The Actor and the TextVirgin, 1992 - 303 páginas Cicely Berry, Voice Director of the Royal Shakespeare Company, is world-famous for her voice teaching. The Actor and the Text is her classic book, distilled from years of working with actors of the highest calibre. Building on the specific exercises covered in her first book, Voice and the Actor, Cicely Berry relates the practicality of voice production to the challenges of a different text. And by getting inside the words we use - whether those of Shakespeare or our contemporaries - she shows how to release their energy and excitement for an audience. |
Dentro del libro
Resultados 1-3 de 43
Página 8
... Shakespeare quotations from the plays ( with the exception of Titus Andronicus ) , taken from the New Penguin Shakespeare , edited by T.J.B. Spencer ( General Editor ) , and Stanley Wells ( Associate Editor ) . Hodder and Stoughton for ...
... Shakespeare quotations from the plays ( with the exception of Titus Andronicus ) , taken from the New Penguin Shakespeare , edited by T.J.B. Spencer ( General Editor ) , and Stanley Wells ( Associate Editor ) . Hodder and Stoughton for ...
Página 115
... Shakespeare , I think one of two things tends to happen : 1 Because we know it is big , the characters have size and ... Shakespeare's Use of Rhetoric ' . Brian Vickers ; ' Shakespeare and the Thoughts of his Age ' . W.R.Elton . From A ...
... Shakespeare , I think one of two things tends to happen : 1 Because we know it is big , the characters have size and ... Shakespeare's Use of Rhetoric ' . Brian Vickers ; ' Shakespeare and the Thoughts of his Age ' . W.R.Elton . From A ...
Página 251
... Shakespeare text as a touchstone : once you have become at ease with that language , other text falls into place . The jaggedness of Jacobean writing is more jagged because of our experi- ence of the equilibrium of Shakespeare and ...
... Shakespeare text as a touchstone : once you have become at ease with that language , other text falls into place . The jaggedness of Jacobean writing is more jagged because of our experi- ence of the equilibrium of Shakespeare and ...
Contenido
by Trevor Nunn | 8 |
Structures Energy Imagery and Sound | 14 |
Shakespeare | 40 |
Derechos de autor | |
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Términos y frases comunes
actor antithesis Antony Antony and Cleopatra audience aware Barnardo become beginning breath Caesar caesura character consonants Coriolanus Cressida Delroy dialogue Dingo doth emotional energy exercises feel give Hamlet happens hath hear heightened Hermia Iago iambic pentameter imagery important Julius Caesar Karn keep King Lear language Leontes listen look Love's Labour's Lost Macbeth meaning mememe metre mind Mogg move movement naturalistic night notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible reason rehearsal rhyme rhythm Richard Richard II Romeo and Juliet Rosalind round scene sense Shakespeare sing soliloquy sonnet sound space speak the text speech stress style syllables talking texture thee Theseus thing thou Troilus Troilus and Cressida verse voice vowels weight whole Winter's Tale words writing
Referencias a este libro
Script Analysis for Actors, Directors, and Designers James Michael Thomas Vista previa limitada - 2005 |
A Companion to Shakespeare and Performance Barbara Hodgdon,W. B. Worthen Sin vista previa disponible - 2007 |