English Drama, 1660-1700Clarendon Press, 1996 - 503 páginas Derek Hughes's magisterial work forms a close critical study of all the surviving plays written and professionally premiered in England between 1660 and 1700. This extremely readable volume analyses many individual texts, often in detail and for the first time, and also places them within the whole range of contemporary theatrical output, with its diversity of outlook and constant shifts in fashion and subject. Thus The Country-Wife (1675) and The Man of Mode (1676) are treated not as typical 'Restoration Comedies' but as almost unique plays, profoundly different even from each other, which would have been unimaginable even two years earlier or later than the time of their appearance. Hughes also presents innovative work on the political, intellectual, and social background of the corpus, with extensive discussion of its treatment of women and the contribution of women dramatists. |
Dentro del libro
Resultados 1-3 de 70
Página 80
... reflects the idealization of Christian exploration prominent in several Renaissance epics ( notably the Lusiads ) . 5 For Almanzor as stranger , see Part I , 1. i . 198 , 235 , 239 ; V. i . 230 . that there is any law , or any reality ...
... reflects the idealization of Christian exploration prominent in several Renaissance epics ( notably the Lusiads ) . 5 For Almanzor as stranger , see Part I , 1. i . 198 , 235 , 239 ; V. i . 230 . that there is any law , or any reality ...
Página 247
... reflected in the impenetrable obscurity of divine language . Otherworldly language chiefly makes arbitrary ... reflects Lee's persistent suggestion that the family is naturally alien to the child which is born into it ( another ...
... reflected in the impenetrable obscurity of divine language . Otherworldly language chiefly makes arbitrary ... reflects Lee's persistent suggestion that the family is naturally alien to the child which is born into it ( another ...
Página 262
... reflects those patterns cannot reflect the conditions of their union : ' What shall I call this Medley of Creation ? ' ( V. 155 ) , Oedipus asks , contemplating his sibling offspring . Oedipus is not a unique monster , but an extreme ...
... reflects those patterns cannot reflect the conditions of their union : ' What shall I call this Medley of Creation ? ' ( V. 155 ) , Oedipus asks , contemplating his sibling offspring . Oedipus is not a unique monster , but an extreme ...
Contenido
Influences | 1 |
Astraea Redux? Drama 16601668 | 30 |
Tragedy 16681676 | 78 |
Derechos de autor | |
Otras 5 secciones no mostradas
Términos y frases comunes
adultery Albion and Albanius alien Almanzor Amphitryon Aphra Behn appears attempt Aureng-Zebe authority becomes bedroom trick Behn Behn's brother Brutus carnival Carolean characters Charles claims Cleomenes Cockwood comic contrast Country-Wife Crowne's cuckold daughter desire disguise dislocation divine Dorimant drama dramatists Dryden Duke Duke's Durfey Durfey's emphasizes English Etherege Evening's Love example Exclusion Crisis father female forms gentleman guise hero heroic play honour human husband identity innocence italics added John John Dryden judicial justice King King's Lady language Lee's libertine linguistic London Lord lovers Lucius Junius Brutus lust male marriage marry mistress Molière moral murder nature noble oppressive Oroonoko Otway Otway's parallel plot political portrays principles prostitute Queen rape repeatedly Restoration Restoration comedy ritual rival role satire Settle's sex comedy sexual Shadwell Shadwell's signs sister stage stranger theatre Thomas tion tragedy tyranny Venice Preserv'd villainous virtuous whereas Whig wife woman women word Wycherley