The Actor and the TextVirgin, 1992 - 303 páginas Cicely Berry, Voice Director of the Royal Shakespeare Company, is world-famous for her voice teaching. The Actor and the Text is her classic book, distilled from years of working with actors of the highest calibre. Building on the specific exercises covered in her first book, Voice and the Actor, Cicely Berry relates the practicality of voice production to the challenges of a different text. And by getting inside the words we use - whether those of Shakespeare or our contemporaries - she shows how to release their energy and excitement for an audience. |
Dentro del libro
Resultados 1-3 de 25
Página 133
... shape will be present . So here are some speeches within scenes which we will look at briefly . First look at the two speeches of Troilus and Cressida on page 93 : The two speeches take on each other's shape . Both start with a ...
... shape will be present . So here are some speeches within scenes which we will look at briefly . First look at the two speeches of Troilus and Cressida on page 93 : The two speeches take on each other's shape . Both start with a ...
Página 147
... shape that the vowel suggests . You can then be clever and vary it by making arm shapes on specific vowels as they crop up , or perhaps on one word per line , but any one that you choose . I particularly like these exercises which make ...
... shape that the vowel suggests . You can then be clever and vary it by making arm shapes on specific vowels as they crop up , or perhaps on one word per line , but any one that you choose . I particularly like these exercises which make ...
Página 237
... shape is absolutely integral with the thought , yet it is often very free and moves swiftly , as is the case here . Just look at the shape of it : First , the statement of the subject at the beginning : ' Look on thy Country , look on ...
... shape is absolutely integral with the thought , yet it is often very free and moves swiftly , as is the case here . Just look at the shape of it : First , the statement of the subject at the beginning : ' Look on thy Country , look on ...
Contenido
by Trevor Nunn | 8 |
Structures Energy Imagery and Sound | 14 |
Shakespeare | 40 |
Derechos de autor | |
Otras 10 secciones no mostradas
Otras ediciones - Ver todas
Términos y frases comunes
actor antithesis Antony Antony and Cleopatra audience aware Barnardo become beginning breath Caesar caesura character consonants Coriolanus Cressida Delroy dialogue Dingo doth emotional energy exercises feel give Hamlet happens hath hear heightened Hermia Iago iambic pentameter imagery important Julius Caesar Karn keep King Lear language Leontes listen look Love's Labour's Lost Macbeth meaning mememe metre mind Mogg move movement naturalistic night notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible reason rehearsal rhyme rhythm Richard Richard II Romeo and Juliet Rosalind round scene sense Shakespeare sing soliloquy sonnet sound space speak the text speech stress style syllables talking texture thee Theseus thing thou Troilus Troilus and Cressida verse voice vowels weight whole Winter's Tale words writing
Referencias a este libro
Script Analysis for Actors, Directors, and Designers James Michael Thomas Vista previa limitada - 2005 |
A Companion to Shakespeare and Performance Barbara Hodgdon,W. B. Worthen Sin vista previa disponible - 2007 |