Men do their broken weapons rather rather use, Bra. I pray you, hear her speak ; If she confess that she was half the wooer, Destruction on my head, if my bad blame Where most you owe obedience? Des. I do perceive here a divided duty. My noble father, To you I am bound for life and education; How to respect you; you are the lord of duty; Bra. I here do give thee that with all my heart, When remedies are past, the griefs are ended, By seeing the worst, which late on hopes depended. To mourn a mischief that is past and gone, Is the next way to draw new mischief on. 1 i. e. "let me speak as yourself would speak, were you not too much heated with passion."-Sir J. Reynolds. 2 Grise. This word occurs again, in the same sense, in Timon of Athens What cannot be preserved when fortune takes, The robbed, that smiles, steals something from the thief ; He robs himself, that spends a bootless grief. Bra. So let the Turk of Cyprus us beguile; He bears the sentence well, that nothing bears Being strong on both sides, are equivocal; Oth. The tyrant custom, most grave senators, I find in hardness; and do undertake These present wars against the Ottomites. Due reference of place, and exhibition," 1 i. e. “that the wounds of sorrow were ever cured by the words of consolation." Pierced is here used for penetrated. 2 To slubber here means to obscure. 3 A driven bed is a bed for which the feathers have been selected by driving with a fan, which separates the light from the heavy. 4 To agnize is to acknowledge, confess, or avow. It sometimes signified "to know by some token, to admit, or allow." 5 "I desire that proper disposition be made for my wife, that she may have a fit place appointed for her residence, and such allowance, accommodation, and attendance, as befits her rank." Exhibition for allowance has already occurred in King Lear, and in The Two Gentlemen of Verona. With such accommodation, and besort, As levels with her breeding. Duke. Be't at her father's. Bra. Oth. Nor I. Des. If you please, I'll not have it so. Nor I; I would not there reside, To put my father in impatient thoughts, To assist my simpleness. your voice,2 Duke. What would you, Desdemona? Des. That I did love the Moor to live with him, 4 I saw Othello's visage in his mind By his dear absence. Let me go with him. Oth. Your voices, lords;-'beseech you, let her will Have a free way. Vouch with me, Heaven; I therefore beg it not, To please the palate of my appetite; Nor to comply with heat (the young affects, 1 Thus in the quarto 1622. The folio, to avoid the repetition of the same epithet, reads: 66 Most gracious duke, To my unfolding lend a prosperous ear." 2 That is, "let your favor privilege me." 3 By her "downright violence and storm of fortunes "Desdemona means, the bold and decisive measures she had taken in giving herself to the Moor. The old quarto reads scorn of fortune. 4 Quality here, as in other passages of Shakspeare, means profession. The quarto reads, " My heart's subdued even to the utmost pleasure of my lord." 1 In me defunct) and proper satisfaction; 1 That my disports corrupt and taint my business, Make head against my estimation! Duke. Be it as you shall privately determine, Either for her stay, or going: the affair cries-haste, And speed must answer it; you must hence to-night. Des. To-night, my lord? Duke. Oth. This night. With all my heart. Duke. At nine i' the morning here we'll meet again. 1 Steevens reads, at the suggestion of sir T. Hanmer:"Nor to comply with heat, the young affects, In my distinct and proper satisfaction." Malone reads disjunct instead of distinct. In the Bondman of Massinger we have a passage evidently copied from this speech of Othello: 66 Let me wear Your colors, lady, and though youthful heats, I am a constant lover of your mind," &c. Mr. Gifford observes, that, " as this shows how Shakspeare's contemporaries understood the lines, it should, I think, with us be decisive of their meaning." Affects occur incessantly in the sense of passions, affections; young affects are therefore perfectly synonymous with youthful heats. Mr. Gifford suggests that Shakspeare may have given affect in the singular to correspond with heat. Dr. Johnson's explanation is:-" I ask it not (says Othello) to please appetite or satisfy loose desires, the passions of youth, which I have now outlived, or for any particular gratification of myself, but merely that I may indulge the wishes of my wife." 2 i. e. because. 3 Thus the folio; except that, instead of active instruments, it has officed instrument. The quarto reads "And feathered Cupid foils," &c. Speculative instruments, in Shakspeare's language, are the eyes; and active instruments, the hands and feet. To seel is to close up. The meaning of the passage appears to be, "When the pleasures and idle toys of love make me unfit either for seeing the duties of my office, or for the ready performance of them." 4 The quarto reads reputation, Othello, leave some officer behind, And he shall our commission bring to you; Oth. Please your grace, my ancient; A man he is of honesty and trust; To his conveyance I assign my wife, With what else needful your good grace shall think Good night to every one.-And, noble seignior, If virtue no delighted1 beauty lack, [TO BRABANTIO. Your son-in-law is far more fair than black. 1 Sen. Adieu, brave Moor! use Desdemona well. Bra. Look to her, Moor; have a quick eye to see; She has deceived her father, and may thee. [Exeunt Duke, Senators, Officers, &c. Oth. My life upon her faith.-Honest Iago, My Desdemona must I leave to thee. I pr'ythee, let thy wife attend on her; And bring them after in the best advantage." Come, Desdemona; I have but an hour Of love, of worldly matters and direction, To spend with thee; we must obey the time. [Exeunt OTHELLO and DESDEMona. Rod. Iago Iago. What say'st thou, noble heart? Rod. I will incontinently drown myself. Iago. Well, if thou dost, I shall never love thee after it. Why, thou silly gentleman! Rod. It is silliness to live, when to live is a torment; and then have we a prescription to die, when death is our physician. Iago. O, villanous! I have looked upon the world 1 Delighted for delighting. |