English Drama, 1660-1700Clarendon Press, 1996 - 503 páginas Derek Hughes's magisterial work forms a close critical study of all the surviving plays written and professionally premiered in England between 1660 and 1700. This extremely readable volume analyses many individual texts, often in detail and for the first time, and also places them within the whole range of contemporary theatrical output, with its diversity of outlook and constant shifts in fashion and subject. Thus The Country-Wife (1675) and The Man of Mode (1676) are treated not as typical 'Restoration Comedies' but as almost unique plays, profoundly different even from each other, which would have been unimaginable even two years earlier or later than the time of their appearance. Hughes also presents innovative work on the political, intellectual, and social background of the corpus, with extensive discussion of its treatment of women and the contribution of women dramatists. |
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Página 26
... never applying the term strange to Caliban . The idea of fixed social place implies that an individual's identity is properly defined by and fully integrated with his or her social function . When , at the end of Jonson's Poetaster ...
... never applying the term strange to Caliban . The idea of fixed social place implies that an individual's identity is properly defined by and fully integrated with his or her social function . When , at the end of Jonson's Poetaster ...
Página 105
... never internally resolve— resolution only coming when the Emperor repents - and he never equals the socially perfect paragons of early Restoration drama . The courtier Arimant concedes that Aureng - Zebe is ambitious and that , since ...
... never internally resolve— resolution only coming when the Emperor repents - and he never equals the socially perfect paragons of early Restoration drama . The courtier Arimant concedes that Aureng - Zebe is ambitious and that , since ...
Página 418
... never speaks Truth at all ' ( I. i . 340 ) . Concern for truth is re- duced to the habitual yet meaningless rehearsal of a verbal formula : a mere quirk of dialect . Like the final protection of Mrs Fainall , the playful devaluation of ...
... never speaks Truth at all ' ( I. i . 340 ) . Concern for truth is re- duced to the habitual yet meaningless rehearsal of a verbal formula : a mere quirk of dialect . Like the final protection of Mrs Fainall , the playful devaluation of ...
Contenido
Influences | 1 |
Astraea Redux? Drama 16601668 | 30 |
Tragedy 16681676 | 78 |
Derechos de autor | |
Otras 6 secciones no mostradas
Términos y frases comunes
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