A Critical History of English PoetryChatto & Windus, 1950 - 539 páginas |
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Página 111
... Tragedy , which could not take off from Interlude as Comedy did . It was 1562 before Sackville and Norton produced in Gorboduc the first English tragedy . Unhappily they modelled it on the so - called Seneca , whose declamatory Latin ...
... Tragedy , which could not take off from Interlude as Comedy did . It was 1562 before Sackville and Norton produced in Gorboduc the first English tragedy . Unhappily they modelled it on the so - called Seneca , whose declamatory Latin ...
Página 116
... tragedy . The spring of the tragedy in Tamburlaine , and the centre of interest , is Tamburlaine himself ; it is his tragedy . So with Faustus , and Barabbas , and Edward II . In each case the tragedy begins in the hero and ends with ...
... tragedy . The spring of the tragedy in Tamburlaine , and the centre of interest , is Tamburlaine himself ; it is his tragedy . So with Faustus , and Barabbas , and Edward II . In each case the tragedy begins in the hero and ends with ...
Página 127
... Tragedy is an episode ; it passes , and the general life resumes its course . But since the tragic hero is a man of high degree , whose fate affects the common weal , provision must be made for carrying on his work . So in all these ...
... Tragedy is an episode ; it passes , and the general life resumes its course . But since the tragic hero is a man of high degree , whose fate affects the common weal , provision must be made for carrying on his work . So in all these ...
Otras ediciones - Ver todas
A Critical History of English Poetry Sir Herbert John Clifford Grierson,James Cruickshanks Smith Vista de fragmentos - 1956 |
A Critical History of English Poetry Sir Herbert John Clifford Grierson,James Cruickshanks Smith Vista de fragmentos - 1947 |
A Critical History of English Poetry Sir Herbert John Clifford Grierson Sin vista previa disponible - 2013 |
Términos y frases comunes
A. C. Swinburne A. H. Bullen allegory ballad beauty Blake blank verse Burns Byron called century character charm Chaucer Christian Coleridge comedy Cowper Crabbe death delight diction didactic Donne drama dream Dryden E. K. Chambers early Elizabethan England English poetry epic eyes Faerie Queene feeling French Greek heart Heaven human hymns imagination inspired interest John Johnson Keats King Lady language later lines live lover Lycidas metre Milton mind mood moral Nature never night odes Oxfd Paradise Paradise Lost passion pastoral Petrarch plays poems poet poet's poetic political Pope Pope's prose Queen religious rhyme romance satire scene Scots Scott Scottish sense Shakespeare Shelley Shelley's songs sonnets soul Spenser spirit stanza story style Swinburne tells Tennyson thee theme things Thomas thou thought tion tradition tragedy translation truth vols words Wordsworth write written wrote