Race and Time: American Women's Poetics from Antislavery to Racial ModernityUniversity of Iowa Press, 2004 - 336 páginas Race and Time urges our attention to women’s poetry in considering the cultural history of race. Building on close readings of well known and less familiar poets—including Elizabeth Margaret Chandler, Sarah Louisa Forten, Hannah Flagg Gould, Frances Ellen Watkins Harper, Sarah Piatt, Mary Eliza Tucker Lambert, Sarah Josepha Hale, Eliza Follen, and Mary Mapes Dodge—Gray traces tensions in women’s literary culture from the era of abolitionism to the rise of the Plantation tradition. She devotes a chapter to children’s verse, arguing that racial stereotypes work as “nonsense” that masks conflicts in the construction of white childhood. A compilation of the poems cited, most of which are difficult to find elsewhere, is included as an appendix. Gray clarifies the cultural roles women’s poetry played in the nineteenth-century United States and also reveals that these poems offer a fascinating, dynamic, and diverse field for students of social and cultural history. Gray’s readings provide a rich sense of the contexts in which this poetry is embedded and examine its aesthetic and political vitality in meticulous detail, linking careful explication of the texts with analysis of the history of poetry, canons, literacy, and literary authority. Race and Time distinguishes itself from other critical studies not only through its searching, in-depth readings but also through its sustained attention to less known poets and its departure from a Dickinson-centered model. Most significantly, it offers a focus on race, demonstrating how changes in both the U.S. racial structure and women’s place in public culture set the terms for change in how women poets envisioned the relationship between poetry and social power. Gray’s work makes contributions to several fields of study: poetry, U.S. literary history and American studies, women’s studies, African American studies and whiteness studies, children’s literature, and cultural studies. While placing the works of figures who have been treated elsewhere (e.g., Dickinson and Harper) into revealing new relationships, Race and Time does much to open interdisciplinary discussion of unfamiliar works. |
Dentro del libro
Resultados 1-5 de 36
... male Modernism and into the hushed sepulchers of dead white women poets. Elaine Showalter pointed me toward several passages, one of which led directly to my previous book, She Wields a Pen: American Women Poets of the Nineteenth ...
... male con- sciousness works out its transcendence.26 This is the theme whose horrific side Edgar Allan Poe encrypted in explaining his choice of topics for “The Raven”: “The death, then, of a beautiful woman is, unquestionably, the most ...
... male authority, as Mammy figures do in slave narra- tives, but the white-constructed stereotype converts her subversive poten- tial into an instrument for keeping the racial system in place. Unfeminine and verbally aggressive toward ...
... male-dominated world, Piatt holds onto but also ironizes the themes of antebellum women's public culture. A woman's poems may go on the market, but Piatt puts up guards against popularity, insisting on the selectiveness of her audience ...
... male , American childhood — the province of masculinist expertise . Hall sought to wrest boys away from the female me- diator of premodern culture and her genteel heirs , and , for him , African- ism provided models of male virility ...
Contenido
61 | |
III POSTBELLUM | 101 |
IV OTHER TIMESChildhood and Nonsense | 183 |
Poems Cited | 235 |
Notes | 293 |
Works Cited | 311 |
Index | 321 |
Otras ediciones - Ver todas
Race and Time: American Women's Poetics from Antislavery to Racial Modernity Janet Gray Vista de fragmentos - 2004 |