A Companion to Mexican StudiesTamesis, 2006 - 225 páginas This most recent of the Tamesis Companion series traces the evolution of the major creative aspects of Mexican culture from pre-Columbian times to the present. Dealing in turn with the cultures of Mesoamerica, the colonial period, the onset of independence and the modern era, the author explores Aztec arts, the role of the performing arts in the process of evangelisation, manifestations of cultural dependence, of the search for national identity, and the struggle for modernity, drawing examples from such diverse activities as architecture, painting, music, dance, literature, film and media. There is also a brief account of the distinctive characteristics of Mexican Spanish. Maps, a chronology, a bibliographical essay and a lengthy bibliography round off this comprehensive guide, making it an indispensable research tool for those seriously interested in Mexican culture. Peter Standish is Professor of Spanish at East Carolina University, a constituent institution of the University of North Carolina. |
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Página 33
... early friars , recognizing that this was the case , lamented that instead of a thousand deities , the Indians now had a thousand and one . In art and architecture ( of which more below ) we see material reflections of this assimilative ...
... early friars , recognizing that this was the case , lamented that instead of a thousand deities , the Indians now had a thousand and one . In art and architecture ( of which more below ) we see material reflections of this assimilative ...
Página 58
... early as in 1608 the Consejo de Indias ( the king's chief advisory body ) reported to him that two thirds of the gold and silver being brought back to Spain was being lost to foreign interests . There were attempts by the Bourbon ...
... early as in 1608 the Consejo de Indias ( the king's chief advisory body ) reported to him that two thirds of the gold and silver being brought back to Spain was being lost to foreign interests . There were attempts by the Bourbon ...
Página 91
... early 1930s Izquierdo was the partner of Tamayo , that great critic of Muralism ; ironically , more than a decade after that relationship had ended she had the distinction of being commissioned by the government to paint a mural , the ...
... early 1930s Izquierdo was the partner of Tamayo , that great critic of Muralism ; ironically , more than a decade after that relationship had ended she had the distinction of being commissioned by the government to paint a mural , the ...
Contenido
Cultures and Conquest | 20 |
From Independence to the Early Twentieth Century | 58 |
The Revolution and Since | 76 |
Derechos de autor | |
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Términos y frases comunes
architecture artists Azcárraga Aztec became Bellas Artes called Cantinflas Cárdenas Carlos Chávez Chiapas church colonial conquest Contemporáneos corrido Cortés criollos critical culture dance deal Díaz Dolores del Río dominated early élite European example famous Fernández film foreign Frida Fuentes García González Guadalupe images important Indian indigenous industry influence interest José journalists Juan Juárez language later Latin American López Luis major Manuel María María Félix Maya Mesoamerica mestizo Mexican cinema Mexico City México DF Michoacán Miguel modern Montezuma Muralism muralists Nahuatl nineteenth century novel Nueva España Obregón Octavio Paz Olmecs Orozco painter painting Pancho Villa Pedro period plays poetry political popular Porfirio Porfirio Díaz pre-Hispanic President Press published Puebla radio Revista Revolution Revueltas Rivera social sometimes Sor Juana Spain Spaniards Spanish story style Teatro TELEVISA television Tenochtitlan Teotihuacan theatre tion Tlatelolco tradition twentieth century University Velasco Virgen women writers Yucatán Zapata