English Drama, 1660-1700Clarendon Press, 1996 - 503 páginas Derek Hughes's magisterial work forms a close critical study of all the surviving plays written and professionally premiered in England between 1660 and 1700. This extremely readable volume analyses many individual texts, often in detail and for the first time, and also places them within the whole range of contemporary theatrical output, with its diversity of outlook and constant shifts in fashion and subject. Thus The Country-Wife (1675) and The Man of Mode (1676) are treated not as typical 'Restoration Comedies' but as almost unique plays, profoundly different even from each other, which would have been unimaginable even two years earlier or later than the time of their appearance. Hughes also presents innovative work on the political, intellectual, and social background of the corpus, with extensive discussion of its treatment of women and the contribution of women dramatists. |
Dentro del libro
Resultados 1-3 de 88
Página 172
... claims of her new self , kneeling as he does so to express his continuing love . In their pastoral life , Leonidas had knelt to Palmyra when she was crowned as May Queen , the incident demonstrating a perfect harmony between public ...
... claims of her new self , kneeling as he does so to express his continuing love . In their pastoral life , Leonidas had knelt to Palmyra when she was crowned as May Queen , the incident demonstrating a perfect harmony between public ...
Página 246
... claims of the personal had been still more emphasized in Otway's rhymed Titus and Berenice ( Duke's , by November 1676 ) , where , as Jessica Munns has shown , Racine is inverted in the portrayal of a ruler corrupted by the sacrifice of ...
... claims of the personal had been still more emphasized in Otway's rhymed Titus and Berenice ( Duke's , by November 1676 ) , where , as Jessica Munns has shown , Racine is inverted in the portrayal of a ruler corrupted by the sacrifice of ...
Página 250
... claim to Antony : ' he ' , Cleopatra taunts , ' whom Law calls yours , | But whom his love made mine ' ( III . 433-4 ) ... claims his pound of flesh . 10 Nor does the echo emphasize merely her blinkered legalism , for it signals a blur ...
... claim to Antony : ' he ' , Cleopatra taunts , ' whom Law calls yours , | But whom his love made mine ' ( III . 433-4 ) ... claims his pound of flesh . 10 Nor does the echo emphasize merely her blinkered legalism , for it signals a blur ...
Contenido
Influences | 1 |
Astraea Redux? Drama 16601668 | 30 |
Tragedy 16681676 | 78 |
Derechos de autor | |
Otras 6 secciones no mostradas
Términos y frases comunes
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