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By Fletcher, assisted by unknown Authors.

59 The Bloody Brother, or Rollo, Duke of Normandy. T. Quartos 1639, 1640.

60 The Lovers' Progress. T. Left imperfect by Fletcher, and finished by another poet, probably either Massinger or Shirley.

LIST OF PLAYS

ALTERED, OR PARTLY TAKEN, FROM

BEAUMONT AND FLETCHER.

1

Wit without Money, with alterations and amendments by some persons of honour, 1708, 4to.

The Scornful Lady-The False Heir, a farce extracted by Kirkman, and printed in Wits, or Sport upon Sport, 1673, 8vo.

The Custom of the Country-Love makes a Man, or the Fop's Fortune, by Colley Cibber, 1700, 4to.

by Kirkman, 1673, 8vo.

-The Stallions, a farce extracted

Rule a Wife and have a Wife-An alteration for representation ascribed to Garrick, but disowned by him.

part of the plot, 1805, 8vo.

The Honey-Moon, by Tobin,

-The Equal Match, a farce extract

ed by Kirkman, 1673, 8vo.

The Beggar's Bush-The Royal Merchant, or the Beggar's Bush, by Henry Norris, 1706, 4to.

-The Royal Merchant, an opera, by Tho

mas Hull, 1768, 8vo.

-The Lame Commonwealth, a farce ex

tracted by Kirkman, 1673, 8vo.

The Spanish Curate-A Farce, acted at Drury-Lane 1749,

N. P.

The comic plot.

The Kiss, by Stephen Clarke, 1811, 8vo.

The Mock-Testator, a farce extracted by

Kirkman, 1673, 8vo.

The Humorous Lieutenant-Forced Valour, a farce, by the same, 1673, 8vo.

The Faithful Shepherdess-La Fida Pastora, a Latin translation, by Sir Richard Fanshaw, 1658.

Valentinian-Altered by the Earl of Rochester, 1685, 4to. The Little French Lawyer-A Farce, acted at Drury-Lane 1749. N. P.

-A Comedy in two acts, altered by

Mrs Booth, acted at Covent-Garden 1778. N. P.

The Woman's Prize, or the Tamer Tamed-Reduced to an after-piece, 1760.

The Pilgrim-Altered by Sir John Vanbrugh, 1700, 4to.

Lane, 1787, 8vo.

by J. P. Kemble. Acted at Drury

Bonduca-Altered and published by George Powell, 1696, 4to. -Altered by George Colman, şen. 1778, 8vo.

The Island Princess-An opera by Peter Motteux, 1699. The Loyal Subject-The Faithful General, a tragedy, by a young lady, 1706, 4to.

-The Loyal Subject, altered by Mr She

ridan, sen. about 1750. N. P.

Monsieur Thomas-Trick for Trick, or the Debauched Hypocrite, by T. Durfey, 1678, 4to.

The Chances-Altered by the Duke of Buckingham, 1682, 4to. Altered by Garrick, 1773, 8vo.

1673, 8vo.

-The Landlady, a farce extracted by Kirkman,

The Bloody Brother, or Rollo-Three Merry Boys, by the same, 1673, 8vo.

The Prophetess-An opera, by Betterton, 1600, 4to.

The Sea-Voyage-The Commonwealth of Women, by T. Durfey, 1686, 4to.

A Wife for a Month-Evanthe. T. N. P.

Knight of Malta-Alteration. Performed at Covent-Garden, 1783. N. P.

The Noble Gentleman-A Fool's Preferment, or the Three Dukes of Dunstable, by Durfey, 1688, 4to.

Philaster-The Restoration, or Right will take Place, attributed to the Duke of Buckingham. N. P.

8vo.

-Philaster, altered by Elkanah Settle, 1695, 4to.
Altered by George Colman, sen. 1763, 8vo.

-The Clubmen, a farce, extracted by Kirkman, 1673,

The Wild-Goose Chase-The Inconstant, by George Farquhar, 1702, 4to.

Wit at Several Weapons-The Wits, by Sir William Davenant, acted 1633, 1636, 4to.

N. D. [1709] 4to.

-The Rival Fools, by Colley Cibber.

The Maid's Tragedy, with a new fifth act, by Edmund Waller, 1690, 4to.

King and no King-Duke and no Duke, by Nahum Tate, 1685, 4to; a parody.

The Two Noble Kinsmen-The Rivals, attributed to Sir William Davenant, 1668, 4to.

-Love and Madness, an alteration by F. G. Waldron. Acted at Richmond, 1779, and at the Hay-Market, 1795. N. P..

The Maid of the Mill, or the Country Revels, a farce. Acted at Covent-Garden, 1750. N. P.

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THE

PLAYERS' DEDICATION.

(FOLIO, 1647.)

To the Right Honourable Philip, Earl of Pembroke and Montgomery; Baron Herbert of Cardiff and Sherland; Lord Parr and Ross of Kendall; Lord Fitzhugh, Marmyon, and Saint Quintin; Knight of the most noble Order of the Garter, and one of his Majesty's most Honourable Privy Council; and our singular good Lord.

MY LORD,

THERE is none among all the names of honour that hath more encouraged the legitimate muses of this latter age, than that which is owing to your family; whose coronet shines bright with the native lustre of its own jewels, which, with the access of some beams of Sidney, twisted with their flame, presents a constellation from whose influence all good may be still expected upon wit and learning.

At this truth we rejoice, but yet aloof, and in

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