Shakespeare's Tragic SkepticismYale University Press, 2002 M01 1 - 283 páginas Readers of Shakespeare's greatest tragedies have long noted the absence of readily explainable motivations for some of Shakespeare's greatest characters: why does Hamlet delay his revenge for so long? Why does King Lear choose to renounce his power? Why is Othello so vulnerable to Iago's malice? But while many critics have chosen to overlook these omissions or explain them away, Millicent Bell demonstrates that they are essential elements of Shakespeare's philosophy of doubt. Examining the major tragedies, Millicent Bell reveals the persistent strain of philosophical skepticism. Like his contemporary, Montaigne, Shakespeare repeatedly calls attention to the essential unknowability of our world. In a period of social, political, and religious upheaval, uncertainty hovered over matters great and small--the succession of the crown, the death of loved ones from plague, the failure of a harvest. Tumultuous social conditions raised ultimate questions for Shakespeare, Bell argues, and ultimately provoked in him a skepticism which casts shadows of existential doubt over his greatest masterpieces. |
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Resultados 1-5 de 33
Página iv
... Tragedies . 2. Shakespeare , William , 1564-1616 - Philosophy . 3. Skepticism in literature . 4. Tragedy . I. Title . 2002 PR2983.B45 822.3'3 - dc21 2002003122 A catalogue record for this book is available from the British Library . The ...
... Tragedies . 2. Shakespeare , William , 1564-1616 - Philosophy . 3. Skepticism in literature . 4. Tragedy . I. Title . 2002 PR2983.B45 822.3'3 - dc21 2002003122 A catalogue record for this book is available from the British Library . The ...
Página xi
... tragedies which I see not as faults of craft but as part of Shakespeare's poetic - dramatic ver- sion of reality and ... tragedy " may be said with equal truth to lie in action issu- ing from character , or in character issuing from ...
... tragedies which I see not as faults of craft but as part of Shakespeare's poetic - dramatic ver- sion of reality and ... tragedy " may be said with equal truth to lie in action issu- ing from character , or in character issuing from ...
Página xii
... Tragedy : Religion , Ideol- ogy , and Power in the Drama of Shakespeare's Contemporaries ( 1984 ) , said that the play " repudiates the essentialism which the human- ist reading of it presupposes . " I have been influenced by this view ...
... Tragedy : Religion , Ideol- ogy , and Power in the Drama of Shakespeare's Contemporaries ( 1984 ) , said that the play " repudiates the essentialism which the human- ist reading of it presupposes . " I have been influenced by this view ...
Página xiii
... Tragedy ( 1983 ) , argues that King Lear " refuses to fulfill the generic promise inherent in its story . " Accord ... tragedies without taking account of the presence of such im- mediate historic realities as threats against the crown ...
... Tragedy ( 1983 ) , argues that King Lear " refuses to fulfill the generic promise inherent in its story . " Accord ... tragedies without taking account of the presence of such im- mediate historic realities as threats against the crown ...
Página xiv
... Catherine Bel- sey ) . I find that Shakespeare's tragedies are themselves stagings of this debate . In Hamlet the new personal will that is the maker of the self is forced into tragic contest with imposed social xiv Preface.
... Catherine Bel- sey ) . I find that Shakespeare's tragedies are themselves stagings of this debate . In Hamlet the new personal will that is the maker of the self is forced into tragic contest with imposed social xiv Preface.
Contenido
Hamlet Revenge | 29 |
Othellos Jealousy | 80 |
Unaccommodated Lear | 138 |
Macbeths Deeds | 191 |
The Roman Frame | 241 |
Selected Bibliography | 279 |
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Términos y frases comunes
action actor ambiguous ambition Antony and Cleopatra Antony's appears asks audience Banquo blood Brabantio Brutus called Cassio cause character Claudius Cordelia crime daughters death deed denies Desdemona doubt dramatic Duncan Edgar Edmund Emilia expressed faith false father feel fideism Florio Folio Fool Fortinbras fourth act ghost Gloucester Goneril Hamlet hath hear Holinshed Horatio human Iago Iago's idea identity imagination jealousy Julius Caesar Kent killed King Lear Lady Macbeth Laertes lago Lear's Macduff Machiavellian madness Malcolm marriage meaning mind Montaigne Montaigne's motive murder nature never observed Ophelia Othello philosophic skepticism play's playwright plot Plutarch Polonius prophecy Quarto reference Regan reminds revenge Roderigo role Roman royal says scene seems selfhood sense sexual Shake Shakespeare Shakespeare's play skepticism social soliloquy someone speaks speare's stage story suggested tells theater theatrical things thou thought tion tragedy tragic trial true truth witchcraft witches word
Referencias a este libro
Vanities of the Eye: Vision in Early Modern European Culture Stuart Clark Sin vista previa disponible - 2007 |
Special Section, Shakespeare and Montaigne Revisited Graham Bradshaw,T. G. Bishop,Peter Holbrook Vista previa limitada - 2006 |