Shakespearean Criticism, Volumen1Dent, 1960 - 226 páginas |
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Página 89
... comedy and from entertainments . A proper farce is mainly distinguished from comedy by the license allowed , and even required , in the fable , in order to produce strange and laughable situations . The story need not be probable , it ...
... comedy and from entertainments . A proper farce is mainly distinguished from comedy by the license allowed , and even required , in the fable , in order to produce strange and laughable situations . The story need not be probable , it ...
Página 154
... comedy , but of which our modern comedy ( Shakespeare altogether excepted ) is the descendant . Euripides had already brought tragedy lower down and by many steps nearer to the real world , and the passionate admiration which Menander ...
... comedy , but of which our modern comedy ( Shakespeare altogether excepted ) is the descendant . Euripides had already brought tragedy lower down and by many steps nearer to the real world , and the passionate admiration which Menander ...
Página 155
... comedy ( that of Menander ) its arrangement or ordonnance . Add to these features a portrait - like truth of character , not so far indeed as that a bona fide individual is described or imagined , 1 but yet those features which give it ...
... comedy ( that of Menander ) its arrangement or ordonnance . Add to these features a portrait - like truth of character , not so far indeed as that a bona fide individual is described or imagined , 1 but yet those features which give it ...
Contenido
SECTION II | xxii |
NOTES ON THE TRAGEDIES OF SHAKESPEARE | 3 |
NOTES ON THE COMEDIES OF SHAKESPEARE | 37 |
Derechos de autor | |
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Términos y frases comunes
appears audience beauty Biographia Literaria classical Coleridge's Coleridge's criticism Coleridge's lectures Coleridge's note comedy contrast distinction Dr Johnson drama dramatic illusion dramatist edition of Shakespeare editor effect English criticism essay excellent Falstaff feeling fool fragment genius Greek Hamlet hath Herder historical Iago Iago's imagination influence interpolated interpretation J. P. Collier judgement king language Lear less Literary Love's Labour's Lost lyrical Macbeth manuscript marginalia means metre mind moral nature neo-classical criticism never notebook object Othello Page-reference paragraph passage passion perhaps philosophical poet poetic poetry probably reason reference reprinted from L.R. Richard Richard II romantic Romeo and Juliet scene Schiller Schlegel's lectures seems sense sentence Shake Shakespeare Shakespeare's plays Shakespearean criticism soliloquy speare speare's speech Stockdale edition Tempest Theobald edition thou thought three unities tion Titus Andronicus tragedy Troilus and Cressida unities Warburton word
Referencias a este libro
Wordsworth's Historical Imagination: The Poetry of Displacement David Simpson Sin vista previa disponible - 1987 |
Character as a Subversive Force in Shakespeare: The History and Roman Plays Bernard J. Paris Vista previa limitada - 1991 |