Shakespeare's Poetic Styles: Verse into DramaRoutledge, 2013 M10 11 - 272 páginas First published in 1980. At their most successful, Shakespeare's styles are strategies to make plain the limits of thought and feeling which define the significance of human actions. John Baxter analyses the way in which these limits are reached, and also provides a strong argument for the idea that the power of Shakespearean drama depends upon the co-operation of poetic style and dramatic form. Three plays are examined in detail in the text: The Tragedy of Mustapha by Fulke Greville and Richard II and Macbeth by Shakespeare. |
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Página 14
... Camena . But her own children , Zanger and Camena , as they discover what she in- tends , are opposed to Rossa . Camena is killed at her mother's command because she tries to warn Mustapha of his danger , and Zanger dies by his own hand ...
... Camena . But her own children , Zanger and Camena , as they discover what she in- tends , are opposed to Rossa . Camena is killed at her mother's command because she tries to warn Mustapha of his danger , and Zanger dies by his own hand ...
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... Camena and Achmat whose desires are intense and often turbulent . The aspira- tions of Rossa , in particular , are central to the play . O wearysome Obedience , Wax to Power ! Shall I in vaine be Mustapha's accuser ? Shall any Iustice ...
... Camena and Achmat whose desires are intense and often turbulent . The aspira- tions of Rossa , in particular , are central to the play . O wearysome Obedience , Wax to Power ! Shall I in vaine be Mustapha's accuser ? Shall any Iustice ...
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... Camena , her daughter , as well as the manipulation of Soliman and the murder of her step- son , Mustapha . In this play Greville achieves a good example of what Aristotle calls a ' likely impossibility ' : ' impossibility ' because it ...
... Camena , her daughter , as well as the manipulation of Soliman and the murder of her step- son , Mustapha . In this play Greville achieves a good example of what Aristotle calls a ' likely impossibility ' : ' impossibility ' because it ...
Página 27
... Camena stands in her way : You vgly Angells of th ' infernall Kingdomes ! You who must brauely haue maintain'd your beings In equall power , like Riualls , to the heauens ! Let me raigne , while I liue , in my desires ; Or dead , liue ...
... Camena stands in her way : You vgly Angells of th ' infernall Kingdomes ! You who must brauely haue maintain'd your beings In equall power , like Riualls , to the heauens ! Let me raigne , while I liue , in my desires ; Or dead , liue ...
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Contenido
7 | |
Tragedy and history in Richard II | 46 |
the moral and the golden | 56 |
the metaphysical and | 77 |
style and the character | 106 |
style and the character | 114 |
Tragic doings political order | 144 |
bombast and wonder | 168 |
style and form | 196 |
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Términos y frases comunes
achieve action analysis appear appropriate attempt beginning Bolingbroke calls cause character claims clear clearly close couplet critical death despite drama earth effect Elizabethan emotional England English especially essentially example experience expression fact fear feeling figure finally Gaunt give golden style Greville hand human idea imagery images imagination imitation important individual intention John kind king language least less live London Macbeth matter means metaphysical mind moral murder Mustapha nature offers once opening passage plain style play poem poetic poetry political possible present problem question reality reason reference remarks represented rhetoric Richard Richard II scene seems sense Shakespeare simply soliloquy speak speech suggests things thou thought tion traditional tragedy tragic true truth understanding University Press verse whole Winters wonder York