K. Hen. How now, my lord? You do desire to | The occasion shall instruct you: if entreaties know Wherefore I sent for you. Cran. 'Pray you, arise, Will render you no remedy, this ring There make before them.-Look, the good man weeps! He's honest, on mine honour. God's blest mother! I have news to tell you: Come, come, give me And do as I have bid you.-[Exit CRANMER.] your hand. Ah, my good lord, I grieve at what I speak, I have, and most unwillingly, of late Have mov'd us and our council, that It fits we thus proceed, or else no witness K. Hen. chaff Stand up, good Canterbury; In us, thy friend: Give me thy hand, stand up; Most dread liege, Cran. K. Hen. Know you not how Your state stands i' the world, with the whole world? tices Must bear the same proportion: and not ever4 God, and your majesty, Be of good cheer; K. Hen. 1 You being one of the council, it is necessary to imprison you, that the witnesses against you may not be Geterred. ? Indurance, which Shakspeare found in Fox's narnative, means here imprisonment: one or two of the thefest of the council, making their excuse, declared, hat in requesting his indurance, it was rather meant Er his trial and his purgation--than for any malice conceived against him." 2 i. e. have no value for. His language in his tears. He has strangled Must be fulfill'd, and I attend with patience. 4 Not ever is an uncommon expression, and hers means not always. 5 To reen is to think or imagine. Though now ob solete, the word was common to all our ancient writers. Overweening, its derivative, is still retained in the mo dern vocabulary. 6 This, says Steevens, is I suppose the same old cat that appears with Anne Boleyn in a former scene. 7 The humour of this passage consists in the talkative old lady, who in her burry said it was a boy, adding bless her, before she corrects her mistake. K. Hen. Enter, at a IVindow above,' the King and BUTTS. There, my lord: K. Hen. Ha! 'Tis he, indeed: Is this the honour they do one another? "Tis well, there's one above them yet. I had thought THE COUNCIL CHAMBER. [Exeunt. Enter the Lord Chancellor, the DUKE of SUFFOLK, CROMWELL at the Chan. Speak to the business, master secretary: Please your honours, Nor. Yes. D. Keep. Without, my noble lords? Yes. To one man's honour) this contagious sickness, Cran. My good lords, hitherto, in all the progress A man, that more detests, more stirs against, Nay, my lord, We will be short with you. "Tis his highness' pleasure, And our consent, for better trial of you, Cran. Ah, my good lord of Winchester, I thank D. Keep. Your grace may enter now.4 [CRANMER approaches the Council-table. Of our flesh, few are angels: out of which frailty, lains (For so we are inform'd,) with new opinions, Divers, and dangerous; which are heresies, And, not reform'd, may prove pernicious. Gar. Which reformation must be sudden too, My noble lords: for those that tame wild horses, Pace them not in their hands to make them gentle; But stop their mouths with stubborn bits, and spur them, Till they obey the manage. If we suffer (Out of our easiness, and childish pity Gar. My lord, my lord, you are a sectary, Crom. My lord of Winchester, you are a little, Gar. Good master secretary, I cry your honour mercy; you may, worst Crom. Crom. Gar, Not sound, I say. Not sound? 1 The suspicious vigilance of our ancestors contrived windows which overlooked the insides of chapels, halls, kitchens, passages, &c. Some of these convenient peepholes may still be seen in colleges, and such ancient houses as have not suffered from the reformations of modern architecture. In a letter from Matthew Parker, archbishop of Canterbury, 1573, printed in Seward's Anecdotes, vol. iv. p. 270, ed. 1796-And if it please her majestie, she may come in through my comedian Matthews. gallerie, and see the disposition of the hall in dynner 5 Capable of our flesh,' probably means suscepti time, at a window opening thereinto. Without a pre-ble of the failings inherent in humanity." vious knowledge of this custom Shakspeare's scenery in the present instance would be obscure. 2 i. e. shared, possessed. 3 That is, the curtain of the balcony or upper stage, where the king now is. See Malone's Account of the early English Stage, vol. iii. of the late edition by Mr. Boswell. 4 The old stage direction at the commencement of this scene is 'A councell table brought in with chayres 6 Alluding to the heresy of Thomas Muntzer, which sprung up in Saxony in the years 1521 and 1522. 7. i. e. without duplicity or guile. Thus in Acts, 46, In singleness of heart. I have before had occasion to observe that single and simple were synonymous. 