INDEX ADRIAN'S Villa near Tivoli, see illus- | Bologna, 50; letters from, 126, 136; cemetery of, 127 Alban Mount, 47, 106; see illustra- Borghese Villa, Rome, see illustration facing 286 Albano, Town and Lake, 47, 106; Bowles, W. L., 193 see illustration facing 110 Brenta River, 51, 66 Albaro, Byron's home at, 239; see Bridge of Sighs, Venice, 7, 60; see Alfieri's Tomb (Santa Croce Church, Alps and Switzerland, 15, 78, 79; the American ships and visitors, 251, 254 Apennines, The, 78 illustration facing 60 Bronze Wolf, Rome, 83; see illustra- Burial-place of Byron, 239, 240 Byron's Grotto, see illustration fac- "CAIN," Concerning, 192, 195, 196, Apollo Belvedere, 104, 105; see illus Campanile, Venice, see illustration tration facing 106 Arch of Titus, Rome, 90 facing 2 Campbell, Thomas, 193, 297 Ariosto," by Titian, in the Manfrini Camuccini, Vincenzo; his portrait of Palace, Venice, 28 Armenian language, Byron's study Arqua, Petrarch's house and tomb at, 67, 68, 73; see illustration facing 66 "Aurora" by Guido Reni (Palazzo BÆDEKER, Herr Fritz, quoted, xvii Beyle, Henri, concerning Byron, 5, 6 Byron, xx, xxi; see illustration Canova's bust of Helen, 9, 10; Byron's estimate of his place as an artist, Capitoline Hill, Rome, 90; see illus- Caracalla, Baths of, Rome, see illus- Carbonari league, 184, 191, 194 "Childe Harold," Concerning, xvii, Coleridge, Samuel Taylor, 193, 298 Forum, the Roman, 90; see illustra- Foscolo, Ugo (Niccolo), 124, 125, 189 Column of Phocas, Rome, 89; see il- "Francesca of Rimini," Concerning, Columns of The Lion and St. Theo- Copyrights, Byron's, 6 DANTE'S tomb at Ravenna, 72, 73, 157, 161, 162, 175; see illustration Death of Byron, 239 Diary, Byron's, 182 Disraeli, Isaae, Letter to, 254 176 Frascati (Old Amphitheatre of Tus- Frere, John Hookham, 111, 123 GALIGNANI, the critic of "Cain," Galileo Galilei, Tomb of (Santa Croce Gamba family, 146, 152, 195, 238, 310 Doges' Palace, Venice, 7, 60, 63; Genoa, Letters from, 307, 311, 312, 316 Domenichino, Byron's appreciation Gifford, Editor Quarterly Review, 10-12, 16, 17, 30, 33, 50, 51, 55, 136, Giorgione's pictures (Manfrini Pal- 320 Guido Reni, 127 Guiccioli, Count, 135, 138, 139, 145, 151 Guiccioli, Countess Teresa, 134, 145, 146, 149-152, 155-157, 188, 194, Guiccioli, Palazzo, Ravenna, see il- HEBER, Bishop, critic of "Cain," 307 dedication of "Childe Harold," Hoppner, Richard, Consul at Venice, Horace, Comments on, 18, 79, 80, Horses of St. Mark's, 7, 62; see illus- "Manfred," Concerning, 4, 11, 12, Hunt, John, 50, 51, 236, 237, 308, Manfrini Palace, Venice, Paintings 311; letters to, 311, 312 309, 314, 315 in the, 28, 29, 113 "Marino Faliero, Doge of Venice," Concerning, 3, 4, 12, 13, 179, 297 IRVING'S Works, Byron's admiration Medici Chapel, Florence, 32, 74; see for, 186 illustration facing 32 Medici Gallery (Uffizi) paintings, 32 JEFFREY, Editor Edinburgh Review, Medwin, Thomas, 238 11, 14, 235, 253, 256 KEATS, John, 298 Kinnaird, Mr., 33, 123, 135, 136, 311 Michael Angelo's Tomb (Santa Croce LADY BYRON, Separation from, 14, Milman, Henry H., 194 16 Lago di Garda, 8 Mocenigo, Palazzo, Venice, Byron's "Lalla Rookh," Thomas Moore, 13, Montenero, near Leghorn, Letters from, 251, 253, 254, 256 "Lament of Tasso," Concerning, 4, Moore, Thomas, 5, 16, 55, 119, 123, 33 Landor, Walter Savage, xv, 298 Laocoon Group, 104; see illustration 141, 181, 193, 194, 297, 316; letters "Morgante Maggiore," Concerning Leigh, Lady Augusta, Byron's sister, Moses, Statue of, designed by Michael Pay received by Byron for his writ- Petrarch's house and tomb at Arqua, 66 Pindemonte, Ippolito, 49, 50 ecy of Dante," 167, 168; see illus- Pineta, near Ravenna, 135, 289; see ST. JOHN AND ST. PAUL, Church Pisa, Byron's residence at, 238, 240, Pitti Palace paintings, 32; see illustra- Po, The river, 149, 169 of, Venice, 197, 198; see illustration St. Mark's, Venice, 7, 8, 62; see St. Peter's, Rome, 101-103; see illus- San Giovanni e San Paolo, Church Porto Venere in Gulf of Spezia, see Santa Croce church, Florence, 32, Portraits of Byron, xx, 251, 252, 254, 252 Prison across "The Bridge of Sighs" 7, 60; see illustration facing 60 Pulci, and Byron's translation of Quarterly Review, 307, 310 RAVENNA, 18, 73, 145, 175; letters Religious belief of Byron, 248 71, 73; see illustrations facing 54, "Sardanapalus," Concerning, 189 181, 193; letters to, 242, 297 Southey, Robert, 180, 193, 242, 247, Spezia, Gulf of, see illustration facing Reni, Guido, "Aurora," 303; see Tasso's oak, see illustration facing 24 illustration facing 304 Rhætian Alps, 66 Temple of Clitumnus, 76; see illus- Rialto, The, 202; see illustration Terni, The Fall of, 18, 49, 77, 78; facing 64 Rimini, 18 Rogers, Samuel, 119 Rome, Byron's visits to, 4, 18, 33, see illustration facing 78 "The Age of Bronze," Concerning, 239 "The Blues," Concerning, 312 |