Soil our addition; and indeed it takes From our achievements, though perform'd at height, It waves you to a more removed ground: The pith and marrow of our attribute. Shall in the general censures take corruption Hor. Enter Ghost. Look, my lord, it comes! says, The Emperor of Germany, who had his head in 1 i. e. characterize us by a swinish epithet. 2 i. e. spot, blemish. 3 Complexion for humour. By complexion our ancestors understood the constitutions or affections of the body. 4 i. e. the influence of the planet supposed to govern our birth, &c. 5 i. e. judgment, opinion. Mar. Look, with what courteous action No, by no means. Ham. It will not speak; then I will follow it. Ham. Why, what should be the fear? [lord, It waves me forth again ;-I'll follow it. Which might deprive your sovereignty of reason,11 King, father, royal Dane: O, answer me! Or from the airie cold-engendering coast? 9 Questionable most not be understood in its present acceptation of doubtful, but as conversable, inviting 6 The last paragraph of this speech stands in the question or conversation; this was the most prevalent quarto editions thus: the dram of eale The dram of base Doth all the noble substance of worth dout I see no reason why dout should be substituted for 7 Hamlet's speech to the apparition of his father seems to consist of three parts. When he first sees the spectre, he fortifies himself with an invocation; "Angels and ministers of grace, defend us! As the spectre approaches, he deliberates with himself, meaning of the word in Shakspeare's time. 10 Quarto 1603-interr'd. 11 It appears from Olaus Wormits, cap. vii. that it was the custom to bury the Danish kings in their armour. 12 Frame of mind. 13 'I do not estimate my life at the value of a pin.' 14 i. e. overhangs his base. Thus in Sidney's Arcadia, b. i.-Hills lift up their beetle brows, as if they would overlooke the pleasantnesse of their under prospect.'The verb to beetle is apparently of Shakspeare's creation. SCENE V. HAMLET, PRINCE OF DENMARK. A more remote Part of the Platform. | Would'st thou not stir in this. 477 Now, Hamlet, hear: Ham. Whither wilt thou lead me? speak, I'll go A serpent stung me; so the whole ear of Den'Tis given out, that sleeping in mine orchard, no further. Ghost. Mark me. Ham. Ghost. I will. My hour is almost come, When I to sulphurous and tormenting flames Must render up myself. Alas, poor ghost! Ham. Ham. Speak, I am bound to hear. hear. Ham. What? Ghost. I am thy father's spirit; -Thy knotted and combined locks to part, To ears of flesh and blood.-List, list, O, list!- Ham. O, heaven! Ghost. Revenge his foul and most unnatural murder." Ham. Murder? Ghost. Murder most foul, as in the best it is; as swift As meditation, or the thoughts of love, I find thee apt; And duller should'st thou be than the fat weed 1 The first quarto reads: 'Confin'd in flaming fire.' The spirit being supposed to feel the same desires and "Thou shalt lye in frost and fire, The Wyll of the Devyll, blk. 1. 2 Gawin Douglas really changes the Platonic hell into the punytion of the saulis in purgatory.' Dr. Farmer thus compressed his account: It is a nedeful thyng to suffer panis and torment;-sum in the wyndis, sum under the watter, and in the fire uther sum: thus the mony vices, Contrakkit in the corpis be done away mark Is by a forged process of Ham. O, my prophetic soul! my uncle! Ghost. Ay, that incestuous, that adulterate With witchcraft of his wit, with traitorous gifts, But virtue, as it never will be mov'd, And prey on garbage. But soft! methinks, I scent the morning air; Thus was I, sleeping, by a brother's hand, lubber, who looks as pale as the vizard of the Gnost, which cried so miserably at the theatre, Hamlet, revenge." 6 The folio reads-rots itself, &c. In the Humorous like the coarse and useless dunghill weed 8 This is also a Latinism, securus, quiet, or unguarded. the oil of which, according to Pliny, dropped into the 9 Hebenon may probably be derived from henbane, ears, disturbs the brain: and there is sufficient evidence that it was held poisonous by our ancestors. In Anton's Satires, 1606, we have: "The poison'd henbane, whose cold juice doth kill.' 3 How have mine eyes out of their spheres been And Drayton, in his Baron's Wars, p. 51: fitted In the distraction of this madding fever.' Sh. Son. 108. That beest is felle and sone is wrath, There is an allusion to the ghost in this play, or in an older one of the same name, by Lodge, in his Wit's Miserie and the World's Madness, 1596. He describes one of his Devils, by name Hate Virtue, as a foule Unhousel'd, disappointed, unanel'd ;3 [Exit. Ham. O, all you host of heaven! O, earth! What else? And shall I couple hell?