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CHAP. I.-HOW Peter Stuyvesant relieved the Sovereign People from the bur-

then of taking care of the nation; with sundry particulars of his conduct

in the time of peace, and of the rise of a great Dutch aristocracy 381

CHAP. II.-How Peter Stuyvesant labored to civilize the community-how he

was a great promoter of holydays-how he instituted kissing on New-

Year's Day-how he distributed fiddles throughout the New-Netherlands

-how he ventured to reform the Ladies' petticoats, and how he caught a

388

CHAP. III.-How troubles thicken on the province-how it is threatened by

the Helderbergers--The Merrylanders, and the Giants of the Susque-

hanna

393

CHAP. IV. How Peter Stuyvesant adventured into the East Country, and how

he fared there

397

CHAP. V.-How the Yankees secretly sought the aid of the British Cabinet in

their hostile schemes against the Manhattoes

404

CHAP. VI.-Of Peter Stuyvesant's Expedition into the East Country, showing

that, though an old bird, he did not understand trap

407

CHAP. VII.-How the people of New-Amsterdam were thrown into a great

panic, by the news of the threatened invasion, and the manner in which

they fortified themselves

412

CHAP. VIII.-How the Grand Council of the New-Netherlands were miracu-

lously gifted with long tongues in the moment of emergency-showing the

value of words in warfare.

416

CHAP. IX. In which the troubles of New-Amsterdam appear to thicken--

showing the bravery in time of peril, of a people who defend themselves

by resolutions

CHAP. X.-Containing a doleful disaster of Antony the Trumpeter--and how

Peter Stuyvesant, like a second Cromwell, suddenly dissolved a Rump

Parliament

429

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THE AUTHOR'S APOLOGY.

THE following work, in which, at the outset, nothing more was contemnplated than a temporary jeu d'esprit, was commenced in company with my brother, the late Peter Irving, Esq. Our idea was to parody a small hand-book which had recently appeared, entitled "A Picture of NewYork." Like that, our work was to begin with an historical sketch; to be followed by notices of the customs, manners, and institutions of the city; written in a serio-comic vein, and treating local errors, follies, and abuses with good-humored satire.

To burlesque the pedantic lore displayed in certain American works, our historical sketch was to commence with the creation of the world; and we laid all kinds of works under contribution for trite citations, relevant or irrelevant, to give it the proper air of learned research. Before this crude mass of mock erudition could be digested into form, my brother departed for Europe, and I was left to prosecute the enterprise alone.

I now altered the plan of the work. Discarding all idea of a parody on the Picture of New-York, I determined that what had been originally intended as an introductory sketch, should comprise the whole work, and form a comic history of the city. I accordingly moulded the mass of citations and disquisitions into introductory chapters forming the first book; but it soon became evident to me that, like Robinson Crusoe with his boat, I had begun on too large a scale, and that, to launch my history successfully, I must reduce its proportions. I accordingly resolved to h domination, which, in its rise,

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