Shakespeare Goes to ParisA&C Black, 2005 M02 1 - 270 páginas It has sometimes been assumed that the difficulty of translating Shakespeare into French has meant that he has had little influence in France. Shakespeare Goes to Paris proves the opposite. Virtually unknown in France in his lifetime, and for well over a hundred years after his death, Shakespeare was discovered in the first half of the eighteenth century, as part of a growing French interest in England. Since then, Shakespeare's impact in France has been enormous. Writers, from Voltaire to Gide, found themsleves baffled, frustrated, mesmerised but overawed by a playwright who broke all the rules of French classical theatre and challenged the primacy of French culture. Attempts to tame and translate him alternated with uncritical idolisation, such as that of Berlioz and Hugo. Changing attitudes to Shakespeare have also been an index of French self-esteem, as John Pemble shows in his sparkingly written book |
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Página xv
... race . But he was also a threat to refinement and coherence : as deeply implicated in the collapse of the European ... racial identity . The ambassadors of mankind , the architects of a Cartesian , homogeneous universe , became theorists ...
... race . But he was also a threat to refinement and coherence : as deeply implicated in the collapse of the European ... racial identity . The ambassadors of mankind , the architects of a Cartesian , homogeneous universe , became theorists ...
Página xvi
... races but of a Human Race . For 150 years Shakespeare would figure in French consciousness as both a genius and a stranger . Yet it remained axiomatic that genius was a stranger nowhere . It knew no bounds , as readers of the Année Lit ...
... races but of a Human Race . For 150 years Shakespeare would figure in French consciousness as both a genius and a stranger . Yet it remained axiomatic that genius was a stranger nowhere . It knew no bounds , as readers of the Année Lit ...
Página xix
... him as their contempo- rary , and a radical change in critical thinking was finally demolishing the cult of genius and the fiction of race . This page intentionally left blank 1 Farewell the Tranquil Mind INTRODUCTION XIX.
... him as their contempo- rary , and a radical change in critical thinking was finally demolishing the cult of genius and the fiction of race . This page intentionally left blank 1 Farewell the Tranquil Mind INTRODUCTION XIX.
Página 53
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Página 54
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Contenido
1 | |
2 A Genius in the Kingdom of Taste | 17 |
3 Stranger within the Gates | 43 |
4 A Story without an Ending | 69 |
5 Desdemonas Handkerchief | 93 |
6 His Hour upon the Stage | 119 |
7 The Trumpets of Fortinbras | 141 |
8 Waiting for Shakespeare | 165 |
9 The Metamorphosis of Envy | 185 |
Notes | 209 |
Index | 231 |
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Académie Française actors André Antoine André Gide anglaise Antoine artistic audience Barrault Baty beauty became Bourget British Chasles civilisation classical Comédie-Française Copeau Corneille critical cultural décor Delacroix Deschamps drama dramatique dramatist Ducis Dumas eighteenth century Encyclopédie English essay Etudes Fortinbras française France François-Victor Hugo French stage French theatre Gémier genius Gide's goût Hamlet Harriet Smithson Histoire Hugo Hugo's human Ibid idea intellectual Jacques Copeau Jean Jean-Louis Barrault King language Le Tourneur Lear less Lettres literary Littéraire littérature London Louis Macbeth Marmontel mind modern Molière never nineteenth century nouvelle édn Odéon Œuvres complètes Othello Paris Parisian performance Philarète Chasles Pierre Le Tourneur Pitoëff play poet poetry prose race Racine recognised Renaissance Revue Romantic Sarah Bernhardt sense Shake Shakespeare in France speare Staël Taine Taine's taste théâtre theatrical tion tragedy tragic trans translation verse Victor Hugo Vigny Voltaire Voltaire's word writing wrote