Christina Rossetti, Critical Perspectives, 1862-1982Susquehanna University Press, 1985 - 187 páginas An extensive review of the critical reception Rossetti's poems have received in Britain and the United States. This volume both summarizes and explains the changing interests evinced by critics of Rossetti's works. |
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Página 58
... voice of poetry - the voice that sings in musical time . " Rossetti's three - beat line in " The Prince's Progress , ” “ Hark ! the bride weepeth , " is to Meynell an example of the poet's " strong , controlled , and leaping movement ...
... voice of poetry - the voice that sings in musical time . " Rossetti's three - beat line in " The Prince's Progress , ” “ Hark ! the bride weepeth , " is to Meynell an example of the poet's " strong , controlled , and leaping movement ...
Página 61
... voice - no echo - a woman's voice , curiously sweet , fantastically sad , " with which Rossetti speaks , says Levy , who credits the poet with " a passionate woman's heart " combined with " an imagination deep and tender . " Levy asks ...
... voice - no echo - a woman's voice , curiously sweet , fantastically sad , " with which Rossetti speaks , says Levy , who credits the poet with " a passionate woman's heart " combined with " an imagination deep and tender . " Levy asks ...
Página 111
... voice - she is talking to Cayley and not through a book but with the living voice . " 10 Georgina Battiscombe , in Christina Rossetti : A Divided Life ( 1981 ) , indicates that Rossetti's own family is reflected in " The Prince's ...
... voice - she is talking to Cayley and not through a book but with the living voice . " 10 Georgina Battiscombe , in Christina Rossetti : A Divided Life ( 1981 ) , indicates that Rossetti's own family is reflected in " The Prince's ...
Contenido
List of Illustrations | 8 |
Criticism 18621899 | 23 |
Criticism 19001939 | 68 |
Derechos de autor | |
Otras 3 secciones no mostradas
Términos y frases comunes
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