-O, fie!-Hold, hold, my And you, my sinews, grow not instant old, All saws of books, all forms, all pressures past, O villain, villain, smiling, damned villain! [Writing. So, uncle, there you are. Now to my word:" I have sworn't. Heaven secure him! So be it! Mar. Mar. [Within.] Illo, ho, ho, my lord! Ham. Hillo, ho, ho, boy! come, bird, come. Enter HORATIO and MARCELLUS. Mar. How is't, my noble lord? Hor. Ham. O wonderful! Hor. You will reveal it. What news, my lord? 1 Unhousel'd is without having received the sacrament. Thus in Hormanni Vulgaria, 1519-He is departed without shryfte and housyll. And in Speculum Vitæ, MS. it is a sin To receive nat once in the yeare Howsel and schrifte with conscience clere.' "Therefore your best appointment make with speed.' 4 Uneffectual, i. e. shining without heat. The use of to pale as a verb is rather unusual, but not peculiar to Shakspeare. It is to be found in Chaucer and our elder writers. 5 i. e. in this head confused with thought. 6 Thus in the Second Part of King Henry IV. Act iv. Bc. 1: And therefore will he wipe his tables clean, We have sworn, my lord, already. Ham. Indeed, upon my sword, indeed. Ghost. [Beneath.] Swear. Ham. Ha, ha, boy! say'st thou so? art thou there, true-penny ? Come on,-you hear this fellow in the cellarage,- Hor. 'Tables or books, or registers for memorie of things. were then used by all ranks, and contained prepared leaves from which what was written with a silver style could easily be effaced. 7 The quarto 1603 has- Now to the words." By Now to my word,' Hamlet means now to my moths, ny word of remembrance; or as it is expressed by King Richard III. word of courage. Steevens asserted that the allusion is to the military watchword. A word, mox. or motto, was any short sentence, such as is inscribed on a token, or under a device or coat of arms. I w common phrase. See Ben Jonson's Works, by Mr. Gifford, vol. ii. p. 102. 8 This is the call which falconers use to their hawk in the air when they would have him come down them. Thus in Tyro's Roaring Megge, 1599:"Yet ere I journie, le go to see the kye, Come, come, bird, come: pox on you, you can mute.' 9 Warburton has ingeniously defended Shakspe observing that the whole northern world had their lear for making the Danish prince swear by St. Patrick, ing from Ireland. It is, however, more probable the the poet seized the first popular imprecation that came to his mind, without regarding whether it suited the country or character of the person to whom he cave it the cross at the upper end of it, is very ancient. It 10 The custom of swearing by the sword, or rather br Soliloquy of Roland, addressed to his sword, the cross which the guard and handle form is not forgenes Capulo eburneo candidissime, cruce aurez spend dissime,' &c.-Turpini de Gestis Carol. Mag.cap. The name of Jesus was not unfrequently inscribed the handle. The allusions to this custom are very Ghost. [Beneath.] Swear. HAMLET, PRINCE OF DENMARK. Ham. Hic ei ubique! then we'll shift our ground :- And lay your hands again upon my sword: 1 - Never to speak of this that you have heard. A worthy pioneer!-Once more remove, good friends. Hor. O, day and night, but this is wondrous strange! Ham. And therefore as a stranger give it welcome. There are more things in heaven and earth, Horatio, Than are dreamt of in your philosophy. But come ; Here, as before, never, so help you mercy! That you, at such times seeing me, never shall, Or such ambiguous giving out, to note That you know aught of me :-This not to do, So grace and mercy at your most need help you! Ham. Rest, rest, perturbed spirit! So, gentle- With all my love I do commend me to you: ACT II. SCENE I. A Room in Polonius' House. [Exeunt. 479 What company, at what expense; and finding, And, in part, him ;-Do you mark this, Reynaldo ? Pol. And, in part, him ;—but, you may say, not But, if't be he I mean, he's Drabbing:-You may go so far. Rey. My lord, that would dishonour him. You must not put another scandal on him, That's not my meaning: but breathe his faults so That they may seem the taints of liberty; Rey. But, my good lord,- I would know that. Ay, my lord, my drift ; Pol. Pol. Give him this money, and these notes, Rey- Of man, and country. Pol. And then, sir, does he this,-He does- Pol. You shall do marvellous wisely, good Rey-What was I about to say?