
Pasajes populares
Página 124 - ... twere, the mirror up to nature; to show virtue her own feature, scorn her own image, and the very age and body of the time his form and pressure.
Página 127 - Why, look you now, how unworthy a thing you make of me ! You would play upon me ; you would seem to know my stops ; you would pluck out the heart of my mystery ; you would sound me from my lowest note to the top of my compass : and there is much music, excellent voice, in this little organ ; yet cannot you make it speak. 'Sblood, do you think I am easier to be played on than a pipe ? Call me what instrument you will, though you can fret me, you cannot play upon me.
Página 124 - O, there be players that I have seen play, and heard others praise, and that highly, not to speak it profanely, that, neither having the accent of christians, nor the gait of christian, pagan, nor man, have so strutted, and bellowed, that I have thought some of Nature's journeymen had made men, and not made them well, they imitated humanity so abominably.
Página 124 - Speak the speech, I pray you, as I pronounced it to you, trippingly on the tongue : but if you mouth it, as many of your players do, I had as lief the town-crier spoke my lines.
Página 106 - Oft breaking down the pales and forts of reason ; Or by some habit, that too much o'er-leavens The form of plausive manners ; — that these men, — Carrying, I say, the stamp of one defect, Being nature's livery, or fortune's star, — Their virtues else, be they as pure as grace, As infinite as man may undergo, Shall in the general censure take corruption From that particular fault : the dram of eale Doth all the noble substance of a doubt, To his own scandal.] Enter Ghost.
Página 22 - Good pilgrim, you do wrong your hand too much, Which mannerly devotion shows in this; For saints have hands that pilgrims' hands do touch, And palm to palm is holy palmers
Página 206 - Full little knowest thou, that hast not tried, What hell it is in suing long to bide: To lose good days, that might be better spent; To waste long nights in pensive discontent; To speed to-day, to be put back to-morrow; To feed on hope, to pine with fear and sorrow; To have thy prince's grace, yet want her peers...
Página 318 - No more of that. I pray you, in your letters, When you shall these unlucky deeds relate, Speak of me as I am ; nothing extenuate, Nor set down aught in malice : then must you speak Of one that lov'd not wisely but too well ; Of one not easily jealous, but, being wrought, Perplex'd in the extreme ; of one whose hand, Like the base Indian, threw a pearl away Richer than all his tribe...
Página 305 - The fountain from the which my current runs, Or else dries up ; to be discarded thence ! Or keep it as a cistern for foul toads To knot and gender in ! Turn thy complexion there, Patience, thou young and rose-lipp'd cherubin, — Ay, there, look grim as hell ! Des.
Página 295 - Never, lago. Like to the Pontic sea, Whose icy current and compulsive course Ne'er feels retiring ebb, but keeps due on To the Propontic and the Hellespont, Even so my bloody thoughts, with violent pace, Shall ne'er look back, ne'er ebb to humble love, Till that a capable and wide revenge Swallow them up. Now, by yond marble heaven, [Kneels] In the due reverence of a sacred vow I here engage my words.