8 Those that understand you, under this painted gloss, this fair outside, discover your empty talk and your false reasoning. Gar. Crom. Do. This is too much; have done. And I. Chan. Then thus for you, my lord,-It stands agreed, I take it, by all voices, that forthwith You be convey'd to the Tower a prisoner; Cran. What other Would you expect? You are strangely troublesome! Let some of the guard be ready there. I have a little yet to say. Look there, my lords; By virtue of that ring, I take my cause Out of the gripes of cruel men, and give it "Tis counterfeit. Chan. "Tis now too certain : How much more is his life in value with him? 'Would I were fairly out on't. Crom. His royal self in judgment comes to hear Bishop of Winchester. But know, I come not He, that dares most, but wag his finger at thee: K. Hen. No, sir, it does not please me. Thus far, K. Hen. Well, well, my lords, respect him; Am, for his love and service, so to him. My mind gave me, Make me no more ado, but all embrace him: Ia seeking tales, and informations, Ye blew the fire that burns ye: Now have at ye. In daily thanks, that gave us such a prince; It seems to have been a custom, began probably in the dark ages, before literature was generally diffused, and before the rezal power experienced the restraints of law, for every monarch to have a ring, the temporary pussession of which invested the holder with the same authority as the owner himself could exercise. The production of it was sufficient to suspend the execution of the law; it procured indemnity for offences committed, ard imposed acquiescence and subinission to whatever was done under its authority. See Procopius de Bell, Findal. 1. i. p. 15. The traditional story of the earl o. Essex. Queen Elizabeth, and the countess of Nottinghem, long considered as an incident of a romance, is erally known, and now as generally credited. See Barcy's Negotiations, p. 206. 21. e. the commendations above mentioned are too thua and bare, the intention of them is too palpably seen through. The old copy reads, thin and buse; the emariation was suggested by Malone. 3 Who dares to suppose that the place or situation in which he is, is not suitable to thee also? Who supps that thott art not as it for the office of a privy coun seilor as he is? 4 i e. You must be godfather [to] and answer for her. Our prelates formerly were often employed on like occasions. Craumer was godfather to Edward VI. See Hall, fo. 232. Archbishop Warham to Henry's eldest son by Queen Katharine; and the bishop of Winchester to Henry himself. See Sandford, 479, 400. Be friends, for shame, my lords.-My lord of Can 5 It was an ancient custom (which is not yet quite out of use) for the sponsors at christenings to offer silver or silver gilt spoons as a present to the child. The ancient offerings upon such occasions were called Apostlespoons, because the extremity of the handle was formed into the figure of one or other of the apostles. Such as were opulent and generous gave the whole tirelre; those who were more moderately rich or liberal, escaped at the expense of the four evangelists; or even sometimes contented themselves with presenting one spoon only, which exhibited the figure of any saint, in honour of whom the child received its name. Thus, in Middleton's Chaste Maid of Cheapside : 2 Goss. What has he given her?-what is it, gossip? 3 Goss. A fair high standing cup, and two great 'posthe spoons, one of them gilt.' The following story is related of Shakspeare and Ben Jonson in a collection of anecdotes, entitled Merry Passages and Jeasts. MSS. Harl. 6395: Shakspeare was godfather to one of Ben Jonson's children; and after the chri tening, being in deep study, Jonson came to cheer him up, and ask'd him why he was so melancholy? No faith, Ben, says he, not I; but I have been ecusidering a great while what should be the fittest gift for me to bestow upon my gedchild, and I have resolved at last. I prythee what? says he. I faith, Ben, I'll give him a dozen good latten [Latin] spoons, and thou shalt translate them.' The collector of these anecdotes appears to have been a nephew of Sir Roger L'Estrange. He names Donne as the relater of this story. Two noble partners with you; the old duchess of And lady marquis Dorset; Will these please you? Gar. And brother-love, I do it. With a true heart, And let heaven The common voice, I see, is verified [Exeunt. SCENE III. The Palace Yard. Noise and Tu mult within. you Enter Porter and his Man. Port. You'll leave your noise anon, ye rascals: Do take the court for Paris-garden?' ye rude slaves, leave your gaping.2 [Within. Good master porter, I belong to the larder. Port. Belong to the gallows, and be hanged, you rogue: Is this a place to roar in ?-Fetch me a dozen crab-tree staves, and strong ones; these are but switches to them.