The English Prosody: With Rules Deduced from the Genius of Our Language, and the Examples of the PoetsCrocker, 1847 - 152 páginas |
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Página 4
... short , and some are of intermediate lengths ; as , mat , not , con , & c . are short sounds ; mate , note , cone , and grave are long . Some of our diphthongal sounds are longer still ; as , voice , noise , sound , bound , & c . Others ...
... short , and some are of intermediate lengths ; as , mat , not , con , & c . are short sounds ; mate , note , cone , and grave are long . Some of our diphthongal sounds are longer still ; as , voice , noise , sound , bound , & c . Others ...
Página 5
... short syllables , because their lengths are various . Poetic numbers are composed of long and short syllables alternately ; and grammarians have laid it down as a general rule , that the proportion between long and short syllables , in ...
... short syllables , because their lengths are various . Poetic numbers are composed of long and short syllables alternately ; and grammarians have laid it down as a general rule , that the proportion between long and short syllables , in ...
Página xiii
... short , and some are of intermediate lengths ; as , mat , not , con , & c . are short sounds ; mate , note , cone , and grave are long . Some of our diphthongal sounds are longer still ; as , voice , noise , sound , bound , & c . Others ...
... short , and some are of intermediate lengths ; as , mat , not , con , & c . are short sounds ; mate , note , cone , and grave are long . Some of our diphthongal sounds are longer still ; as , voice , noise , sound , bound , & c . Others ...
Página xiii
... short syllables , because their lengths are various . Poetic numbers are composed of long and short syllables alternately ; and grammarians have laid it down as a general rule , that the proportion between long and short syllables , in ...
... short syllables , because their lengths are various . Poetic numbers are composed of long and short syllables alternately ; and grammarians have laid it down as a general rule , that the proportion between long and short syllables , in ...
Página 6
... short quantity would not be wanted ; for the terms cadence , would be equally proper , or more so . - accent and But quantity is not precisely the same as accent , and is not always constituted by it altogether , as I will show by ...
... short quantity would not be wanted ; for the terms cadence , would be equally proper , or more so . - accent and But quantity is not precisely the same as accent , and is not always constituted by it altogether , as I will show by ...
Otras ediciones - Ver todas
The English Prosody; with Rules Deduced from the Genius of Our Language, and ... Asa Humphrey Sin vista previa disponible - 2013 |
The English Prosody: With Rules Deduced from the Genius of Our Language, and ... Asa Humphrey Sin vista previa disponible - 2019 |
Términos y frases comunes
accent and cadence adapted amphibrachic verse amphimac anapæstic verse ănd antibacchy antient arranged bacchy bards blank verse cæsural pause called CHAPTER Cite examples comma marks common Composite Orders couplet dactyle descriptive different kinds emphasis English prosody foot foregoing four feet metre genius grammar Greeks half spondee harmony hence iambic verse iambus irregular kinds of feet kinds of verse language long and short lyre lyric manner melody mode of scansion moloss monosyllable movement nature necessary numbers o'er observed in reading Orthoepy pertaining to verse Pindaric poem poetic pauses poetical composition poetry poets principles proper properly pyrrhic Questions and Exercises reading verse regular correspondence regular order rhyme rules and precepts Sapphic Sappho SECT sentiment sheer iambic short quantity short syllables sometimes song sounds and pauses species stanza strophe style syntax pauses technical terms thě thee thou tion tones Tribrachs trochaic verse trochee verse is composed versification voice words