him any way, I bless myself every way: You are both sure', and will assist me? CON. To the death, my lord. D. JOHN. Let us to the great supper; their cheer is the greater, that I am subdued: "Would the cook were of my mind!-Shall we go prove what's to be done? BORA. We'll wait upon your lordship. [Exeunt. ACT II. SCENE I. A Hall in LEONATO's House. Enter LEONATO, ANTONIO, HERO, BEATRICE, and others. LEON. Was not count John here at supper? BEAT. How tartly that gentleman looks! I never can see him, but I am heart-burned an hour after 2. HERO. He is of a very melancholy disposition. BEAT. He were an excellent man, that were made just in the mid-way between him and Benedick: the one is too like an image, and says nothing; and the other, too like my lady's eldest son, evermore tattling. LEON. Then half signior Benedick's tongue in count John's mouth, and half count John's melancholy in signior Benedick's face, BEAT. With a good leg, and a good foot, uncle, and money enough in his purse, such a man would 2 both SURE,] i. e. to be depended on. So, in Macbeth: "Thou sure and firm-set earth." STEEVENS. -HEART-BURNED an hour after.] The pain commonly called the heart-burn, proceeds from an acid humour in the stomach, and is therefore properly enough imputed to tart looks. JOHNSON. win any woman in the world,-if he could get her good will. LEON. By my troth, niece, thou wilt never get thee a husband, if thou be so shrewd of thy tongue. ANT. In faith, she's too curst. BEAT. Too curst is more than curst: I shall lessen God's sending that way: for it is said, God sends a curst cow short horns; but to a cow too curst he sends none. LEON. So, by being too curst, God will send you no horns. BEAT. Just, if he send me no husband; for the which blessing, I am at him upon my knees every morning and evening: Lord! I could not endure a husband with a beard on his face; I had rather lie in the woollen ". 3 LEON. You may light upon a husband, that hath no beard. BEAT. What should I do with him? dress him in my apparel, and make him my waiting gentlewoman? He that hath a beard, is more than a youth; and he that hath no beard, is less than a man: and he that is more than a youth, is not for me; and he that is less than a man, I am not for him: Therefore I will even take sixpence in earnest of the bear-herd, and lead his apes into hell. LEO. Well then, go you into hell? 3 in the WOOLLEN.] I suppose she means-between blankets, without sheets. STEEVENS. 4 Well then, &c.] Of the two next speeches Dr. Warburton says," All this impious nonsense thrown to the bottom, is the players', and foisted in without rhyme or reason." He therefore puts them in the margin. They do not deserve indeed so honourable a place; yet I am afraid they are too much in the manner of our author, who is sometimes trying to purchase merriment at too dear a rate. JOHNSON. I have restored the lines omitted. STEEVENS. BEAT. No; but to the gate; and there will the devil meet me, like an old cuckold, with horns on his head, and say, Get you to heaven, Beatrice, get you to heaven; here's no place for you maids: so deliver I up my apes, and away to Saint Peter for the heavens; he shows me where the bachelors sit, and there live we as merry as the day is long. Ant. Well, niece, [TO HERO,] I trust, you will be ruled by your father. BEAT. Yes, faith; it is my cousin's duty to make courtesy, and say, Father, as it please you :-but yet for all that, cousin, let him be a handsome fellow, or else make another courtesy, and say, Father, as it please me. LEON. Well, niece, I hope to see you one day fitted with a husband. BEAT. Not till God make men of some other metal than earth. Would it not grieve a woman to be over-mastered with a piece of valiant dust? to make an account of her life to a clod of wayward marl? No, uncle, I'll none: Adam's sons are my brethren; and truly, I hold it a sin to match in my kindred. LEON. Daughter, remember, what I told you: if the prince do solicit you in that kind, you know your answer. BEAT. The fault will be in the musick, cousin, if you be not woo'd in good time; if the prince be too important, tell him, there is measure in every thing, and so dance out the answer. For hear me, sif the prince be too IMPORTANT,] Important here, and in many other places, is importunate. JOHNSON. So, in King Lear, Act IV. Sc. IV.: 66 great France My mourning, and important tears hath pitied." STEEVENS. 6- there is MEASURE in every thing,] A measure in old language, beside its ordinary meaning, signified also a dance. MALONE. Hero; Wooing, wedding, and repenting, is as a Scotch jig, a measure, and à cinque-pace: the first suit is hot and hasty, like a Scotch jig, and full as fantastical; the wedding, mannerly-modest, as a measure full of state and ancientry; and then comes repentance, and, with his bad legs, falls into the cinque-pace faster and faster, till he sinks into his grave. LEON. Cousin, you apprehend passing shrewdly. BEAT. I have a good eye, uncle; I can see a church by day-light. LEON. The revellers are entering, brother; make good room. Enter Don PEDRO, CLAUDIO, BENEDICK, BALTHAZAR'; Don JOHN, BORACHIO, Margaret, Ursula, and others, masked. D. PEDRO. Lady, will you walk about with your friend R ? So, in King Richard II. : 7 My legs can keep no measure in delight, STEEVENS. Balthazar ;] The quarto and folio add—or dumb John. STEEVENS. Here is another proof that when the first copies of our author's plays were prepared for the press, the transcript was made out by the ear. If the MS. had lain before the transcriber, it is very unlikely that he should have mistaken Don for dumb: but, by an inarticulate speaker, or inattentive hearer, they might easily be confounded. MALONE. Don John's taciturnity has been already noticed. It seems therefore not improbable that the author himself might have occasionally applied the epithet dumb to him. REED. 8 - - your FRIEND?] Friend, in our author's time, was the common term for a lover. So also in French and Italian. MALONE. Mr. Malone might have added, that this term was equally applicable to both sexes; for, in Measure for Measure, Lucio tells Isabella that her brother had " got his friend with child." STEEVENS. HERO. So you walk softly, and look sweetly, and SO say nothing, I am yours for the walk; and, especially, when I walk away. D. PEDRO. With me in your company? D. PEDRO. And when please you to say so? HERO. When I like your favour; for God defend, the lute should be like the case1! D. PEDRO. My visor is Philemon's roof; within the house is Jove 2. 9 for God DEFEND,] i. e. forbid. So in the ancient MS. Romance of the Sowdon of Babyloyne, p. 38: "But saide, damsele, thou arte woode; "Both mete and drinke, and other goode "That no man shulde them thider sende." See Othello, Act I. Sc. III. STEEVENS. 1- the LUTE should be like the CASE!] i. e. that your face should be as homely and coarse as your mask. THEOBALD. 2 My visor is Philemon's roof; within the house is Jove.] The first folio has-Love; the quarto, 1600-Iove; so that here Mr. Theobald might have found the very reading which, in the following note, he represents as a conjecture of his own. STEEVENS. "Tis plain, the poet alludes to the story of Baucis and Philemon from Ovid; and this old couple, as the Roman poet describes it, lived in a thatch'd cottage : stipulis et cannâ tecta palustri. But why, "within this house is love?" Though this old pair lived in a cottage, this cottage received two straggling Gods, (Jupiter and Mercury,) under its roof. So Don Pedro is a prince; and though his visor is but ordinary, he would insinuate to Hero, that he has something godlike within alluding either to his dignity, or the qualities of his mind and person. By these circumstances, I am sure, the thought is mended: as, I think verily, the text is too, by the addition of a single letter-' within the house is Jove. Nor is this emendation a little confirmed by another passage in our author, in which he plainly alludes to the same story. As You Like It: "Jaques. O, knowledge ill inhabited, worse than Jove in a thatched house! THEOBALD. The line of Ovid above quoted is thus translated by Golding, 1587 : |