Pamphlets in Philology and the Humanities, Volumen41896 |
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Página 2
... Parnassian and Sym- bolistic Schools of Poetry . 11-13 A. Causes that led to Changes 11-12 B. Reaction and Changes .. 12-13 VI . Résumé .... 13-14 A. Classicists 13 B. Romanticists . 14 C. Parnassians . 14 D. Decadents and Symbolists 14 ...
... Parnassian and Sym- bolistic Schools of Poetry . 11-13 A. Causes that led to Changes 11-12 B. Reaction and Changes .. 12-13 VI . Résumé .... 13-14 A. Classicists 13 B. Romanticists . 14 C. Parnassians . 14 D. Decadents and Symbolists 14 ...
Página 8
... Parnassian school was to make the character of the verse con- struction harmonize with the character of the logical sense ... Parnassians this varies . The following are the most important rules observed by the modern schools of poetry ...
... Parnassian school was to make the character of the verse con- struction harmonize with the character of the logical sense ... Parnassians this varies . The following are the most important rules observed by the modern schools of poetry ...
Página 9
... Parnassians exacted rime riche . The following are the most important rules of rime : 1. Rime is for the ear and not for the eye . 2. The same words can not rime , not even monosyllabic verbal terminations : Ressemblerais - je -- disais ...
... Parnassians exacted rime riche . The following are the most important rules of rime : 1. Rime is for the ear and not for the eye . 2. The same words can not rime , not even monosyllabic verbal terminations : Ressemblerais - je -- disais ...
Página 10
... Parnassians , however , insisted upon their being rigidly observed . The result was : α . Rimes cherchées and rimes calembour : Il appert du cachet que cette cire accuse , Que ce vin , compagnons , vient bien de Syracuse . b . The poets ...
... Parnassians , however , insisted upon their being rigidly observed . The result was : α . Rimes cherchées and rimes calembour : Il appert du cachet que cette cire accuse , Que ce vin , compagnons , vient bien de Syracuse . b . The poets ...
Página 11
... PARNASSIAN AND SYMBOLISTIC SCHOOLS OF POETRY . A. CAUSES THAT LED TO CHANGES . a . The severe , rigid laws of the ... Parnassians themselves . 1. The use of voiced and silent s in rime : os - eaux , Assonance i : ensevelis - de lys ...
... PARNASSIAN AND SYMBOLISTIC SCHOOLS OF POETRY . A. CAUSES THAT LED TO CHANGES . a . The severe , rigid laws of the ... Parnassians themselves . 1. The use of voiced and silent s in rime : os - eaux , Assonance i : ensevelis - de lys ...
Términos y frases comunes
Aesthetik Affekte aller Allgemeinen American andere ästhetische auch Aufgabe Ausdruck äußere äußeren Begriff beiden Beowulf Beredsamkeit besteht bleibt blos bringen Charakter daher darf Darstellung daß Dichter Dichtung diese durch Einheit Eintheilung endlich ergo erscheinen erscheint erst fern Form ganze ganzen Gedanken Gefühle Gegenstand Geist Gemälde Gemüth gerade Geschichte Goethe Gott Grund Handlung hemistich hervor Idee indem Inhalt Journal können Kraft Kuno Fischer Kunſt Künstler künstlerische Kunstwerk läßt Latin Leben lich Lisle Literary literature machen macht Magazine Malerei Menschen menschlichen muß müssen oder oratorische Oscan Parnassians Poesie poet poeticae poetische poetry quam Rede Redner rednerische repraesentationes rime rythms schon schönen schönen Kunst Schönheit Seele sein sind Sinne sinnlich social soll Sprache stehen steht Stoff syllable Theile Thema tritt unserer verschiedene verse vielmehr Vollkommenheit wahre Wahrheit Weise Werke Wesen wesentlich wieder Wirkung Wort würde yellow journalism Zeit zugleich Zuhörer Zweck
Pasajes populares
Página 11 - E, candeurs des vapeurs et des tentes, Lances des glaciers fiers, rois blancs, frissons d'ombelles ; I, pourpres, sang craché, rire des lèvres belles -, Dans la colère ou les ivresses pénitentes ; U, cycles, vibrements...
Página 6 - Standing on earth, not rapt above the pole. More safe I sing with mortal voice, unchanged To hoarse or mute, though fallen on evil days, On evil days though fallen, and evil tongues.
Página 6 - I think it will be found that the grand style arises in poetry, when a noble nature, poetically gifted, treats with simplicity or with severity a serious subject.