English Drama, 1660-1700Clarendon Press, 1996 - 503 páginas Derek Hughes's magisterial work forms a close critical study of all the surviving plays written and professionally premiered in England between 1660 and 1700. This extremely readable volume analyses many individual texts, often in detail and for the first time, and also places them within the whole range of contemporary theatrical output, with its diversity of outlook and constant shifts in fashion and subject. Thus The Country-Wife (1675) and The Man of Mode (1676) are treated not as typical 'Restoration Comedies' but as almost unique plays, profoundly different even from each other, which would have been unimaginable even two years earlier or later than the time of their appearance. Hughes also presents innovative work on the political, intellectual, and social background of the corpus, with extensive discussion of its treatment of women and the contribution of women dramatists. |
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Resultados 1-3 de 82
Página 40
... male disguise ) vigorously pursuing and reforming their errant lovers . As in Tuke , marauding males ( here bandits ) are prominent , but their significance is now different . Tuke had opposed Antonio and the enemy soldiers as ...
... male disguise ) vigorously pursuing and reforming their errant lovers . As in Tuke , marauding males ( here bandits ) are prominent , but their significance is now different . Tuke had opposed Antonio and the enemy soldiers as ...
Página 189
... male design . For each suitor she assumes a false name , each name evoking centuries of male writing , male invocation of the female , and polite male fictions about woman's importance . As Sir Arthur Oldlove approvingly exclaims ...
... male design . For each suitor she assumes a false name , each name evoking centuries of male writing , male invocation of the female , and polite male fictions about woman's importance . As Sir Arthur Oldlove approvingly exclaims ...
Página 410
... male linguistic power , male judicial authority , describing himself as both ' Accuser ' and ' Judge ' ( IV . iv . 38 ) . At this stage , the only challenge to the judicial authority of the male comes from the judge's wife with whom ...
... male linguistic power , male judicial authority , describing himself as both ' Accuser ' and ' Judge ' ( IV . iv . 38 ) . At this stage , the only challenge to the judicial authority of the male comes from the judge's wife with whom ...
Contenido
Influences | 1 |
Astraea Redux? Drama 16601668 | 30 |
Tragedy 16681676 | 78 |
Derechos de autor | |
Otras 6 secciones no mostradas
Términos y frases comunes
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