Shakespearean Criticism, Volumen1Dent, 1960 - 226 páginas |
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Página xxvii
... drama are both right , in different ways because of different con- ditions.1 This is the argument of Herder , who seems to be the source of both Coleridge and Schlegel . Schlegel also ... DRAMA CLASSICAL AND ROMANTIC DRAMA DRAMATIC ILLUSION.
... drama are both right , in different ways because of different con- ditions.1 This is the argument of Herder , who seems to be the source of both Coleridge and Schlegel . Schlegel also ... DRAMA CLASSICAL AND ROMANTIC DRAMA DRAMATIC ILLUSION.
Página xxxiv
... drama : ' the deviation from the simple forms and unities of the ancient stage is an essential principle and , of course , an appropriate excellence of the roman- tic [ drama ] ; ... these unities are to a great extent the natural form ...
... drama : ' the deviation from the simple forms and unities of the ancient stage is an essential principle and , of course , an appropriate excellence of the roman- tic [ drama ] ; ... these unities are to a great extent the natural form ...
Página 117
... affright the air at Agincourt . 2 This study of dramatic illusion should be read in relation to the earlier discussion on i . 176-83 . For Coleridge's sources , cf. i . 178 , note 1 . romantic drama ; i.e. , of a drama , the THE TEMPEST ...
... affright the air at Agincourt . 2 This study of dramatic illusion should be read in relation to the earlier discussion on i . 176-83 . For Coleridge's sources , cf. i . 178 , note 1 . romantic drama ; i.e. , of a drama , the THE TEMPEST ...
Contenido
SECTION II | xxii |
TIMON OF ATHENS | 37 |
NOTES ON THE COMEDIES OF SHAKESPEARE | 83 |
Derechos de autor | |
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Términos y frases comunes
appears audience beauty Biographia Literaria classical Coleridge's Coleridge's criticism Coleridge's lectures Coleridge's note comedy contrast Desdemona distinction Dr Johnson drama dramatic illusion dramatist edition of Shakespeare editor effect English criticism essay excellent Falstaff feeling fool fragment genius Greek Hamlet hath historical Iago Iago's imagination influence interpolated interpretation J. P. Collier judgement king language Lear less Literary Love's Labor's Lost lyrical Macbeth manuscript marginalia means metre mind moral nature neo-classical criticism never notebook object Othello Page-reference paragraph passage passion perhaps philosophical poet poetic poetry probably reason reference reprinted from L.R. Richard Richard II romantic Romeo and Juliet scene Schiller Schlegel's lectures seems sense sentence Shake Shakespeare Shakespeare's plays Shakespearean criticism soliloquy speare speare's speech Stockdale edition Tempest Theobald edition thou thought three unities tion tragedy Troilus and Cressida unities Warburton Winter's Tale word
Referencias a este libro
Wordsworth's Historical Imagination: The Poetry of Displacement David Simpson Sin vista previa disponible - 1987 |
Character as a Subversive Force in Shakespeare: The History and Roman Plays Bernard J. Paris Vista previa limitada - 1991 |