-I'll scratch heads your You must be seeing christenings? Do you look for ale and cakes here, you rude rascals? Man. Pray, sir, be patient; 'tis as much impos sible (Unless we sweep them from the door with can- To scatter them, as 'tis to make them sleep Man. Alas, I know not; how gets the tide in? : brand, to mow them down before me: but, if I spared any, that had a head to it, either young or old, he or she, cuckold or cuckold-maker, let me never hope to see a chine again; and that I would not for a cow, God save her. [Within.] Do you hear, master Porter? Port. I shall be with you presently, good master puppy. Keep the door close, sirrah. Man. What would you have me do? Port. What should you do, but knock them down by the dozens? Is this Moorfields to muster in ? or have we some strange Indian with the great tool come to court, the women so besiege us? Bless me, what a fry of fornication is at door! On my Christian conscience, this one christening will beget a thousand; here will be father, godfather, and all together. Man. The spoons will be the bigger, sir. There is a fellow somewhat near the door, he should be a of the dog-days now reign in's nose: all that stand brazier by his face, for, o' my conscience, twenty about him are under the line, they need no other penance: That fire-drake' did I hit three times on the head, and three times was his nose discharged against me: he stands there, like a mortar-piece, to blow us. There was a haberdasher's wife of small wit near him, that railed upon me till her pink'd porringer fell off her head, for kindling such a combustion in the state. I miss'd the meteor once, and hit that woman, who cried out, clubs !10 when I might see from far some forty truncheoneers draw to her succour, which were the hope of the Strand, where she was quartered. They fell on; I made good my place; at length they came to the broomstaff with ine, I defied them still; when suddenly a file of boys behind them, loose shot, delivered such a shower of pebbles, that I was fain to draw mine honour in, and let them win the work.12 The devil was amongst them, I think, surely. Port. These are the youths that thunder at a play-house, and fight for bitten apples; that no audience, but the tribulation of Tower-hill, or the limbs of Limehouse, 13 their dear brothers, are able to endure. I have some of them in Limbo Patrum,1a and there they are like to dance these three days; 7Fire-drake; a fire sometimes seen flying in the night like a dragon. Common people think it a spirit 1 This celebrated bear garden, on the Bankside, was that keepeth soine treasure hid; but philosophers af so called from Robert de Paris, who had a house and firme it to be a great unequal erhalation inflamed begarden there in the time of King Richard II. The Globe tweene two clouds, the one hot, the other cold, which is Theatre, in which Shakspeare was a perforiner, stood the reason that it also smoketh; the middle part whereon the southern side of the river Thames, and was con-of, according to the proportion of the hot cloud, being iguous to this noted place of tumult and disorder. St. greater than the rest, maketh it seeme like a bellie, and Mary Overy's church is not far from London Bridge, both ends like unto a head and taile.'-Bullokar's Exand almost opposite to Fishmongers' Hall; Winchester positor, 1616. A fire-drake appears to have been also House was over against Cole Harbour; Paris Garden an artificial firework. Thus in Your Five Gallants, by was in a line with Bridewell; and the Globe playhouse Middleton :faced Blackfriars, Fleet Ditch, or St. Paul's. It was an hexagonal building of stone or brick. Its roof was of rushes, with a flag on the top. In the preliminary remarks is a representation of it, from an old View of London, as it appeared in 1599. 2 i. e. shouting or roaring; a sense the word has now lost. Littleton, in his Dictionary, has To gape or bail: vociferor.' So in Roscommon's Essay on Transla. tion: That noisy, nauseous gaping fool was he.' 3 Our ancestors, young and old, rich and poor, all concurred, as Shakspeare in another place says: To do observance to a morn of May, Stowe says that in the month of May, namely on May. day in the morning, every man would walk into the sweet meadows and green woods; there to rejoice their spirits with the beauty and savour of sweet flowers, and with the noise [i. e. music] of birds, praising God in their kind. It is upon record that King Henry VIII. and Queen Katharine partook of this diversion. See Brand's Popular Antiquities, by Ellis. 4 Guy of Warwick, nor Colbrand the Danish giant, whon Guy subdued at Winchester. 5 The trained bands of the city were exercised in Moorfields. 6 A brazier signifies a man that manufactures brass, and a reservoir for charcoal occasionally heated to convey warmth. Both these senses are understood. 