English Drama, 1660-1700Clarendon Press, 1996 - 503 páginas Derek Hughes's magisterial work forms a close critical study of all the surviving plays written and professionally premiered in England between 1660 and 1700. This extremely readable volume analyses many individual texts, often in detail and for the first time, and also places them within the whole range of contemporary theatrical output, with its diversity of outlook and constant shifts in fashion and subject. Thus The Country-Wife (1675) and The Man of Mode (1676) are treated not as typical 'Restoration Comedies' but as almost unique plays, profoundly different even from each other, which would have been unimaginable even two years earlier or later than the time of their appearance. Hughes also presents innovative work on the political, intellectual, and social background of the corpus, with extensive discussion of its treatment of women and the contribution of women dramatists. |
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Página 349
... Lord Malepert comes home to find Gayman with his wife , Gayman talks his way out of the embarrassment by persuading Lord Malepert that he spent the night in his company , that he was sent ahead to arrange for refreshments , and that ...
... Lord Malepert comes home to find Gayman with his wife , Gayman talks his way out of the embarrassment by persuading Lord Malepert that he spent the night in his company , that he was sent ahead to arrange for refreshments , and that ...
Página 356
... Lord Touchwood's benefit , to have ' served a worthy Lord to whom I owe my self ' ( v . i . 25–6 ) . And , when Mask well expresses his libertine amorality , he does so by denying the universal currency of obligation . Social ties are ...
... Lord Touchwood's benefit , to have ' served a worthy Lord to whom I owe my self ' ( v . i . 25–6 ) . And , when Mask well expresses his libertine amorality , he does so by denying the universal currency of obligation . Social ties are ...
Página 395
... Lord Foppington , he attempts a comprehensive invasion of his brother's place , impersonating his identity and rank in an attempt to steal his bride - to - be and the estate that goes with her ( ' Get but the house , let the devil take ...
... Lord Foppington , he attempts a comprehensive invasion of his brother's place , impersonating his identity and rank in an attempt to steal his bride - to - be and the estate that goes with her ( ' Get but the house , let the devil take ...
Contenido
Influences | 1 |
Astraea Redux? Drama 16601668 | 30 |
Tragedy 16681676 | 78 |
Derechos de autor | |
Otras 6 secciones no mostradas
Términos y frases comunes
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