Goddesses and Queens: The Iconography of Elizabeth IAnnaliese Connolly, Lisa Hopkins Manchester University Press, 2007 - 194 páginas The visual images of Queen Elizabeth I displayed in contemporary portraits and perpetuated in more recent media such as film and television make her one of the most familiar and popular of all British monarchs. This collection of essays examines the diversity of the queen's extensive iconographical repertoire, focusing on both visual and textual representations of Elizabeth, not only in portraiture and literature, but also in contemporary sermons, speeches, and alchemical treatises. The collection broadens critical thinking about Elizabeth. Each essay contributes to the debate about the queen's developing iconicity not simply as a celebratory mode, but also as encoded criticism of her. Each of these essays explains the ways in which the varied representations of Elizabeth reflect the political and cultural anxieties of her subjects. |
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Página 1
... position as a female ruler , who remained unmarried , but to the strategies employed by both the queen and her public in order to respond to her position . The summary of Elizabeth , in sending up the large number of personae that were ...
... position as a female ruler , who remained unmarried , but to the strategies employed by both the queen and her public in order to respond to her position . The summary of Elizabeth , in sending up the large number of personae that were ...
Página 20
... position of women but to reinforce these two as anomalous females , thus limiting for both their power and influence . Elizabeth's political position paralleled Deborah's ; her single status , however , diverged from Deborah's roles of ...
... position of women but to reinforce these two as anomalous females , thus limiting for both their power and influence . Elizabeth's political position paralleled Deborah's ; her single status , however , diverged from Deborah's roles of ...
Página 155
... position by conceding that the F passages may contain minor retouchings of a later date , but their basic tenet is that the Folio has a unique authority as representing the ' real ' Cynthia's Revels . In this case , though , Herford and ...
... position by conceding that the F passages may contain minor retouchings of a later date , but their basic tenet is that the Folio has a unique authority as representing the ' real ' Cynthia's Revels . In this case , though , Herford and ...
Contenido
Elizabeths iconography and religious | 17 |
Warlike mates? Queen Elizabeth and Joan La Pucelle in 1 Henry VI | 34 |
Queen Elizabeth I as Lady | 45 |
Derechos de autor | |
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Otras ediciones - Ver todas
Goddesses and Queens: The iconography of Elizabeth I Annaliese Connolly,Lisa Hopkins Vista previa limitada - 2021 |
Goddesses and Queens: The iconography of Elizabeth I Annaliese Connolly,Lisa Hopkins Vista previa limitada - 2018 |
Goddesses and Queens: The Iconography of Elizabeth I Annaliese Connolly,Lisa Hopkins Sin vista previa disponible - 2007 |
Términos y frases comunes
Actaeon Aeneas alchemical alchemists argues arrow associated Astraea Babylon Blomfild body Book Carole Levin Chastity Christopher Marlowe Circa cited court courtiers critics Culture Cupid Cynthia Cynthia's Revels death Deborah Dido's Discoverie Ditchley Early Modern Echo edited Elizabeth's reign Elizabethan emblem England English epitaph Essex example Faerie Fairy Queen female figure Frances Yates gender Gloriana goddess gold Guiana hath Henry Henry VI icon iconography Joan Joan's John Jonson King Knox Lady Alchymia Laura Lisa Hopkins Literary London Louis Montrose male Marcus Marlowe's Dido Mary Midsummer Night's Dream monarch mother Myth of Elizabeth nature notes Oxford pageant Parliament Petrarch Petrarch's Phao play play's poem political potential presented Queen Elizabeth Ralegh references Renaissance representation role Routledge royal Sapho Semiramis Shakespeare Sieve portrait speech Spenser Stone story suggests Susan Doran Thomas Tilbury Titania translation triumphal Triumphs Tudor Virgin Queen William woman women writing