Rome in the Nineteenth Century: Containing a Complete Account of the Ruins of the Ancient City, the Remains of the Middle Ages, and the Monuments of Modern Times, with Remarks on the Fine Arts, on the State of Society, and on the Religious Ceremonies, Manners, and Customs, of the Modern Romans, in a Series of Letters Written During a Residence at Rome, in the Years 1817 and 1818, Volumen1James Ballantyne, 1822 - 459 páginas |
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Página 24
... believe the fourteenth . The second gate , re- presenting the history of the New Testament , though said to be by the same artist , struck me as so decidedly inferior , that I can scarcely believe it shared the equal commendation of the ...
... believe the fourteenth . The second gate , re- presenting the history of the New Testament , though said to be by the same artist , struck me as so decidedly inferior , that I can scarcely believe it shared the equal commendation of the ...
Página 28
... believe every competent judge will allow , that the architects and painters of England , in the reign of George the Third , have far surpassed their contemporaries in every other country ; and that her sculptors are only excelled by the ...
... believe every competent judge will allow , that the architects and painters of England , in the reign of George the Third , have far surpassed their contemporaries in every other country ; and that her sculptors are only excelled by the ...
Página 47
... believe , is of Lombard origin . In the interior , nothing meets the eye but the pomp of marble magnificence . Above your head , the lofty dome , and azure , vault , studded with golden stars , represent the glories of the firmament ...
... believe , is of Lombard origin . In the interior , nothing meets the eye but the pomp of marble magnificence . Above your head , the lofty dome , and azure , vault , studded with golden stars , represent the glories of the firmament ...
Página 48
... believe it was Mo- saic , and not painting . It is wonderful with what fidelity , both in design and colouring , a mere me- chanic art can give back the copy in stone , of the masterpieces of the pencil . The most delicate touches are ...
... believe it was Mo- saic , and not painting . It is wonderful with what fidelity , both in design and colouring , a mere me- chanic art can give back the copy in stone , of the masterpieces of the pencil . The most delicate touches are ...
Página 52
... believe . In the most barbarous times , hideous representations , or rather misrepresenta- tions , of men and animals and landscapes , were pro- bably made ; nay , dubious and forgotten names of the painters of such works have been ...
... believe . In the most barbarous times , hideous representations , or rather misrepresenta- tions , of men and animals and landscapes , were pro- bably made ; nay , dubious and forgotten names of the painters of such works have been ...
Otras ediciones - Ver todas
Términos y frases comunes
admiration adorned altar ancient antiquaries antiquity Apollo arch architecture artist Augustus Aventine Basilica Baths beautiful beheld believe beneath bronze building built called Capitol Capitoline Hill church columns Comitium dark Emperors erected Esquiline Esquiline Hill fancy feet Florence gates genius goddess grace Grecian head honour inscription Italian Italy Julius Cæsar Juturna lake Livy look magnificent marble Michael Angelo modern monuments Nero never noble once painting Palace Palatine Hill passed perfection perhaps Piazza Pliny Pope Porta portico remains Roman Forum Rome Romulus round ruins sacred saint scarcely sculpture seems seen Septimius Severus Servius Tullius side Siena spot St Peter's stands statue stone stood Suetonius summit supposed Tacitus taste Temple of Jupiter Temple of Peace Temple of Vesta Tiber tion Trajan Triumphal Velabrum Venus Vesta Vetturino Via Sacra Vide villa walls Winkelman
Pasajes populares
Página 163 - For softness she and sweet attractive grace: He for God only, she for God in him. His fair large front and eye sublime declared Absolute rule; and hyacinthine locks Round from his parted forelock manly hung Clustering, but not beneath his shoulders broad...
Página xiv - Whatever withdraws us from the power of our senses ; whatever makes the past, the distant, or the future predominate over the present, advances us in the dignity of thinking beings. Far from me and from my friends be such frigid philosophy, as may conduct us indifferent and unmoved over any ground which has been dignified by wisdom, bravery, or virtue. That man is little to be envied, whose patriotism would not gain force upon the plain of Marathon, or whose piety would not grow • warmer among...
Página 52 - There must be nothing like it in the heavens above nor in the earth beneath nor in the waters under the earth ; and in many cases there is not.
Página 213 - His peroration is worth recalling; he said: "it was the boast of Augustus that he found Rome of brick and left it of marble.
Página xiii - We were now treading that illustrious island, which was once the luminary of the Caledonian regions, whence savage clans and roving barbarians derived the benefits of knowledge and the blessings of religion. To abstract the mind from all local emotion would be impossible if it were endeavoured, and would be foolish if it were possible. Whatever withdraws us from the power of our senses — whatever makes the past, the distant, and the future predominate over the present — advances us in the dignity...
Página iii - Alas ! my friends ! Why mourn you thus ? let not a private loss Afflict your hearts. Tis Rome requires our tears. The mistress of the world, the seat of empire, The nurse of heroes, the delight of gods, That humbled the proud tyrants of the earth, And set the nations free, Rome is no more.
Página 232 - THOU stranger, which for Rome in Rome here seekest, And nought of Rome in Rome perceiv'st at all, These same old walls, old arches, which thou seest, Old palaces, is that which Rome men call. Behold what wreck, what ruin, and what waste, And how that she, which with her mighty power Tamed all the world, hath tamed herself at last ; The prey of Time, which all things doth devour.
Página 98 - Over this wild waste, no rural dwelling, nor scattered hamlets, nor fields, nor gardens, such as usually mark the approach to a populous city, were to be seen. All was ruin ; fallen monuments of Roman days, — grey towers of Gothic times, — abandoned habitations of modern years, — alone met the eye. No trace of man appeared, except in the lonely tomb, which told us he had been. Rome herself was all that we beheld. She stood alone in the wilderness, as in the world, surrounded by a desert of...
Página 6 - Wrestlers, the flexibility of the entwined limbs, the force of the muscles, and the life and action of the figures, are wonderful ; but the heads are totally destitute of meaning, and don't look as if they belonged to the bodies;* their fixed immoveable countenances have no marks even of that corporeal exertion, much less of that eager animation and passion which men struggling with each other in the heat of contest, and at the moment in which the victor triumphs over the vanquished, would naturally...
Página 144 - Its ceilings richly painted in fresco, — its pictured pavements of ancient mosaic, — its magnificent gates of bronze, — its polished columns of ancient porphyry, the splendid spoils of the ruins of Imperial Rome, — its endless accumulation of Grecian marbles, Egyptian granites, and Oriental Alabasters, the very names of which are unknown in Transalpine lands, — its bewildering extent, and prodigality of magnificence, — but, above all, its amazing treasures of sculpture, — have so confused...