A Companion to Mexican StudiesTamesis, 2006 - 225 páginas This most recent of the Tamesis Companion series traces the evolution of the major creative aspects of Mexican culture from pre-Columbian times to the present. Dealing in turn with the cultures of Mesoamerica, the colonial period, the onset of independence and the modern era, the author explores Aztec arts, the role of the performing arts in the process of evangelisation, manifestations of cultural dependence, of the search for national identity, and the struggle for modernity, drawing examples from such diverse activities as architecture, painting, music, dance, literature, film and media. There is also a brief account of the distinctive characteristics of Mexican Spanish. Maps, a chronology, a bibliographical essay and a lengthy bibliography round off this comprehensive guide, making it an indispensable research tool for those seriously interested in Mexican culture. Peter Standish is Professor of Spanish at East Carolina University, a constituent institution of the University of North Carolina. |
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Página 50
... painting in Mexico , but more influential was the Flemish painter Simon Peyrens , who arrived in 1566. An important disciple of his was a man who had come to Mexico from the Basque country , Baltazar de Echave Orio ( 1548–1620 ) , known ...
... painting in Mexico , but more influential was the Flemish painter Simon Peyrens , who arrived in 1566. An important disciple of his was a man who had come to Mexico from the Basque country , Baltazar de Echave Orio ( 1548–1620 ) , known ...
Página 71
... painting followed classical and Romantic figurative styles , concentrating on religious and historical subjects . Academic painting took on a special character , consciously dealing with Mexican subjects , especially historical ones ...
... painting followed classical and Romantic figurative styles , concentrating on religious and historical subjects . Academic painting took on a special character , consciously dealing with Mexican subjects , especially historical ones ...
Página 91
... painting , and so his work is in some ways indigenist ; his humour and style , however , distinguished his approach from the earnest activities of other artists . A painting that will serve as an example is The Bicycle Race ( 1938 ) ...
... painting , and so his work is in some ways indigenist ; his humour and style , however , distinguished his approach from the earnest activities of other artists . A painting that will serve as an example is The Bicycle Race ( 1938 ) ...
Contenido
Cultures and Conquest | 20 |
From Independence to the Early Twentieth Century | 58 |
The Revolution and Since | 76 |
Derechos de autor | |
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architecture artists Azcárraga Aztec became Bellas Artes called Cantinflas Cárdenas Carlos Chávez Chiapas church colonial conquest Contemporáneos corrido Cortés criollos critical culture dance deal Díaz Dolores del Río dominated early élite European example famous Fernández film foreign Frida Fuentes García González Guadalupe images important Indian indigenous industry influence interest José journalists Juan Juárez language later Latin American López Luis major Manuel María María Félix Maya Mesoamerica mestizo Mexican cinema Mexico City México DF Michoacán Miguel modern Montezuma Muralism muralists Nahuatl nineteenth century novel Nueva España Obregón Octavio Paz Olmecs Orozco painter painting Pancho Villa Pedro period plays poetry political popular Porfirio Porfirio Díaz pre-Hispanic President Press published Puebla radio Revista Revolution Revueltas Rivera social sometimes Sor Juana Spain Spaniards Spanish story style Teatro TELEVISA television Tenochtitlan Teotihuacan theatre tion Tlatelolco tradition twentieth century University Velasco Virgen women writers Yucatán Zapata