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Murders, that with affright
Scare schoolboys from their play!
All evil thoughts and deeds;

Anger, and lust, and pride;
The foulest, rankest weeds,

That choke Life's groaning tide! These are the woes of Slaves; They glare from the abyss ; They cry, from unknown graves, "We are the Witnesses !"

THE SLAVE SINGING AT

MIDNIGHT.

LOUD he sang the Psalm of David!
He, a Negro and enslaved,
Sang of Israel's victory,
Sang of Zion, bright and free.

In that hour, when night is calmest,
Sang he from the Hebrew Psalmist,
In a voice so sweet and clear
That I could not choose but hear.

Songs of triumph, and ascriptions,
Such as reached the swart Egyptians,
When upon the Red Sea coast
Perished Pharaoh and his host.
And the voice of his devotion
Filled my soul with strange emotion;
For its tones by turns were glad,
Sweetly solemn, wildly sad.

Paul and Silas, in their prison,
Sang of Christ, the Lord arisen,
And an earthquake's arm of might
Broke their dungeon-gates at night.
But, alas! what holy angel
Brings the Slave this glad evangel?
And what earthquake's arm of might
Breaks his dungeon-gates at night?

THE QUADROON GIRL. THE Slaver in the broad lagoon Lay moored with idle sail; He waited for the rising moon, And for the evening gale.

Under the shore his boat was tied,
And all her listless crew
Watched the gray alligator slide
Into the still bayou.

Odours of orange-flowers, and spice,
Reached them from time to time,
Like airs that breathe from Paradise
Upon a world of crime.

The planter, under his roof of thatch,
Smoked thoughtfully and slow;
The Slaver's thumb was on the latch,
He seemed in haste to go.
He said, "My ship at anchor rides
In yonder broad lagoon ;

I only wait the evening tides,

And the rising of the moon."
Before them, with her face upraised,
In timid attitude,

Like one half-curious, half-amazed,
A Quadroon maiden stood.
Her eyes were large, and full of light,
Her arms and neck were bare;
No garment she wore save a kirtle
bright,

And her own long, raven hair.
And on her lips there played a smile
As holy, meek, and faint,

As lights in some cathedral aisle
The features of a saint.

"The soil is barren,—the farm is old!” The thoughtful Planter said;

Then looked upon the Slaver's gold,
And then upon the maid.

His heart within him was at strife
With such accursed gains;
For he knew whose passions gave her life,
Whose blood ran in her veins.

But the voice of nature was too weak;
He took the glittering gold!

Then pale as death grew the maiden's cheek,

Her hands as icy cold.

The Slaver led her from the door,
He led her by the hand,
To be his slave and paramour
In a strange and distant land!

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Some pledge and keepsake of her higher nature,

And, like the diamond in the dark, retains

Some quenchless gleam of the celestial light!

I do not think so,
I am sure of it.
Stay yet a little

Lara. Yet Preciosa would have taken the gold. Don C. (rising.) Lara. But why this haste? longer, And fight the battles of your Dulcinea. Don C. 'Tis late. I must begone, for if I stay You will not be persuaded. Lara. Yes; persuade me. Don C. No one so deaf as he who will not hear!

Lara. No one so blind as he who will not see!

Don C. And so good night. I wish you pleasant dreams,

And greater faith in women.

Lara.

[Exit.
Greater faith!
I have the greatest faith; for I believe
Victorian is her lover. I believe
That I shall be to-morrow; and there-
after

Another, and another, and another,
Chasing each other through her zodiac,
As Taurus chases Aries.

(Enter FRANCISCO with a casket.)
Well, Francisco,
What speed with Preciosa?
Fran.
None, my Lord.
She sends your jewels back, and bids

me tell you

She is not to be purchased by your gold. Lara. Then I will try some other way to win her.

Fran.

Pray dost thou know Victorian ?
I saw him at the jeweller's to-day.
Yes, my lord;
What was he doing there?

Lara.

Fran.

I saw him buy

A golden ring that had a ruby in it.

Lara.
Fran.

73

Was there another like it?
One so like it

I could not choose between them.
Lara.
It is well.
To-morrow morning bring that ring to

me.

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Chispa. Abernuncio Satanas!* and a plague on all lovers who ramble about at night, drinking the elements, instead of sleeping quietly in their beds. Every dead man to his cemetery, say I; and every friar to his monastery. Now, here's my master, Victorian, yesterday a cow-keeper, and to-day a gentleman; yesterday a student, and to-day a lover; and I must be up later than the nightingale, for as the abbot sings so must the sacristan respond. God grant he may soon be married, for then shall all this serenading cease. Ay, marry! marry! marry! Mother, what does marry mean? It means to spin, to bear children, and to weep, my daughter! And, of a truth, there is something more in matrimony than the wedding-ring. (To the Musicians.) And now, gentlemen, Pax vobiscum! as the ass said to the cabbages. Pray walk this way; and don't hang down your heads. It is no disgrace to have an old father and a ragged shirt. Now look you, you are gentlemen who lead the life of crickets; you enjoy hunger by day, and noise by night. Yet, I beseech you, for this once be not loud, but pathetic; for it is a serenade to a damsel in bed, and not to the Man in the Moon. Your object is

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not to arouse and terrify, but to soothe SCENE III.-PRECIOSA's chamber.

and bring lulling dreams. Therefore, each shall not play upon his instrument as if it were the only one in the universe, but gently, and with a certain modesty, according with the others. Pray how may I call thy name, friend?

First Mus. Gerónimo Gil, at your

service.

Chispa. Every tub smells of the wine that is in it. Pray, Gerónimo, is not Saturday an unpleasant day with thee?

First Mus. Why so?

Chispa. Because I have heard it said that Saturday is an unpleasant day with those who have but one shirt. Moreover, I have seen thee at the tavern, and if thou canst run as fast as thou canst drink, I should like to hunt hares with thee. What instrument is that?

First Mus. An Aragonese bagpipe. Chispa. Pray art thou related to the bagpiper of Bujalance, who asked a maravedi for playing, and ten for leaving off?

First Mus. No, your honour.

Chispa. I am glad of it. What other instruments have we?

Second and Third Mus. We play the bandurria.

Chispa. A pleasing instrument. And thou?

Fourth Mus. The fife.

Chispa. I like it; it has a cheerful, soul-stirring sound, that soars up to my lady's window like the song of a swallow. And you others?

Other Mus. We are the singers, please your honour.

Chispa. You are too many. Do you think we are going to sing mass in the cathedral of Cordova? Four men can make but little use of one shoe, and I see not how you can all sing in one song. But follow me along the garden That is the way my master climbs to the lady's window. It is by

wall.

the vicar's skirts that the devil climbs into the belfry. Come, follow me, and make no noise. [Exeunt.

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