A Critical History of English PoetryChatto & Windus, 1950 - 539 páginas |
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Página 184
... style of Paradise Regained is in marked contrast to that of Paradise Lost . The opening books of that poem are starred with splendid similes ; there is not a single simile in the first three books of Paradise Regained . Milton has ...
... style of Paradise Regained is in marked contrast to that of Paradise Lost . The opening books of that poem are starred with splendid similes ; there is not a single simile in the first three books of Paradise Regained . Milton has ...
Página 350
... style than the simple lyrics and plain pastorals of 1801. The change of style may have been due in part to the study of Sidney and Daniel , whose acquaintance Wordsworth made at this time : certainly Daniel's “ middle style " was ...
... style than the simple lyrics and plain pastorals of 1801. The change of style may have been due in part to the study of Sidney and Daniel , whose acquaintance Wordsworth made at this time : certainly Daniel's “ middle style " was ...
Página 485
... style . In The Blessed Damozel there is the same clear painting of details , each for a moment in the focus of vision , " the clear - ranged unnumbered heads , " all on a background of infinite space . Later , Rossetti's colouring ...
... style . In The Blessed Damozel there is the same clear painting of details , each for a moment in the focus of vision , " the clear - ranged unnumbered heads , " all on a background of infinite space . Later , Rossetti's colouring ...
Otras ediciones - Ver todas
A Critical History of English Poetry Sir Herbert John Clifford Grierson,James Cruickshanks Smith Vista de fragmentos - 1956 |
A Critical History of English Poetry Sir Herbert John Clifford Grierson,James Cruickshanks Smith Vista de fragmentos - 1947 |
A Critical History of English Poetry Sir Herbert John Clifford Grierson Sin vista previa disponible - 2013 |
Términos y frases comunes
A. C. Swinburne A. H. Bullen allegory ballad beauty Blake blank verse Burns Byron called century character charm Chaucer Christian Coleridge comedy Cowper Crabbe death delight diction didactic Donne drama dream Dryden E. K. Chambers early Elizabethan England English poetry epic eyes Faerie Queene feeling French Greek heart Heaven human hymns imagination inspired interest John Johnson Keats King Lady language later lines live lover Lycidas metre Milton mind mood moral Nature never night odes Oxfd Paradise Paradise Lost passion pastoral Petrarch plays poems poet poet's poetic political Pope Pope's prose Queen religious rhyme romance satire scene Scots Scott Scottish sense Shakespeare Shelley Shelley's songs sonnets soul Spenser spirit stanza story style Swinburne tells Tennyson thee theme things Thomas thou thought tion tradition tragedy translation truth vols words Wordsworth write written wrote