Bulletin of the New York Public Library, Volumen69Vol. 67, no. 6 (June 1963) includes article introducing Esther Elisabeth Larson's Swedish commentators on America, 1638-1865. |
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Página 88
The formal influence in all her poetry is the hymn . When music is con- sidered along with hymn texts , that influence is seen as pervasive . Her poetry was written as Watts's was written , as most hymns are written , par - odia , to an ...
The formal influence in all her poetry is the hymn . When music is con- sidered along with hymn texts , that influence is seen as pervasive . Her poetry was written as Watts's was written , as most hymns are written , par - odia , to an ...
Página 95
Each hymn , complete in itself , must send the reader back to the Bible ; must exist as a work of art , yet form a ... and blame given to Watts from the first publication of his hymns until now : " Spontaneity threatens tradition .
Each hymn , complete in itself , must send the reader back to the Bible ; must exist as a work of art , yet form a ... and blame given to Watts from the first publication of his hymns until now : " Spontaneity threatens tradition .
Página 97
She quit going to church , but she read hymns and practiced hymn tactics all her life . She knew the hymns of Whittier first from magazine publica- tion , then later in book form . She mentioned the work of F. W. Faber .
She quit going to church , but she read hymns and practiced hymn tactics all her life . She knew the hymns of Whittier first from magazine publica- tion , then later in book form . She mentioned the work of F. W. Faber .
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Thayer Walter N 76 | 3 |
APRIL 1965 NUMBER | 4 |
SEPTEMBER 1965 NUMBER | 7 |
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Bulletin of the New York Public Library, Volumen18,Parte2 New York Public Library Vista completa - 1914 |
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