But all that erst seem'd sweet now seems offence, Spenser. Hymn to Heavenly Beauty. "No-rather strive thy grovelling mind to raise That heavenly radiance of eternal light, Lord Littleton. Monody. Is every mortal bliss." Page 287. (Line 61.) By this proverb Beatrice exemplifies the folly of a man of mature age reverting to earthly pleasures. Hence the irony of telling him to "raise his beard," line 68, since, having arrived at manhood he ought to possess more wisdom. (77.) i.e. The Angels-who, canto xxx. 20, were represented as scattering flowers around Beatrice. Page 288. (Line 92.) Matelda-whom Dante first saw in the meadow, xxviii. 37. Lo, the vision of the author in the preceding canto is actually verified."-Ottimo Commento. Thus Leah and Rachel, figures of active and contemplative life, are the same with Matelda and Beatrice. (98.) "Thou shalt purge me with hyssop, and I shall be clean; thou shalt wash me, and I shall be whiter than snow."-Psalm, li. 7. (104.) The four cardinal virtues-stars in heaven till they accompanied Beatrice on her descent from heaven: the same mentioned canto i. 23; and xxix. 130. They conduct Dante to the Griffon. Page 289. (Line 116.) The eyes of Beatrice.-St. John, speaking of the throne on which our Saviour sate, says: "There was a rainbow round about the throne in sight like unto an emerald."-Rev. iv. 3. In the emerald eyes of the bride, the Griffon is supposed to be reflected, alternately displaying the human nature and the divine. (123.) The meaning of the "due reggimenti" may be gathered from the analogous use of the same words, canto xvi. 108, where they signify the two powers-that of the Emperor and of the Pope, Page 290. (Line 139.) Dante acknowledges his inability to describe Beatrice; although as a votary of the Muses, he says, canto xxix. 38, that he had "suffered hunger, watching, cold.” (144.) The harmony is that of Angels, who circle the throne of God, rejoicing;—so beautifully described by Milton, Par. Lost. iii. 344. "No sooner had the Almighty ceased, but (all Loud, as from numbers without number-sweet CANTO XXXII. ARGUMENT. DANTE, in company with Matelda and Statius, follows the procession of the blest to the tree of knowledge. After a hymn, Dante falls asleep, and is awakened by a flash of splendour. Beatrice tells him to observe the car, and, on his return to earth, to record all he sees. BENT were mine eyes with ardour so intense To sate their ten years' thirst, that all the while On either side of them a wall was set, To exclude ought else; so did that sacred smile Diverted by those Nymphs, on hearing one As when the eyes are dazzled by the sun, 1 7 But when my vision was in part renew'd, Had wheel'd around; and, making now a turn, For greater safety, turn on either hand, Pass'd onward in like guize the leading band, 13 19 Then to the wheels those Nymphs themselves betaking, The Griffon moved his blessed burden thence, As thus we pass'd throughout the lofty wood, About the distance that an arrow, thrice 26 31 Loosed from the string, might compass, had we gone, When from the car descended Beatrice. Then "Adam" mutter'd by them all I heard; Whose every bough of leaves and flowers was bared. Its head, which, as it rises, doth dilate The more, so lofty grows, that wonderment In Indians 'mid their groves it would create. "Blessed, O Griffon! art thou not to rend This tree, which needs must be surpassing sweet, Thus cried they, as they circled round the tree; And left it, by a twig together bound. With its own hues, or ere the sun unite With tints less vivid than the rose, but more Deep than the violet, was that plant now dight, 37 43 49 55 |