Shakespearean Criticism, Volumen1Dent, 1960 - 226 páginas |
Dentro del libro
Resultados 1-3 de 43
Página 175
... language formed out of the decayed Roman and the northern tongues ; and comparing it with the Latin we found it less perfect in simplicity and relation , the privileges of a language formed by the simple attraction of homogeneous parts ...
... language formed out of the decayed Roman and the northern tongues ; and comparing it with the Latin we found it less perfect in simplicity and relation , the privileges of a language formed by the simple attraction of homogeneous parts ...
Página 182
... language , passion , and character , always bearing in mind , that these must act and react on each other - the language inspired by the passion , the language and passion modified and differ- enced by the character . To the production ...
... language , passion , and character , always bearing in mind , that these must act and react on each other - the language inspired by the passion , the language and passion modified and differ- enced by the character . To the production ...
Página 185
... language of such states , the laws of association of feeling with thought , the starts and strange far - flights of the assimilative power on the slightest and least obvious likenesses presented by thoughts , words , and objects , and ...
... language of such states , the laws of association of feeling with thought , the starts and strange far - flights of the assimilative power on the slightest and least obvious likenesses presented by thoughts , words , and objects , and ...
Contenido
SECTION II | xxii |
NOTES ON THE TRAGEDIES OF SHAKESPEARE | 3 |
NOTES ON THE COMEDIES OF SHAKESPEARE | 37 |
Derechos de autor | |
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Términos y frases comunes
appears audience beauty Biographia Literaria classical Coleridge's Coleridge's criticism Coleridge's lectures Coleridge's note comedy contrast distinction Dr Johnson drama dramatic illusion dramatist edition of Shakespeare editor effect English criticism essay excellent Falstaff feeling fool fragment genius Greek Hamlet hath Herder historical Iago Iago's imagination influence interpolated interpretation J. P. Collier judgement king language Lear less Literary Love's Labour's Lost lyrical Macbeth manuscript marginalia means metre mind moral nature neo-classical criticism never notebook object Othello Page-reference paragraph passage passion perhaps philosophical poet poetic poetry probably reason reference reprinted from L.R. Richard Richard II romantic Romeo and Juliet scene Schiller Schlegel's lectures seems sense sentence Shake Shakespeare Shakespeare's plays Shakespearean criticism soliloquy speare speare's speech Stockdale edition Tempest Theobald edition thou thought three unities tion Titus Andronicus tragedy Troilus and Cressida unities Warburton word
Referencias a este libro
Wordsworth's Historical Imagination: The Poetry of Displacement David Simpson Sin vista previa disponible - 1987 |
Character as a Subversive Force in Shakespeare: The History and Roman Plays Bernard J. Paris Vista previa limitada - 1991 |