Shakespearean Criticism, Volumen1Dent, 1960 - 226 páginas |
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Página xxxiii
... play read affects the mind like a play acted . ' According to the famous Preface to Shakespeare the audience is perfectly conscious that dramatic performances are unreal . This is surely as extreme as the doctrine which Dr Johnson ...
... play read affects the mind like a play acted . ' According to the famous Preface to Shakespeare the audience is perfectly conscious that dramatic performances are unreal . This is surely as extreme as the doctrine which Dr Johnson ...
Página xliii
... play as Antony and Cleopatra . In short , the romantic poet reappears in Coleridge's choice of all these four plays , for even Richard II is full of youthful lyricism . And this play has another special object of interest for Coleridge ...
... play as Antony and Cleopatra . In short , the romantic poet reappears in Coleridge's choice of all these four plays , for even Richard II is full of youthful lyricism . And this play has another special object of interest for Coleridge ...
Página 135
... play so nicely with their names ? ] The passion that carries off its excess by play on words , as naturally and , therefore , as appropriately to drama , as by gesticulations , looks , or tones . This belonging to human nature as human ...
... play so nicely with their names ? ] The passion that carries off its excess by play on words , as naturally and , therefore , as appropriately to drama , as by gesticulations , looks , or tones . This belonging to human nature as human ...
Contenido
SECTION II | xxii |
TIMON OF ATHENS | 37 |
NOTES ON THE COMEDIES OF SHAKESPEARE | 83 |
Derechos de autor | |
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Términos y frases comunes
appears audience beauty Biographia Literaria classical Coleridge's Coleridge's criticism Coleridge's lectures Coleridge's note comedy contrast Desdemona distinction Dr Johnson drama dramatic illusion dramatist edition of Shakespeare editor effect English criticism essay excellent Falstaff feeling fool fragment genius Greek Hamlet hath historical Iago Iago's imagination influence interpolated interpretation J. P. Collier judgement king language Lear less Literary Love's Labor's Lost lyrical Macbeth manuscript marginalia means metre mind moral nature neo-classical criticism never notebook object Othello Page-reference paragraph passage passion perhaps philosophical poet poetic poetry probably reason reference reprinted from L.R. Richard Richard II romantic Romeo and Juliet scene Schiller Schlegel's lectures seems sense sentence Shake Shakespeare Shakespeare's plays Shakespearean criticism soliloquy speare speare's speech Stockdale edition Tempest Theobald edition thou thought three unities tion tragedy Troilus and Cressida unities Warburton Winter's Tale word
Referencias a este libro
Wordsworth's Historical Imagination: The Poetry of Displacement David Simpson Sin vista previa disponible - 1987 |
Character as a Subversive Force in Shakespeare: The History and Roman Plays Bernard J. Paris Vista previa limitada - 1991 |