4 Back from those hostile fields to bring the slain Of Proserpine and Ceres; for these Mothers Have sent a herald to call Theseus hither, That from the Theban land he may remove .... The causes of their sorrow, or the Gods Appeasing by some pious rites, release me From the constraint these suppliant Dames impose. Our feeble sex to seek man's needful aid.. CHORUS. eyes An aged woman prostrate at thy knees, Thee I implore my children to redeem Who welter on a foreign plain, unnerv’d By death and to the savage beasts a prey: Thou see'st the piteous tears which from these Unbidden start, and torn with desperate hands My wrinkled flesh. What hope remains for me, Who neither, at my home, have been allow'd The corses of my children to stretch forth, Nor heap'd with earth behold their tombs arise? Thou, too, illustrious Dame, hast borne a Son... (2) Brodeus has collected testimonies from Greek glossary to Homer, Phurnutns, Aristides, and Pausanias, to show that Eleusine was the place where corn first made its appearance; upon which the grateful inhabitants erected the famous temple of Ceres on the spot whence they first reaped her bounties. Crowning the utmost wishes of thy Lord, For the deceas'd whom I brought forth; persuade I crave that to these arms thou would'st restore THRA. Here a fresh groupe of mourners stands, Your followers in succession wring their hands. CHORUS. Attune expressive notes of anguish, O ye sympathetic choir, And in harmonious accents languish, Such as Pluto loves t' inspire. And let gore your bosoms stain, For from the living is such honour due Whose corses welter on th' embattled plain. I feel a pleasing sad relief, Unsated as I brood o'er scenes of grief; My lamentations never ending, Are like the moisture of the sea In drops from some high rock descending, For those youths who breathe no more And with incessant tears their loss deplore: My woes, and welcome death's perpetual sleep. THESEUS, ÆTHRA, ADRASTUS, CHORUS. THESEUS. What plaints are these I hear? who strike their breasts, Attuning lamentations for the dead In such loud notes as issue from the fane? May have befallen my Mother; she from home Of foreign matrons, who their woes express Of tears: their heads are shorn, nor is their garb What means all this? My Mother, say; from you Some tidings of importance. ÆTHRA. O my Son These are the Mothers of those seven fam'd chiefs THESEUS. But who is he who groans So piteously, stretcht forth before the gate? Adrastus, they inform me, king of Argos. THESEUS. Are they who stand around, those (3) Matrons' Sons? ÆTHRA. Not theirs; they are the children of the slain. THESEUS. Why with those suppliant tokens in their hands Come they to us? ÆTHRA. I know: but it behoves Them, O my Son, their errand to unfold. THESEUS. To thee who in a fleecy cloak art wrapp'd, My questions I address: thy head unveil, ADRASTUS. O king of the Athenian land, renown'd THESEUS. What's thy pursuit, and what is it thou need'st? ADRASTUS. Know you not how ill-fated was the host I led? THESEUS. Thou didst not pass thro' Greece in silence. ADRASTUS. The noblest youths of Argos there 1 lost. THESEUS. Such dire effects from luckless war arise. (3) Finding by Dr. Musgrave's note, that there is the authority of a manuscript for reading TT instead of rus, I gladly avail myself of it, as an amendment of the text which Minerva's apostrophe at the close of this play to Ægialeus son of Adrastus strongly supports. ADRASTUS. From Thebes I claim'd the bodies of the slain. THESEUS. Did'st thou rely on Heralds to procure Leave to inter the dead? ADRASTUS. But they who slew them Deny this favour. THESEUS. What can they allege 'Gainst a request which justice must approve? ADRASTUS. Ask not the reason: they are now elate With a success they know not how to bear. THESEUS Art thou come hither to consult me then, Or on what errand? ADRASTUS. 'Tis my wish, O Theseus, That you the Sons of Argos would redeem. But where is Argos now? were all her boasts Of no effect? ADRASTUS. We by this one defeat Are ruin'd, and to you for succour come. THESEUS. This on thy private judgement, or the voice Of the whole city? |