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" What gesture shall we appropriate to this ? What has the voice or the eye to do with such things ? But the play is beyond all art, as the tamperings with it shew : it is too hard and stony : it must have love-scenes, and a happy ending. "
The History of Christ's Hospital: From Its Foundation by King Edward the ... - Página 241
por John Iliff Wilson - 1821 - 308 páginas
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The Analectic Magazine, Volumen5

1815 - 558 páginas
...beyond all art, as the tamperings with it show : it is too ard and stony ; it must have love scenes, nnd a happy ending. It is not enough that Cordelia is a daughter; she must ahinc as a lover too. Tate has put his houk in the nostrils of this Leviathan, for Garrick and his...
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Characters of Shakespear's Plays

William Hazlitt - 1817 - 392 páginas
...ordinary purposes of life, but exerting its powers, as the wind blows where it listeth, at will on the corruptions and abuses of mankind. What have looks...It is not enough that Cordelia is a daughter, she mm shine as a lover too. Tate has put his hook in the nostrils of this Leviathan, for Garrick and his...
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Blackwood's Magazine, Volumen33

1833 - 1006 páginas
...only be felt in the spirit of religion. Charles Lamh, alluding to Tale's botchings, says well — " It is not enough that Cordelia is a daughter, she must shine as a lover too." Where is her hushand ? He seems to have come with her across the Channel — but to have been recalled...
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Characters of Shakespear's Plays

William Hazlitt - 1818 - 552 páginas
...them for conniving at the injustice of his children, he reminds them that " they themselves are old I" What gesture shall we appropriate to this ? What has...this Leviathan, for Garrick and his followers, the shewmen of the scene, to draw it about more easily. A happy ending! — as if the living martyrdom...
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Characters of Shakespeare's Plays

William Hazlitt - 1818 - 342 páginas
...beyond all art, as the tamperings with it shew : it is too hard and stony : it must have love scenes, and a happy ending. It is not enough that Cordelia...this Leviathan, for Garrick and his followers, the shewmen of the scene, to draw it about more easily. A happy ending ! — as if the living martyrdom...
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Characters of Shakespeare's Plays

William Hazlitt - 1818 - 328 páginas
...beyond all art, as the tamperings with it shew : it is too hard and stony : it must have love scenes, and a happy ending. It is not enough that Cordelia...this Leviathan, for Garrick and his followers, the shewmen of the scene, to draw it about more easily. A happy ending ! — as if the living martyrdom...
Vista completa - Acerca de este libro

The Etonian, Volumen1

1821 - 420 páginas
...or the eye to do with such things? But the play is beyond all art, as the tamperings with it show : it is too hard and stony ; it must have love-scenes...; she must shine as a lover too. Tate has put his book into the nostrils of this Leviathan, for Garrick and his followers, the showmen of the scene,...
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The Etonian, Volumen1

1821 - 410 páginas
...But the play is beyond all art, as the tamperings with it show : it is too hard and stony ; it mast have love-scenes and a happy ending. It is not enough...she must shine as a lover too. Tate has put his hook into the nostrils of this Leviathan, for Garrick and his followers, the showmen of the scene, to draw...
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The Etonian, Volumen1

Winthrop Mackworth Praed, Walter Blunt - 1822 - 430 páginas
...beyond all art, as the tamperings with it show : it is too hard and stony ; it must have love scenes and a happy ending. It is not enough that Cordelia...she must shine as a lover too. Tate has put his hook into the nostrils of this Leviathan, for Can-irk and his followers, the showmen of the scene, to draw...
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The Etonian, Volumen2

Winthrop Mackworth Praed, Walter Blunt - 1824 - 340 páginas
...or the eye to do with such things ? But the play is beyond all art, as the tamperings with it show : it is too hard and stony ; it must have love-scenes...she must shine as a lover too. Tate has put his hook into the nostrils of this Leviathan, for Garrick and his followers, the showmen of the scene, to draw...
Vista completa - Acerca de este libro




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