The Journal of English and Germanic Philology, Volumen10University of Illinois, 1911 |
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Página 3
... beginning . ( Compare the doubtful intonation quoted by Jespersen : nicht einen Pfennig mehr , which could be just as well : nicht einen Pfennig mehr . cf. Edward Wheeler Scripture's works , especially his " Elements of Experimental ...
... beginning . ( Compare the doubtful intonation quoted by Jespersen : nicht einen Pfennig mehr , which could be just as well : nicht einen Pfennig mehr . cf. Edward Wheeler Scripture's works , especially his " Elements of Experimental ...
Página 56
... beginning , a middle and an end . " ( VII , 3. ) " To define the matter roughly , we may say that the proper magnitude is com- prised within such limits , that the sequence of events , according to the law of probability or necessity ...
... beginning , a middle and an end . " ( VII , 3. ) " To define the matter roughly , we may say that the proper magnitude is com- prised within such limits , that the sequence of events , according to the law of probability or necessity ...
Página 66
... beginnings to 1650 approximately ; the second from 1650 to the end of the seventeenth century . The latter date , it must be said , is chosen mainly for convenience and limitation . In the first period , English speculation on the ...
... beginnings to 1650 approximately ; the second from 1650 to the end of the seventeenth century . The latter date , it must be said , is chosen mainly for convenience and limitation . In the first period , English speculation on the ...
Página 71
... beginning too far back in their story . Sidney's statement , it is well worth noting , is limited in application to the writers who " will represent history . " 48 Furthermore , he takes up the point at the tail - end of his discussion ...
... beginning too far back in their story . Sidney's statement , it is well worth noting , is limited in application to the writers who " will represent history . " 48 Furthermore , he takes up the point at the tail - end of his discussion ...
Página 88
... beginning with Italian critical speculation and running through Elizabethan theory and prac- tice.93 That this disregard of Aristotle's prime law is a marked feature of many Elizabethan plays , including several of the best of ...
... beginning with Italian critical speculation and running through Elizabethan theory and prac- tice.93 That this disregard of Aristotle's prime law is a marked feature of many Elizabethan plays , including several of the best of ...
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adjectives Anglo-Saxon appears asneth assenech Beowulf Bevis Brockes century chansons de geste chap character construction criticism dative Deutsche drama edition eigi Elizabethan English evidence expression fact firir French Froissart gengar German Germanic languages Goethe Goethe's Gothic Greek Hávamál Havelok Heliand hero Horn influence ioseph Jews Johanna Schopenhauer King kononge Kunst language Latin Leben lines literary literature Loddfáfnir lord madr modern nature noun occurs Odin Olafr Old Norse original passage Peer Gynt phrases play poem poet poetry present Professor pronoun pronunciation reason reference relative clause rendered romances says scene sche Schiller seems sentence Shakespeare shows Shylock silfers Staël stage story Thomson thought tion translation unity University verb verse við Whitman words writer Wulfila þat þeir
Pasajes populares
Página 355 - For this cause left I thee in Crete, that thou shouldest set in order the things that are wanting, and ordain elders in every city, as I had appointed thee : 6 If any be blameless, the husband of one wife, having faithful children not accused of riot or unruly.
Página 245 - If a Jew wrong a Christian, what is his humility ? revenge : If a Christian wrong a Jew, what should his sufferance be by Christian example ? why, revenge. The villainy, you teach me, I will execute; and it shall go hard, but I will better the instruction.
Página 185 - Jesus answered, My kingdom is not of this world: if my kingdom were of this world, then would my servants fight, that I should not be delivered to the Jews...
Página 75 - So great an object: can this cockpit hold The vasty fields of France? or may we cram Within this wooden O the very casques That did affright the air at Agincourt? O, pardon! since a crooked figure may Attest in little place a million; And let us, ciphers to this great accompt, On your imaginary forces work.
Página 171 - Think not that I am come to send peace on earth: I came not to send peace but a sword. For I am come to set a man at variance against his father, and the daughter against her mother, and the daughterin-law against her mother-in-law. And a man's foes shall be they of his own household.
Página 243 - I hate him for he is a Christian : But more, for that, in low simplicity, He lends out money gratis, and brings down The rate of usance here with us in Venice. If I can catch him once upon the hip, I will feed fat the ancient grudge I bear him.
Página 82 - To make a child now swaddled, to proceed Man, and then shoot up, in one beard and weed, Past three-score years ; or, with three rusty swords, And help of some few foot and half-foot words, Fight over York and Lancaster's long jars, And in the tyring-house bring wounds to scars.
Página 58 - Unity of plot does not, as some persons think, consist in the unity of the hero. For infinitely various are the incidents in one man's life, which cannot be reduced to unity; and so, too, there are many actions of one man out of which we cannot make one action.
Página 75 - Whose high upreared and abutting fronts The perilous narrow ocean parts asunder : Piece out our imperfections with your thoughts ; Into a thousand parts divide one man, And make imaginary puissance ; Think, when we talk of horses, that you see them Printing their proud hoofs i' the receiving earth ; For 'tis your thoughts that now must deck our kings, Carry them here and there ; jumping o'er times, Turning the accomplishment of many years Into an hour-glass...
Página 458 - It suffices if the whole drama be found not produced beyond the fifth act, of the style and uniformity, and that commonly called the plot, whether intricate or explicit, which is nothing indeed but such economy or disposition of the fable as may stand best with verisimilitude and decorum...