Eer, ar, one who does, as pioneer, liar. Ee, one who is, as trustee. S, es, more than one, as hands, boxes. S, es, does, as enlists, seizes. Some, a little, giving, as gamesome, gladsome. Ness, state of being, as sickness. Th, state of being, as warmth, health. Ly, like, as courtly, manly. Ling, little, young, as fatliny, sapling. Let, et, ock, small, as streamlet, casket, hillock. Ward, direction, as homeward. Extra, beyond. In, ig, il, im, ir, not. In, il, im, ir, in, on, or into. Inter, between, among. Intro, in, inward. Juxta, near. Se, aside, apart. Sine, sin, without. Sub, suc, suf, sug, sup, sus, under, Super, supra, sur, above, over. Ob, o, oc, of, op, against, in the Trans, tra, across, beyond. Ultra, beyond. way of Per, pel, through, wholly. Post, after. Pre, before. Preter, beyond. Re, back, again. Pro, por, pur, for, forward. Non, not. Bene, good, well. Male, mal, bad, evil. Omni, all, every. Recti, rect, straight, right. Eer, or, AFFIXES CHIEFLY LATIN AND GREEK. 1.-Those of Nouns. =er, one that is, or does. An, ary, ist, ite, one skilled in, or connected with. Ard, one like, or disposed to be. Ant, ent, = = ing, one being or doing. Acy, ance, ence, ancy, ency, a being, or state of being. Tion, sion, ion, ment, ism, ure, act of, result of, or state of being. Ry, [ery, condition, practice, or callections qo „aword edt sind zov9 Escence, a becomings or a growing noodiɔɔt edt andasing 908ì ent Head, hood, ship, dom, state, rank, power, possessioni: dtiw zqm8iz Logy, graphy,nomy, account, writing, description.abrow 903 219330 Meter, measure,vbod odt ehien bas ataiwt (bod to) ; нerən A to notezerqxe pavo ad action drop ad ebretzs bas ensbiw 2.Those of Adjectives, ovnisq gairoftøs 292 (brim tuar bere,noitalnoite 10m Worɗi ;MOITAMIMÂ Ant, the Ouse same as ing in English. to. ful, having, belonging ume admil 19979 bøed An, ane, ine, an ar, al, ac, ic, ical, like, belonging Ory, ,ive, fic, tending to, making, or belonging to. Able, ible, ile, fit or able to be, or do. B or in manner of. .bliw bas козианаятч ambory do 3.-Those of Verbs. 198 mont 2967 -189998 ur ybod ont es Ate, fy, ise, ize, ish, borge-obiw oft no ybod slow be bor nie po to alavrotai nobbe en, make, cause, or act like aidots to 9ons *Patto trods etorte aoиADOHRÁ 10 on eband bas eris edtagel dord ylbworq wordt -101 DEMONSTRATION OF THE PASSIONS, FEELINGS, ETCA doidwaonadu mi o * Minors. Blod Sre bol solov DISW ABHORRENCE; draws back the body, averts the head, holds up the hands, with the palms turned outwards in a repelling manner; an expression of loathing on the countenanceresd oft eist trom ADJURATION; takes an attitude between imploring and scomy manding, one foot thrown in advance, the right arm raised, he head elevated, the expression earnest and rather anxious elttil s ADMIRATION; raises the eyes, opens the mouth, the hands raised? pleased or delighted expression on the countenance TIяÕHTUA JB ADORATION, DEVOTION; bends the knees, the body forward? spreads the arms, hands open, tone of voice trembling, equal, sup pliant, words slowly delivered. at AFFECTION; the attitude easy and unconstrained, a benignant smile on the countenance, the words smoothly delivered in a pleas ing tone of voice. In serious passages AFFECTION assimilates to the less violent forms of GRIEF. squids them AFFECTATION; affects to imitate, but in an overstrained or exaggerated and unnatural manner, throws the face, body, looks, and gestures, into every variety of shape and grimace, and by overacti ing makes the appearance and the person ridiculous. Jandmod otai ILAGITATION the body shakes or totters, the voice trembling and brokendedшrroqui a aniston e droguel to ti oti bors ALARM; starts, looks anxiously in the direction from which dan ger is apprehended, raises the left arm as a shield to the body; Voice slightly subdued but earnest, partaking of FEARTimorq STOM ANGER, RAGE; stretches the neck, shakes the head, inflames the eyes, knits the brows, opens the mouth wide, wrinkles, and Blunts the face, gnashes the teeth, convulses the chest, elenches the fists, stamps with the feet, interrupts the breath, agitates the whole body, utters the words with harshness, rapidity, noise, and violence. ANGUISH; (of body) twists and strains the body, turns the head, widens and extends suffering pain, voice the mouth, contorts the eyes, expression of นี deep. ANGUISH; (of mind) uses more gesticulation, and less contortion. head ANIMATION; throws life, vigour, and action into the whole figure, straight and free, carriage graceful and lively, open and pleasing; voice full, quick, and buoyant countenance 343 ANXIETY; restlessly moves the body from spot to spot, raises the hand to the forehead, and quickly withdraws it, eye restless and wild. APPREHENSION; with apparent unconsciousness