Shakespearean Criticism, Volumen1Dent, 1960 - 226 páginas |
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Página 163
... called beauty , unless it is accompanied with pleasure , it is easy to understand that whatever external object gives pleasure may by association be incorrectly called beautiful , inasmuch as the result in sensa- tion is more important ...
... called beauty , unless it is accompanied with pleasure , it is easy to understand that whatever external object gives pleasure may by association be incorrectly called beautiful , inasmuch as the result in sensa- tion is more important ...
Página 174
... called them principle or ideal of bird - beauty and then proceeded to criticize the swan or the eagle - not less absurd is it to pass judgement on the works of a poet on the mere ground that they have been called by the same class ...
... called them principle or ideal of bird - beauty and then proceeded to criticize the swan or the eagle - not less absurd is it to pass judgement on the works of a poet on the mere ground that they have been called by the same class ...
Página 226
... called images , because they generate still , and cast their seeds in the minds of others , provoking and causing infinite actions and opinions in succeeding ages . So that if the invention of the ship was thought so noble , which ...
... called images , because they generate still , and cast their seeds in the minds of others , provoking and causing infinite actions and opinions in succeeding ages . So that if the invention of the ship was thought so noble , which ...
Contenido
SECTION II | xxii |
NOTES ON THE TRAGEDIES OF SHAKESPEARE | 3 |
NOTES ON THE COMEDIES OF SHAKESPEARE | 37 |
Derechos de autor | |
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Términos y frases comunes
appears audience beauty Biographia Literaria classical Coleridge's Coleridge's criticism Coleridge's lectures Coleridge's note comedy contrast distinction Dr Johnson drama dramatic illusion dramatist edition of Shakespeare editor effect English criticism essay excellent Falstaff feeling fool fragment genius Greek Hamlet hath Herder historical Iago Iago's imagination influence interpolated interpretation J. P. Collier judgement king language Lear less Literary Love's Labour's Lost lyrical Macbeth manuscript marginalia means metre mind moral nature neo-classical criticism never notebook object Othello Page-reference paragraph passage passion perhaps philosophical poet poetic poetry probably reason reference reprinted from L.R. Richard Richard II romantic Romeo and Juliet scene Schiller Schlegel's lectures seems sense sentence Shake Shakespeare Shakespeare's plays Shakespearean criticism soliloquy speare speare's speech Stockdale edition Tempest Theobald edition thou thought three unities tion Titus Andronicus tragedy Troilus and Cressida unities Warburton word
Referencias a este libro
Wordsworth's Historical Imagination: The Poetry of Displacement David Simpson Sin vista previa disponible - 1987 |
Character as a Subversive Force in Shakespeare: The History and Roman Plays Bernard J. Paris Vista previa limitada - 1991 |