6 -but like fire-drakes Mounted a little, gave a crack, and fell.' S Her pink'd cap, which looked as if it had been moulded on a porringer. So in The Taming of the Shrew : Hab. Here is the cap your worship did bespeak. Pet. Why, this was moulded on a porringer? 9 The brazier. 10 See note on the First Part of King Henry V1. Acti. Sc. 3; and As You Like It, Act v. Sc. 2 II i. e. loose or random shooters. See King Henry IV. Part ii. Act iii. Sc. 2. 12 i, e. the fortress: it is a term in fortification. Limehouse it is evident that Shakspeare meant noisy 13 By the tribulation of Tower-hill and the limbs of rabble frequenting the theatres, supposed to come from those places. It appears from Stowe that the inhabitants of Tower-hill were remarkably turbulent. word limb, in the sense of a turbulent person, is not uncommon in London even at this day. A mischievous ritans were aimed at under these appellations seems to nruly boy is called a limb of the devil.' That the pu ine doubtful. The 14 i. e. in confinement. In limbo continues to be a cant phrase in the same sense to this day. The Limbus Patrum is, properly, the place where the old fathers and patriarchs are supposed to be waiting for the resurrection. See Titus Andronicue, Act iii. Sc. 1. besides the running banquet of two beadles,' that. is to come. There's a trim rabble let in: Are all these Cham As I live, Cran. Let me speak, sir, For heaven now bids me; and the words I utter Her foes shake like a field of beaten corn, with her : Port. You i' the camblet, get up o' the rail; I'll pick1 you o'er the pales else. [Exeunt. SCENE IV. The Palace. Enter Trumpets, soundSing; then two Aldermen, Lord Mayor, Garter, CRANMER, DUKE of NORFOLK, with his Mar- Who, from the sacred ashes of her honour, shal's staff, DUKE of SUFFOLK, two Noblemen Shall star-like rise, as great in fame as she was, bearing great standing-bowls for the christening And so stand fix'd: Peace, plenty, love, truth, gifts; then four Noblemen bearing a canopy, under which the DUCHESS of NORFOLK, godmother, bearing the Child richly habited in a mantle, &c. Train borne by a Lady; then follows the MARCHIONESS of DORSET, the other godmother, and The troop pass once about the stage, and Garter speaks. Under his own vine," what he plants; and sing Ladies. Gart. Heaven, from thy endless goodness, send prosperous life, long, and ever happy, to the high and mighty princess of England, Elizabeth. Flourish. Enter King and Train. Cran. [Kneeling.] And to your royal grace, and My noble partners, and myself, thus pray ;- K. Hen. Thank you, good lord archbishop; Cran. K. Hen. With this kiss take Elizabeth. Stand up, lord.-[The King kisses the Child. my blessing: God protect thee! Amen. terror, That were the servants to this chosen infant, K. Hen. Thou speakest wonders.] To the ground, and all the world shall mourn her. Thou hast made me now a man; never, before This happy child, did I get any thing: This oracle of comfort has so pleas'd me, That, when I am in heaven, I shall desire To see what this child does, and praise my Maker.I thank ye all.-To you, my good lord mayor, And your good brethren, I am much beholden; K. Hen. My noble gossips, ye have been too I have received much honour by your presence, And ye shall find me thankful. Lead the way, lords; Into whose hands I give thy life. Cran. 1 A public whipping. A banquet here is used figu. ratively, for a dessert. To the confinement of these rioters a whipping was to be the dessert. 2 It has already been observed that a bumbard was a large black jack of leather (Tempest, Act ii. Sc. 2,) used to carry beer to soldiers upon duty, or upon any occasion where a quantity was required. See note on King Henry IV. Part 1. Act ii. Sc. 4. 3 To pick is to pitch, cast, or throw. 4 At Greenwich, where this procession was made from the church of the Friars.-Hall, fo. 217. 5 Standing-bowls were bowls elevated on feet or pedestals. 5 The thought is borrowed from Scripture. See Micah, iv. 4. 1 Kings, c. iv. The first part of the prophe. ey is apparently burlesqued in the Beggar's Bush of Ye must all see the queen, and she must thank ye, Beaumont and Fletcher; where Orator Higgin is mak ing his congratulatory speech to the new king of the beggars; Each man shall eat his stolen eggs and butter In his own shade, or sunshine,' &c. 7 Some of the commentators think that this and the following seventeen lines were probably written by Ben Jonson, after the accession of King James. We have before observed Mr. Gifford is of opinion that Ben Jonson had no hand in the additions to this play. 8 On a picture of King James, which formerly belonged to the great Bacon, and is now in the possession of The year before the revival of this play there was a lot. Lord Grimston, he is styled imperii Atlantici conditor. tery for the plantation of Virginia. The lines probably allude to the settlement of that colony. |