Chord and Discord, Volumen2

Adagio already America Anton appearance artistic audience beauty become Beethoven beginning Boston Brahms Bruckner and Mahler called cello Chicago chorale Cleveland close complete composer composition concert conducted conductor course critics direction dominant Earth effect Eighth elements entire expression fact faith feeling Fifth Finale four Fourth friends given Gustav hand harmonic hear heard horns ideas important impression inspiration interest later Lied listener living major March master melody ment mind minor mood motif motive move movement musicians nature never Ninth once opening orchestra original passage performance perhaps Philharmonic played present record Romantic Scherzo score seems Seventh side Society song soprano sound spiritual strings suggested Symphony Symphony Orchestra thematic theme Third tion tonal tone true understanding University Vienna violins voice Wagner Walter whole York