SCENE II. France. Before Orleans. Enter CHARLES, with his Forces; ALENÇON, CHAR. Mars his true moving,5 even as in the hea vens, So in the earth, to this day is not known: Otherwhiles, the famifh'd English, like pale ghosts, ALEN. They want their porridge, and their fat Either they must be dieted like mules, And have their provender tyed to their mouths, REIG. Let's raife the fiege; Why live we idly Talbot is taken, whom we wont to fear: 5 Mars his true moving, &c.] So, Nash, in one of his prefaces before Gabriel Harvey's Hunt is up, 1596: "You are as ignorant in the true movings of my mufe, as the aftronomers are in the true movings of Mars, which to this day they could never attain to." STEEVENS. Now for the honour of the forlorn French :- [Exeunt. Alarums; Excurfions; afterwards a Retreat. Re-enter CHARLES, ALENÇON, REIGNIER, and Others. CHAR. Who ever faw the like? what men have I?— Dogs! cowards! daftards !--I would ne'er have fled, REIG. Salisbury is a desperate homicide; ALEN. Froiffard, a countryman of ours, records, as their hungry prey.] I believe it should be read: - as their hungred prey. JOHNSON. I adhere to the old reading, which appears to fignify-the prey for which they are hungry. STEEVENS. 7 England all Olivers and Rowlands bred,] Thefe were two of the most famous in the lift of Charlemagne's twelve peers; and their exploits are rendered fo ridiculously and equally extravagant by the old romancers, that from thence arofe that saying amongst our plain and fenfible ancestors, of giving one a Rowland for his Oliver, to fignify the matching one incredible lie with another. WARBURTON. Rather, to oppose one hero to another; i. e. to give a perfon as good a one as he brings. STEEVENS. The old copy has-breed. Corrected by Mr. Rowe. MALONE. More truly now may this be verified; It fendeth forth to skirmish. One to ten! CHAR. Let's leave this town; for they are hairbrain'd flaves, .8 And hunger will enforce them to be more eager vice, Their arms are fet, like clocks,' ftill to ftrike on; And hunger will enforce them to be more eager :] The prepofition to fhould be omitted, as injurious to the measure, and unneceffary in the old elliptical mode of writing. So, A& IV. fc. i. of this play: "Let me perfuade you take a better course." i. e. to take &c. The error pointed out, occurs again in p. 31: "Piel'd prieft, doft thou command me to be shut out?” STEEVENS. gimmals-] A gimmal is a piece of jointed work, where one piece moves within another, whence it is taken at large for an engine. It is now by the vulgar called a gimcrack. JOHNSON. In the inventory of the jewels, &c. belonging to Salisbury cathedral, taken in 1536, 28th of Henry VIII. is " A faire cheft with gimmals and key." Again: "Three other chefts with gimmals of filver and gilt." Again, in The Vow-breaker, or The faire Maide of Clifton, 1636: "My actes are like the motionall gymmals "Fixt in a watch." See also King Henry V. A& IV. fc. ii. STEEVENS. Their arms are fet, like clocks,] Perhaps our author was thinking of the clocks in which figures in the fhape of men ftruck the hours. Of these there were many in his time. MALONE. To go like clockwork, is ftill a phrafe in common ufe, to exprefs a regular and constant motion. STEEVENS. Elfe ne'er could they hold out fo, as they do. Enter the Baftard of Orleans, BAST. Where's the prince Dauphin, I have news for him. 2. CHAR. Baftard of Orleans, thrice welcome to us. BAST. Methinks, your looks are fad, your cheer appall'd ;3 2 Bastard of Orleans,] That this in former times was not a term of reproach, fee Bishop Hurd's Letters on Chivalry and Romance, in the third volume of his Dialogues, p. 233, who obferving on circumftances of agreement between the heroick and Gothick manners, fays that " Baftardy was in credit with both." One of William the Conqueror's charters begins, " Ego Gulielmus cognomento Baftardus." And in the reign of Edward I. John Earl Warren and Surrey being called before the King's Juftices to show by what title he held his lands, produxit in medium gladium antiquum evaginatum-et ait, Ecce Domini mei, ecce warrantum meum! Anteceffores mei cum Willō Baftardo venientes conquefti funt terras fuas, &c. Dugd. Orig. Jurid. p. 13. Dugd. Bar. of Engl. Vol. I. Blount 9. "Le Bastarde de Savoy," is infcribed over the head of one of the figures in a curious picture of the Battle of Pavia, in the Afhmolean Museum. In Fenn's Pafton Letters, Vol. III. p. 72-3, in the articles of impeachment against the Duke of Suffolk, we read of the "Erle of Danas, baftard of Orlyaunce-." VAILLANT. See Baftardy was reckoned no difgrace among the ancients. the eighth Iliad, in which the illegitimacy of Teucer is mentioned as a panegyrick upon him, ver. 284: « Καί σε, νόθον περ ἐόντα, κομίσσατο ὦ ἐνὶ οἴκω.” STEEVENS. 3 your cheer appall'd;] Cheer is jollity, gaiety. M. MASON. Cheer, rather fignifies-countenance. So, in A MidfummerNight's Dream: "All fancy-fick fhe is, and pale of cheer." See Vol. IV. p. 414, n. 9. STEEvens. Hath the late overthrow wrought this offence? And drive the English forth the bounds of France. CHAR. GO, call her in: [Exit Baftard.] But, first, Reignier, ftand thou as Dauphin in my place: Enter LA PUCELLE, Baftard of Orleans, and Others. REIG. Fair maid, is't thou wilt do thefe wond'rous feats? Puc. Reignier, is't thou that thinkest to beguile me? Where is the Dauphin ?-come, come from behind; ♦-----nine fibyls of old Rome;] There were no nine fibyls of Rome; but he confounds things, and mistakes this for the nine books of Sibylline oracles, brought to one of the Tarquins. WARBURTON. 5 Believe my words;] It fhould be read: Believe her words. JOHNSON. I perceive no need of change. The Battard calls upon the Dauphin to believe the extraordinary account he has just given of the prophetick fpirit and prowefs of the Maid of Orleans. MALONE. |