Façade as Spectacle: Ritual and Ideology at Wells CathedralBRILL, 2004 M01 1 - 260 páginas This interdisciplinary study interprets the façade of Wells Cathedral as an integral part of thirteenth-century English Church liturgy and politics. Carolyn Malone posits that architectural motifs, as signs, complemented not only the façade s sculptural program of the Church Triumphant but also its use during liturgical processions. Interpreted as an ideological construct, the façade s design is related to theological change, liturgical innovation and political strategy, as well as to the conjuncture of several major historical and cultural events of the 1220s. As part of the Church s empowering ritual, the façade expressed the reforming views of the Fourth Lateran Council, promoted Wells as the seat the diocese and proclaimed the covenant between Church and State in England following Magna Carta. |
Contenido
Introduction | 1 |
THE BISHOPS HOMILY AND THE MASTER MASONS RESPONSE | 15 |
Chapter Two The Church Triumphant | 43 |
Chapter Three The Production of Signs | 85 |
the english church of the 1220s | 129 |
ChapterFour LiturgicalPractice | 139 |
Processions | 149 |
ChapterFive EucharisticPractice | 158 |
Sacerdotium and Regnum | 200 |
Conclusion | 225 |
| 255 | |
Otras ediciones - Ver todas
Façade as Spectacle: Ritual and Ideology at Wells Cathedral Carolyn Marino Malone Vista previa limitada - 2004 |
Façade as Spectacle: Ritual and Ideology at Wells Cathedral Carolyn Marino Malone Sin vista previa disponible - 2004 |
Términos y frases comunes
abbey Adam Lock altar angels Anglo-Saxon Apocalypse arcading architectural Bishop Jocelin blessed buttresses canons Canterbury Cathedral Chapter Chartres choir furnishings choir screen Christ Church Triumphant clerics consecration consuetudinary Coronation corpus mysticum council crown dalmatic deacon decorated depicted door earlier Easter Ecclesia effigies England English Church Eucharist Exeter façade façade’s frame gabled niches Glastonbury gospel Gothic Gransden heaven Heavenly Jerusalem Henry Henry III holy Homilies Hope and Lethaby Hubert Hubert Walter Hugh Ibid Imagery Innocent Interdict John king king’s laity later Lateran Lincoln liturgical London lower zone Magna Carta Malone master mason Matthew Paris medieval motifs nave Notre-Dame Palm Sunday Peter des Roches pope Powicke procession quatrefoils refers resurrection retrochoir Richard Poore sacrament saints Salisbury Sampson Sarum Missal sculptural program seems sermons shrine side similar statues Stephen Langton suggested superposed Testament thirteenth century tomb tower transept Trinity Tudor-Craig twelfth twelfth-century Virgin wearing Winchester