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His body is a Will he spend

and every organ is under the same law. jar, in which the liquor of life is stored. for pleasure? The way to ruin is short and facile. Will he not spend, but hoard for power? It passes through the sacred fermentations, by that law of Nature whereby everything climbs to higher platforms, and bodily vigor becomes mental and moral vigor. The bread he eats is first strength and animal spirits; it becomes, in higher laboratories, imagery and thought; and in still higher results, courage and endurance. This is the right compound interest; this is capital doubled, quadrupled, centupled; man raised to his highest power.

The true thrift is always to spend on the higher plane; to invest and invest, with keener avarice, that he may spend in spiritual creation, and not in augmenting animal existence. Nor is the man enriched, in repeating the old experiments of animal sensation, nor unless, through new powers and ascending pleasures, he knows himself, by the actual experience of higher good, to be already on the way to the highest.

IV.

CULTURE.

CAN rules or tutors educate
The semigod whom we await?
He must be musical,
Tremulous, impressional,
Alive to gentle influence
Of landscape and of sky,
And tender to the spirit-touch
Of man's or maiden's eye:
But, to his native centre fast,

Shall into Future fuse the Past,

And the world's flowing fates in his own mould recast

CULTURE.

THE word of ambition at the present day is Culture. Whilst all the world is in pursuit of power, and of wealth as a means of power, culture corrects the theory of suecess. A man is the prisoner of his power. A topical memory makes him an almanac; a talent for debate, a disputant; skill to get money makes him a miser, that is, a beggar. Culture reduces these inflammations by invoking the aid of other powers against the dominant talent, and by appealing to the rank of powers. It watches success. For performance, Nature has no mercy, and sacrifices the performer to get it done; makes a dropsy or a tympany of him. If she wants a thumb, she makes one at the cost of arms and legs, and any excess of power in one part is usually paid for at once by some defect in a contiguous part.

Our efficiency depends so much on our concentration, that Nature usually in the instances where a marked man is sent into the world, overloads him with bias, sacrificing his symmetry to his working power. It is said a man can write but one book; and if a man have a defect, it is apt to leave its impression on all his performances. If she creates a policeman like Fouché, he is made up of suspicions and of plots to circumvent them. "The air,"

said Fouché, "is full of poniards." The physician Sanctorius spent his life in a pair of scales, weighing his food. Lord Coke valued Chaucer highly, because the Canon Yeman's Tale illustrates the statute fifth Hen. IV. Chap. 4, against alchemy. I saw a man who believed the principal mischiefs in the English state were derived from the devotion to musical concerts. A freemason, not long since, set out to explain to this country, that the principal cause of the success of General Washington was, the aid he derived from the freemasons.

But worse than the harping on one string, Nature has secured individualism, by giving the private person a high conceit of his weight in the system. The pest of society is egotists. There are dull and bright, sacred and profane, coarse and fine egotists. 'Tis a disease that, like influenza, falls on all constitutions. In the distemper known to physicians as chorea, the patient sometimes turns round, and continues to spin slowly on one spot. Is egotism a metaphysical variety of this malady? The man runs round a ring formed by his own talent, falls into an admiration of it, and loses relation to the world. It is a tendency in all minds. One of its annoying forms is a craving for sympathy. The sufferers parade their miseries, tear the lint from their bruises, reveal their indictable crimes, that you may pity them. They like sickness, because physical pain will extort some show of interest from the bystanders, as we have seen children, who, finding themselves of no account when grown people come in, will cough till they choke, to draw attention.

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This distemper is the scourge of talent, of artists, inventors, and philosophers. Eminent spiritualists shall

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