agitates the hands, raises them sometimes to the bosom, sometimes to the head, produces sudden intervals of rest and motion, and gives the body an appearance of watching for something. ARROGANCE; struts about, or rests the body on the wide-spread legs, the arms and hands thrown out, the head and whole body thrown proudly back. ASSURANCE; body and head erect, step firm, eyes thrown forward, voice loud and bold; a modified form of IMPUDENCE, which seeablod basd ons ergo good ustard, anVAIKOHIĄ TASTONISHMENT; raises the eyes and opens them wide, opens the mouth, raises the hands before the chest, throws the body forward, utterance slow but very emphatic VATERA ATTENTION, INQUIRY; fixes the body in one position, bends it a little forward, the eyes alternately looking downward, and red spectfully fixed on the face of the speaker. AUTHORITY; opens the countenance, gives the looko anaairqof severity, nods the head, projects the hand firmly, looks steadily at the object commanded. AVERSION; draws back the body, throws out the hands with the fingers spread to keep the object away, averts the face, contracts the brows, curls the upper lip, sets the teeth, eyes look obliquely and disdainfully at the hated object: voice low, surly, harshμvehe ment, abrupt. 22 10 10 no1 taslov æsl -AWE a modification of Fear, which see. brBoasting throws the arms a-kimbo, stamps the foot, draws the head proudly back, blusters, swaggers, struts, and swells the voice into bombast. alboibh nory odd ons store od 29 qui boBUFFONERYgiassumes anarch, leering, stern gravity, sets all around into fits of laughter, but still retains its imperturbable gra vity dɔrdw moit nonsotib on: mylewoizas excol‚atista, MяAJA ¿ YBURLESQUE; Simitates the different passions by seizing on the more prominent features of each, and exaggerating them to suck an extent, as to render them ludicrous. 2951911; иA CHEERFULNESS; smoothes and composes the whole body, and face, moves the eyes easily from one object to another, smiles gently, and opens the mouth a little. bood adi argy 2 ТАНЯТИЯ 9 COMPASSION; the eyes cast down upon the object, left hand raised, palm outwards, fingers slightly spread, look of sympathy on the countenance, body a little bent, voice earnest, rather sad.com CONFIDENCE; erects the figure, raises the head, gives fullness and strength to the voice, limbs straight, step firm, eyes well opened, brow expanded, lips together but not compressed, look bold but without arrogance. Prista bogatit vd bCONSTERNATION; partakes of the character of FEAR, but is more abrupt, commencing with a sudden start and a shrinking of the body backwards and downwards, and is of shorter duration. 95 CONTEMPT; curves the upper lip, knits and averts the eyes, throws out the hand slowly, towards the despised object bus wo! COURAGE; the figure erect, head thrown back, eye open and bright, expression eager, step firm, voice loud, clear, and bold.g COURTESY; bends the body gracefully towards the object (avoiding the air of condescension or patronage, unless especially called for by the character of the composition), attitudes elegant, easy; voice clear, well modulated, and rather soft. i jessirwob aword qCUNNING; throws up the hands, gives the eyes a vacant stare, puts the legs close, bends the knees, gives the whole figure an air of simplicity; an occasional meaning glance from the eyes takes away the appearance of stupidity. enlluinda ybod aft CURIOSITY; Opens the eyes and mouth, stretches the neck, bends and fixes the body, raises and opens the hands, and gives the eyes an inquiring look. DEFIANCE; throws back the body and head, the right arm raised, one foot advanced, the voice loud and bold. anDEJECTION; hangs the arms listlessly, makes the face languid, stoops the body, and appears to bend it at every step: voice weak articulation difficult. obbys : 1) open 90 DELIGHT; Spreads a pleased expression over the countenance, the eye gazing, or the ear listening attentively, the mouth a little the eye sparkling, the voice clear, the utterance rather rapid. DESPAIR; bends the eyebrows, clouds the forehead, rolls the eyes frightfully, opens the mouth, bites the lips, widens the nostrils, guashes the teeth; the head hung down upon the breast; the arms bent at the elbows; the fists clenched hard; veins and museles swelled the whole body strained and violently agitated; groans expressive of inward torture, words sullen, with eager bitterness tone loud and furious, oft 91 of around 9qoH DESPERATION; the head thrown back, the eye wild and glaring, the face twitched by nervous workings, the arms tossed about, the gesticulation violent, the voice loud and hoarse, occasionally overs powered by excitemented 2979 9dt dit hexit 29reta baPHCoƒFESU; sets the teeth, knits the brow, stalks abruptly |