S

SALMON (Mrs.) her ingenuity, No. 28.
Sanctorius, his invention, No. 25.

Scholar's egg, what so called, No. 58.

Sempronia a professed admirer of the French nation, No. 45.
Sense: some men of sense more despicable than common
beggars, No. 6.

Sentry (Captain) a member of the Spectator's club, his cha--
racter, No. 2.

Sextus Quintus, the Pope, an instance of his unforgiving tem-
per, No. 23.

Shadows and realities not mixed in the same piece, No. 5.
Shovel (Sir Cloudesly): the ill-contrivance of his monument
in Westminster-Abbey, No. 26.

Sidney (Sir Philip): his opinion of the song of Chevy-Chase,.
No. 70.

Sighers, a club of them in Oxford, No. 30-Their regulati
ons, ib.

Sign-posts, the absurdities of many of them, No. 28.

Socrates, his temper and prudence, No. 23.

Solitude: an exemption from passions the only pleasing soli--
tude, No. 4..

Sophocles, his conduct in his tragedy of Electra, No. 44.
Sparrow's bought for the use of the Opera, No. 5.

Spartan virtue acknowledged by the Athenians, No. 6.
Spectator (the) his prefatory discourse, No. 1-His great
taciturnity, ibid-His vision of the Public Credit, 3-His
entertainment at the table of an acquaintance, 7-His re-
commendation of his speculations, 10-Advertised in the
Daily Courant, 12-His encounter with a lion behind the
scenes, 13-The design of his writings, 16-No party-man,
ibid-A little unhappy in the mould of his face, 17-His ar-
tifice, 19-His desire to correct impudence, 20-And reso-
lution to march on in the cause of virtue, 34-His visit to
a travelled lady, 45-His speculations in the first principles,
46-An odd accident that befel him at Lloyd's coffee-house,,
ibid-His advice to our English Pindaric writers, 58-His
examen of Sir Fopling Flutter, 65.

Spleen, a common excuse for dulness, No. 53:
Starers reproved, No. 20.

Statira proposed as a pattern to the Fair Sex, 41..
Superstion, the folly of it described, No. 7.

Susannah, or Innocence Betrayed, to be exhibited by Mr.
Powell, with a new pair of Elders, No. 14.

T.

TEMPLAR, one of the Spectator's club, his character, No. 2.
That, his remonstrance, No. 80.

Theatre (English) the practice of it in several instances cen-
sured, No. 42, 44, 51.

Thunder of great use on the stage, No 44.

Thunderer to the playhouse, the hardships put upon him, and
his desire to be made a cannon, No. 36.

Tom-tits to personate singing-birds in the opera, No. 5.
Tom the Tyrant, first minister of the coffee-house, between
the hours of eleven and twelve at night, No. 49.

Tombs in Westminster Abbey visited by the Spectator, No. 26
-His reflection upon them, ib.

Trade, the benefit of it to Great Britain, No. 69.

Tragedy, a perfect tragedy the noblest production of human
nature, No. 39-Wherein the modern tragedy excels that
of Greece and Rome, ibid-Blank verse most proper for
English tragedy, &c. ibid.

Tragi-comedy, the product of the English theatre, monstrous
invention, No. 40.

Travel highly necessary to a coquette, No. 45-The behaviour
of a travelled lady, in the play-house, ibid.

Truth, an enemy to false wit, No. 63.

Tryphiodorus, the great lipogrammatist of antiquity, No. 59.

V. U.

VENICE Preserv'd founded on a wrong plot, No. 39.
Ugliness: some speculations upon it, No. 32.

Visit: a visit to a travelled Lady, which she received in her
bed, described, No. 45.

Understanding: the abuse of it is a great evil, No. 6.

Vocifer; the qualifications that make him pass for a fine gen-
tleman, No. 75.

W.

WHO and Which, their petition to the Spectator, No. 78.

Wit: the mischief of it when accompanied with vice, No.
23-very pernicious when not tempered with virtue and
humanity, ibid-turned into deformity by affectation, 38-
Only to be valued as it is applied, 6-The history of false
wit, ibid-Every man would be a wit if he could, 59-The
way to try a piece of wit, 62-Mr. Locke's reflection on the
difference between wit and judgment, ibid-The god of wit
described, ib.

Women the more powerful part of our people, No. 4. Their
ordinary employments, 14. Smitten with superficials, 15.
Their usual conversation, ib. Their strongest passion, 23.
Not to be considered merely as objects of sight, ib.
Woman of quality: her dress the products of an hundred cli-
mates, No. 69.

Y.

Yarico: The story of her adventure, No. 11.

END OF THE FIRST VOLUME.

WM

$400