Shakespearean Criticism, Volumen1Dent, 1960 - 226 páginas |
Dentro del libro
Resultados 1-3 de 46
Página 15
... lines : not because they are vile ; but first , on account of the rhythm , which is not Shakespearian but just the ... lines before , but they lead to the thought in the lines following . Here it is a mere alien : Antony forgets an image ...
... lines : not because they are vile ; but first , on account of the rhythm , which is not Shakespearian but just the ... lines before , but they lead to the thought in the lines following . Here it is a mere alien : Antony forgets an image ...
Página 89
... lines as an earlier draft or a later abridgment of Rosaline's next speech . ] There can be no doubt respecting the last five lines . They spoil the very page that retains them ; but the first line is quite in Biron's character ; and ...
... lines as an earlier draft or a later abridgment of Rosaline's next speech . ] There can be no doubt respecting the last five lines . They spoil the very page that retains them ; but the first line is quite in Biron's character ; and ...
Página 131
... line " [ 53 , Act I , Scene ii ] of the Tempest- b Twelve years since , Miranda , twelve years ' since . Example of the involved instructions to the actors how to pronounce the lines.1 [ I. i . 30-46 . First , heaven be the record to my ...
... line " [ 53 , Act I , Scene ii ] of the Tempest- b Twelve years since , Miranda , twelve years ' since . Example of the involved instructions to the actors how to pronounce the lines.1 [ I. i . 30-46 . First , heaven be the record to my ...
Contenido
SECTION II | xxii |
NOTES ON THE TRAGEDIES OF SHAKESPEARE | 3 |
NOTES ON THE COMEDIES OF SHAKESPEARE | 37 |
Derechos de autor | |
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Términos y frases comunes
appears audience beauty Biographia Literaria classical Coleridge's Coleridge's criticism Coleridge's lectures Coleridge's note comedy contrast distinction Dr Johnson drama dramatic illusion dramatist edition of Shakespeare editor effect English criticism essay excellent Falstaff feeling fool fragment genius Greek Hamlet hath Herder historical Iago Iago's imagination influence interpolated interpretation J. P. Collier judgement king language Lear less Literary Love's Labour's Lost lyrical Macbeth manuscript marginalia means metre mind moral nature neo-classical criticism never notebook object Othello Page-reference paragraph passage passion perhaps philosophical poet poetic poetry probably reason reference reprinted from L.R. Richard Richard II romantic Romeo and Juliet scene Schiller Schlegel's lectures seems sense sentence Shake Shakespeare Shakespeare's plays Shakespearean criticism soliloquy speare speare's speech Stockdale edition Tempest Theobald edition thou thought three unities tion Titus Andronicus tragedy Troilus and Cressida unities Warburton word
Referencias a este libro
Wordsworth's Historical Imagination: The Poetry of Displacement David Simpson Sin vista previa disponible - 1987 |
Character as a Subversive Force in Shakespeare: The History and Roman Plays Bernard J. Paris Vista previa limitada - 1991 |