Race and Time: American Women's Poetics from Antislavery to Racial ModernityUniversity of Iowa Press, 2004 - 336 páginas Race and Time urges our attention to women’s poetry in considering the cultural history of race. Building on close readings of well known and less familiar poets—including Elizabeth Margaret Chandler, Sarah Louisa Forten, Hannah Flagg Gould, Frances Ellen Watkins Harper, Sarah Piatt, Mary Eliza Tucker Lambert, Sarah Josepha Hale, Eliza Follen, and Mary Mapes Dodge—Gray traces tensions in women’s literary culture from the era of abolitionism to the rise of the Plantation tradition. She devotes a chapter to children’s verse, arguing that racial stereotypes work as “nonsense” that masks conflicts in the construction of white childhood. A compilation of the poems cited, most of which are difficult to find elsewhere, is included as an appendix. Gray clarifies the cultural roles women’s poetry played in the nineteenth-century United States and also reveals that these poems offer a fascinating, dynamic, and diverse field for students of social and cultural history. Gray’s readings provide a rich sense of the contexts in which this poetry is embedded and examine its aesthetic and political vitality in meticulous detail, linking careful explication of the texts with analysis of the history of poetry, canons, literacy, and literary authority. Race and Time distinguishes itself from other critical studies not only through its searching, in-depth readings but also through its sustained attention to less known poets and its departure from a Dickinson-centered model. Most significantly, it offers a focus on race, demonstrating how changes in both the U.S. racial structure and women’s place in public culture set the terms for change in how women poets envisioned the relationship between poetry and social power. Gray’s work makes contributions to several fields of study: poetry, U.S. literary history and American studies, women’s studies, African American studies and whiteness studies, children’s literature, and cultural studies. While placing the works of figures who have been treated elsewhere (e.g., Dickinson and Harper) into revealing new relationships, Race and Time does much to open interdisciplinary discussion of unfamiliar works. |
Dentro del libro
Resultados 1-5 de 59
... roles that justify the use of black female bodies to reproduce racial oppression through time, Jezebel, Sapphire, and Mammy linger as reminders that the actuality of the historical processes of race cannot be abolished. This book then ...
... role of exotic object. In the history of relations between black and white Ameri- cans, race signifies a system for ... roles similar to those that gender dif- ference occupies in the dominant tradition of Western poetics. For a criti ...
... role of their race in creating the terror of slavery, the stereotype of Mammy represents a fantasy of bliss. As a substitute mother figure, Mammy gives body to the primordial other who has never quite been 18 Introduction.
... roles in reproducing slavery, particularly once the slave trade ended—their reproductivity regulated to make them the objects of sexual violence and economic desire. “As objects,” bell hooks writes, “one's reality is defined by others ...
... role of this assumption in defining what is American.1 To apply Morrison's claim to nineteenth - century women's po- etry not only helps clarify the cultural roles women's poetry.
Contenido
61 | |
III POSTBELLUM | 101 |
IV OTHER TIMESChildhood and Nonsense | 183 |
Poems Cited | 235 |
Notes | 293 |
Works Cited | 311 |
Index | 321 |
Otras ediciones - Ver todas
Race and Time: American Women's Poetics from Antislavery to Racial Modernity Janet Gray Vista de fragmentos - 2004 |