-By the mass, I was about to say something :-Where did I leave? I saw him yesterday, or t'other day, There fulling out at tennis: or, perchance, I saw him enter such a house of sale, Hamlet's late interview with the spectre must in particular he regarded as a stroke of dramatic artifice. The phantom might have told his story in the presence of the officers and Horatio, and yet have rendered itself as inaudible to them as it afterwards did to the queen. But suspense was the poet's object and never was it more effectually created than in the present inbut till now has been withheld from speaking. For The stance. Six times has the royal semblance appeared, unaccompanied by lassitude, or remitted attention.'this event we have waited with impatient curiosity, Steevens. Thou wilt perform my bidding." 1 The quarto 1604 reads-this do swear.' construction of this passage is rather embarrassed, but the sense is sufficiently obvious without explanation. 3 i. e. Danes. Warner, in his Albion's England, 2 Shakspeare has riveted our attention to the ghost by a succession of forcible circumstances: by the previous report of the terrified sentinels,-by the solemnity of the hour at which the phantom walks,-by its mar-calls Denmark Danske. tial stride and discriminating armour, visible only per incertam lunam, by the glimpses of the moon,-by its relling: they thinke themselves no men, if for stirring 4 The cunning of fencers is now applied to quar long taciturnity, by its preparation to speak, when in-of a straw, they prove not their valure uppon some terrupted by the morning cock,-by its mysterious re- bodies ileshe.Gosson's Schole of Abuse, 1579. serve throughout its first scene with Hamlet,--by his resolute departure with it, and the subsequent anxiety of his attendants,--by its conducting him to a solitary angle of the platform, by its voice from beneath the earth, and by its unexpected burst on us in the closet. generally assailed by.' rapiers and poniards, with their assigns, as girdle, Pol. Farewell!-How now, Ophelia? what's the matter? Oph. O, my lord, my lord, I have been so affrighted! Pol. With what, in the name of heaven? Oph. My lord, as I was sewing in my closet, Pale as his shirt; his knees knocking each other; To speak of horrors, he comes before me. But, truly, I do fear it. My lord, I do not know; What said he? Oph. He took me by the wrist, and held me hard; As he would draw it. Long stay'd he so; seek the king. That does afflict our natures. I am sorry,- To 1 i. e. by tortuous devices and side essays. assay, or rather essay, of the French word essayer, tentare,' says Baret. 2 i. e. in your own person, personally add your own observations of his conduct to these inquiries respecting him. More grief to hide, than hate to utter love." [Exeunt. SCENE II. A Room in the Castle. Enter King, Queen, ROSENCRANTZ, GUILDENSTERN, and Attendants. King. Welcome, dear Rosencrantz, and Guildenstern! Moreover that we much did long to see you, That you vouchsafe your rest here in our court Some little time: so by your companies To draw him on to pleasures; and to gather, So much as from occasion you may glean, Whether aught, to us unknown, afflicts him thus,"" That, open'd, lies within our remedy. Queen. Good gentlemen, he hath much talk'd of 7 This is not the remark of a weak man. It is always the fault of a little mind made artful by long counte with the world. The quartos read, By hearen, it is as proper,' &c. 8This must be made known to the king, for Being 3 Hanging down like the loose cincture which con-kept secret,) the hiding Hamlet's love might cerasaa fines the fetters or gyves round the ancles. more mischief to us from him and the queen, then the uttering or revealing it will occasion hate and resca ment from Hamlet.' Johnson, whose explication d' is, attributes the obscurity to the poet's affectation concluding the scene with a couplet. There would surely have been more affectation in deviating from the universally established custom. 4 i. e. his breast. The bulke or breast of a man, thorax, la poitrine.-Baret. Thus in King Richard III. Act i. Sc. 4, Clarence says: but still the envious flood Kept in my soul, and would not let it forth,But smother'd it within my panting bulk.' Malone cites this, and the following passage, and yet explains it all his body!— 9 Folio omits come. 10 Quarto-silk nor. 12 Quarto-haviour. 13 This line is omitted in the folio. 11 Folio-derm. |