A Companion to Mexican StudiesTamesis, 2006 - 225 páginas This most recent of the Tamesis Companion series traces the evolution of the major creative aspects of Mexican culture from pre-Columbian times to the present. Dealing in turn with the cultures of Mesoamerica, the colonial period, the onset of independence and the modern era, the author explores Aztec arts, the role of the performing arts in the process of evangelisation, manifestations of cultural dependence, of the search for national identity, and the struggle for modernity, drawing examples from such diverse activities as architecture, painting, music, dance, literature, film and media. There is also a brief account of the distinctive characteristics of Mexican Spanish. Maps, a chronology, a bibliographical essay and a lengthy bibliography round off this comprehensive guide, making it an indispensable research tool for those seriously interested in Mexican culture. Peter Standish is Professor of Spanish at East Carolina University, a constituent institution of the University of North Carolina. |
Dentro del libro
Resultados 1-3 de 58
Página 10
... known as the Avenue of the Dead , long thought to have been 3 km long but now known to have been twice that length , and crossed by another of similar length . Two pyra- mids dominate the scene , one dedicated to the Sun , the other to ...
... known as the Avenue of the Dead , long thought to have been 3 km long but now known to have been twice that length , and crossed by another of similar length . Two pyra- mids dominate the scene , one dedicated to the Sun , the other to ...
Página 83
... known as Los Jardines del Pedregal , begun in 1945 , and in that he followed Lloyd Wright's precept of harmonizing architecture with the ( in this case volcanic ) landscape . In the late 1920s Barragán and some other architects , known ...
... known as Los Jardines del Pedregal , begun in 1945 , and in that he followed Lloyd Wright's precept of harmonizing architecture with the ( in this case volcanic ) landscape . In the late 1920s Barragán and some other architects , known ...
Página 102
... known as the Grupo de los Cuatro ( if Russia had ' The Five ' and France ' The Six ' , why not a Mexican ' The Four ' ? ) - made sure that its rule lasted for years , though without quite the flair of Chávez and Revueltas . The modern ...
... known as the Grupo de los Cuatro ( if Russia had ' The Five ' and France ' The Six ' , why not a Mexican ' The Four ' ? ) - made sure that its rule lasted for years , though without quite the flair of Chávez and Revueltas . The modern ...
Contenido
Cultures and Conquest | 20 |
From Independence to the Early Twentieth Century | 58 |
The Revolution and Since | 76 |
Derechos de autor | |
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Términos y frases comunes
architecture artists Azcárraga Aztec became Bellas Artes called Cantinflas Cárdenas Carlos Chávez Chiapas church colonial conquest Contemporáneos corrido Cortés criollos critical culture dance deal Díaz Dolores del Río dominated early élite European example famous Fernández film foreign Frida Fuentes García González Guadalupe images important Indian indigenous industry influence interest José journalists Juan Juárez language later Latin American López Luis major Manuel María María Félix Maya Mesoamerica mestizo Mexican cinema Mexico City México DF Michoacán Miguel modern Montezuma Muralism muralists Nahuatl nineteenth century novel Nueva España Obregón Octavio Paz Olmecs Orozco painter painting Pancho Villa Pedro period plays poetry political popular Porfirio Porfirio Díaz pre-Hispanic President Press published Puebla radio Revista Revolution Revueltas Rivera social sometimes Sor Juana Spain Spaniards Spanish story style Teatro TELEVISA television Tenochtitlan Teotihuacan theatre tion Tlatelolco tradition twentieth century University Velasco Virgen women writers Yucatán Zapata