English Drama, 1660-1700Clarendon Press, 1996 - 503 páginas Derek Hughes's magisterial work forms a close critical study of all the surviving plays written and professionally premiered in England between 1660 and 1700. This extremely readable volume analyses many individual texts, often in detail and for the first time, and also places them within the whole range of contemporary theatrical output, with its diversity of outlook and constant shifts in fashion and subject. Thus The Country-Wife (1675) and The Man of Mode (1676) are treated not as typical 'Restoration Comedies' but as almost unique plays, profoundly different even from each other, which would have been unimaginable even two years earlier or later than the time of their appearance. Hughes also presents innovative work on the political, intellectual, and social background of the corpus, with extensive discussion of its treatment of women and the contribution of women dramatists. |
Dentro del libro
Resultados 1-3 de 91
Página 70
... sexual proposition from Lady Cockwood which Sentry brings to Courtall , and Sentry in turn hides to overhear the sexual boasts and plans of Sir Oliver . Lady Cockwood may be outstandingly ludicrous in her constant sexual tantalization ...
... sexual proposition from Lady Cockwood which Sentry brings to Courtall , and Sentry in turn hides to overhear the sexual boasts and plans of Sir Oliver . Lady Cockwood may be outstandingly ludicrous in her constant sexual tantalization ...
Página 137
... sexual character . Indeed , there can be few greater unsettlings of sexual stereotype than to show a Don Juan operating in the guise of a eunuch . In the opening lines , Horner prepares us for a conflict between the arbiters of society ...
... sexual character . Indeed , there can be few greater unsettlings of sexual stereotype than to show a Don Juan operating in the guise of a eunuch . In the opening lines , Horner prepares us for a conflict between the arbiters of society ...
Página 447
... sexual aggression , but just as important is the annihilation of the victim's body achieved by the mode of execution : a fragmentation of individual form , reflecting the oppress- ive indifference of authority to personal desires ...
... sexual aggression , but just as important is the annihilation of the victim's body achieved by the mode of execution : a fragmentation of individual form , reflecting the oppress- ive indifference of authority to personal desires ...
Contenido
Influences | 1 |
Astraea Redux? Drama 16601668 | 30 |
Tragedy 16681676 | 78 |
Derechos de autor | |
Otras 6 secciones no mostradas
Términos y frases comunes
actually adaptation alien appears associated attempt authority becomes Behn brother characters Charles civilization claims comedy comic contrast court creates daughter death desire disguise drama Dryden Duke's earlier early emphasizes English equally example existence experience expression father female figure final finds fixed follows force forms gives hand hero heroic honour human husband identity individual innocence interest John justice King King's Lady language later less linguistic London Lord lovers male marriage marry means mistress moral murder nature never noble original parallel play plot political portrays principles prostitute provides Queen rape reflects remains represents Restoration ritual rival role says sense sexual Shadwell shows signs social society stage stranger successful takes Thomas tion tragedy trick true turns universal whereas wife woman women young