The process by which the god ousted the beasts may perhaps be observed in Samoa. There (as Dr. Turner tells us in his Samoa) each family has its own sacred animal, which it may not eat. If this law be transgressed, the malefactor is supernaturally punished in a variety of ways. But, while each family has thus its totem, four or five different families recognise, in owl, crab, lizard, and so on, incarnations of the same god, say of Tongo. If Tongo had a temple among these families, we can readily believe that images of the various beasts in which he was incarnate would be kept within the consecrated walls. Savage ideas like these, if they were ever entertained in Greece, would account for the holy animals of the different deities. But it is obvious that the phenomena which we have been studying may be otherwise explained. It may be said that the Sminthian Apollo was only revered as the enemy and opponent of mice. St. Gertrude (whose heart was eaten by mice) has the same rôle in France.1 The worship of Apollo, and the badge of the mouse, would, on this principle, be diffused by colonies from some centre of the faith. The images of mice in Apollo's temples would be nothing more than votive offerings. Thus, in the church of a Saxon town, the verger shows a silver mouse dedicated to Our Lady.

Greece during historic times. Though Plutarch mentions a Carian yévos, the Ioxidæ, of Attic descent, which revered asparagus, it is probable that genuine totemism had died out of Greece many hundreds of years before even Homer's time. But this view is not inconsistent with the existence of survivals in religion and ritual.

1 Rolland, Faune populaire.

'This is the greatest of our treasures,' says the verger. 'Our town was overrun with mice till the ladies of the city offered this mouse of silver. Instantly all the mice disappeared.' 'And are you such fools as to believe that the creatures went away because a silver mouse was dedicated?' asked a Prussian officer. 'No,' replied the verger, rather neatly; 'or long ago we should have offered a silver Prussian.'

121

STAR-MYTHS.

ARTEMUS WARD used to say that, while there were many things in the science of astronomy hard to be understood, there was one fact which entirely puzzled him. He could partly perceive how we weigh the sun,' and ascertain the component elements of the heavenly bodies, by the aid of spectrum analysis. 'But what beats me about the stars,' he observed plaintively, is how we come to know their names.' This question, or rather the somewhat similar question, 'How did the constellations come by their very peculiar names?' has puzzled Professor Pritchard and other astronomers more serious than Artemus Ward. Why is a group of stars called the Bear, or the Swan, or the Twins, or named after the Pleiades, the fair daughters of the Giant Atlas ? 1 These are difficulties that meet even children when they examine a 'celestial globe.' There they find the figure of a bear, traced out with lines in the intervals between the stars of the constellations, while a very imposing giant is so drawn that Orion's belt just fits his waist. But when he comes to look at the heavens, the infant

1 The attempt is not to explain the origin of each separate name, but only of the general habit of giving animal or human names to

stars.

speculator sees no sort of likeness to a bear in the stars, nor anything at all resembling a giant in the neighbourhood of Orion. The most eccentric modern fancy which can detect what shapes it will in clouds, is unable to find any likeness to human or animal forms in the stars, and yet we call a great many of the stars by the names of men and beasts and gods. Some resemblance to terrestrial things, it is true, every one can behold in the heavens. Corona, for example, is like a crown, or, as the Australian black fellows know, it is like a boomerang, and we can understand why they give it the name of that curious curved missile. The Milky Way, again, does resemble a path in the sky; our English ancestors called it Watling Street-the path of the Watlings, mythical giants-and Bushmen in Africa and Red Men in North America name it the ashen path' or 'the path of souls.' The ashes of the path, of course, are supposed to be hot and glowing, not dead and black like the ash-paths of modern running-grounds. Other and more recent names for certain constellations are also intelligible. In Homer's time the Greeks had two names for the Great Bear; they called it the Bear, or the Wain: and a certain fanciful likeness to a wain may be made out, though no resemblance to a bear is manifest. In the United States the same constellation is popularly styled the Dipper, and every one may observe the likeness to a dipper or toddyladle.

But these resemblances take us only a little way towards appellations. We know that we derive many of the names straight from the Greek; but

whence did the Greeks get them? Some, it is said, from the Chaldæans; but whence did they reach the Chaldæans? To this we shall return later, but, as to early Greek star-lore, Goguet, the author of L'Origine des Lois, a rather learned but too speculative work of the last century, makes the following characteristic remarks: The Greeks received their astronomy from Prometheus. This prince, as far as history teaches us, made his observations on Mount Caucasus.' That was the eighteenth century's method of interpreting mythology. The myth preserved in the Prometheus Bound' of Eschylus tells us that Zeus crucified the Titan on Mount Caucasus. The French philosopher, rejecting the supernatural elements of the tale, makes up his mind that Prometheus was a prince of a scientific bent, and that he established his observatory on the frosty Caucasus. But, even admitting this, why did Prometheus give the stars animal names? Goguet easily explains this by a hypothetical account of the manners of primitive men. The earliest peoples,' he says, must have used writing for purposes of astronomical science. They would be content to design the constellations of which they wished to speak by the hieroglyphical symbols of their names; hence the constellations have insensibly taken the names of the chief symbols.' Thus, a drawing of a bear or a swan was the hieroglyphic of the name of a star, or group of stars. But whence came the name which was represented by the hieroglyphic? That is precisely what our author forgets to tell us. But he remarks that the meaning of the hieroglyphic came to be forgotten, and 'the symbols gave rise to all the ridiculous